Esta tesis doctoral analiza el potencial de una crítica ética sobre la continua necesidad de acelerar, crecer e innovar, así como de hacer todo disponible para el turismo. La hipótesis es que la dinámica conformada por estos aspectos puede afectar a las formas de vida y menoscabar la capacidad dialógica para la resolución de conflictos de quienes se encuentran implicados o afectados por el turismo. A partir de un estudio sistemático e interdisciplinar de la cinética del turismo, esta tesis analiza (...) la naturaleza coercitiva y cultural de sus motores aceleratorios y de sus manifestaciones, y amplía el margen de reflexión de la ética del turismo a través de la teoría crítica de la resonancia de Hartmut Rosa. Se concluye que la resonancia ofrece una base compatible con el modelo de ética procedimental exigido por el pluralismo ético y por las demandas de justicia que puede contribuir a hacer frente a los retos que la cinética plantea en el turismo a través de instituciones, prácticas sociales y modos de socialización. This doctoral thesis examines the potential of an ethical critique on the constant need for acceleration, growth and innovation, and to make everything available for tourism. The hypothesis is that the dynamics created by these aspects can affect life forms, and undermine the capacity for dialogue for conflict resolution among those involved or affected by tourism. Taking a systematic and interdisciplinary study of the kinetics of tourism as its starting point, this thesis analyses the coercive and cultural nature of the engines of its acceleration and its manifestations, and broadens the scope for reflection on the ethics of tourism through Rosa’s Resonance Critical Theory. It concludes that resonance offers foundations compatible with the model of procedural ethics required by ethical pluralism, and the demands of justice, which could help to address the challenges posed by kinetics in tourism through institutions, social practices and modes of socialization. (shrink)

Entry on Work in M. N. S. Sellars & S. Kirste (Eds.), The Springer Encyclopedia of the Philosophy of Law and Social Philosophy. Springer.

Given his view that the modern world is ‘radically evil’, Adorno is an unlikely contributor to business ethics. Despite this, we argue that his work has a number of provocative implications for the field that warrant wider attention. Adorno regards our social world as damaged, unfree, and false and we draw on this critique to outline why the achievement of good work is so rare in contemporary society, focusing in particular on the ethical demands of roles and the ideological nature (...) of management’s self-understanding. Nevertheless, we show that Adorno’s comments on activities such as art and philosophy mean that it is possible to draw on his work in a way that contributes constructively to the conversation about good and meaningful work within business ethics. (shrink)

We live today within a system in which state and corporate power aim to render space flat, transparent, and uniform, for only then can it be truly controlled. The gaze of power and the commodity form are capable of infiltrating even the darkest of corners, and often, we invite them into our most private spaces. We do so as a matter of convenience, but also to placate ourselves and cope with the alienation inherent in our everyday lives. The resulting dominant (...) space can best be termed totalitarian. It is space stripped of uniqueness, deprived of the “spatial aura” necessary for authentic experience. In Totalitarian Space and the Destruction of Aura, Saladdin Ahmed sets out to help us grasp what has been lost before no trace remains. He draws attention to that which we might prefer not to see, but despite the bleakness of this indictment of reality, the book also offers a message of hope. Namely, it is only once we comprehend the magnitude of the threat to our spatial experience and our own complicity in sustaining this system that we can begin to resist the totalizing forces at work. (shrink)

This essay explores the works of German artist Gustav Metzger as a potential response to Theodor W. Adorno’s dictum “Nach Auschwitz ein Gedicht zu schreiben, ist barbarisch” (“To write poetry after Auschwitz is barbaric”). It argues that culture, as understood in the Adornian sense, is inextricably barbaric as a result of simply being after Auschwitz. Culture must acknowledge the finitude in its own ability to live up to an ethical demand in response to justice, whose arrival is infinitely deferred. In (...) spite of this, culture, and art in particular, must not refrain from the very act of writing. Metzger’s works are discussed as aesthetic responses to the “new categorical imperative” of Adorno, who addresses art’s failure in light of Auschwitz by pointing to aporias that constitute the inescapable condition of “barbarism.” This essay suggests that Metzger’s aesthetic articulations are nonbarbaric ruptures, in that they challenge our living on irresponsibly within the condition of barbarism via a constant confrontation with complicity. (shrink)

This article analyses the connections between forms of solitary automobile habitation and the use of mobile sound technologies in automobiles: the radio, cassette, sound system and mobile phone. It does this through an empirically informed analysis of automobile use. In doing so it re-evaluates our understanding of the occupation of space and place, arguing that traditional concepts of urban space have underestimated the active role that the users of these communication technologies might have in transforming the meaning of these spaces (...) as they pass through them. The article points to the powerful, and potentially problematic, role that sound technologies play in the daily experience of moving through the city. (shrink)

This paper explores the ways in which a fuller attention to suffering in the tradition of the early Frankfurt School might valuably inform international political thought. Recent poststructural writing argues that trauma is silenced to prevent it disrupting narratives of order and progress and instead advocates a continual ‘encircling’ of trauma that refuses incorporation into a broader historical narrative. This paper welcomes this challenge to mainstream international ethics: attention to particular suffering provides an important challenge to the abstraction, instrumentalism and (...) universalism of modernity. However, if we simply mark trauma and refuse to incorporate it into any kind of narrative, we cannot profit from the ways in which suffering can illuminate the structures and ways of thinking that create it. Drawing on Adorno's negative dialectics, the paper argues that a dialectical understanding of the relationship between universalising order and disrupting particularity can lead from individual suffering towards a political re-engagement with the universal. (shrink)

After situating Andreas Reckwitz’s The Society of Singularities within the broader context of the tradition of social theory, we discuss in detail the obvious strengths of this book, notably its impressive range and originality. Subsequently, we elaborate on two limitations of Reckwitz’s argument. Firstly, we argue that Reckwitz’s use of categories such as ‘singularity’ and ‘universality’ is too all-embracing, lacking the clarity and focus needed to sustain a productive line of inquiry. Secondly, and related to the previous point, we contend (...) that Reckwitz’s claims about the recent trend towards increasing singularity are so broad that they are difficult to refute empirically. Further, we discuss briefly contemporary political developments to demonstrate why the core societal issues at stake cannot be explained through all-inclusive categories such as singularity. Finally, we maintain that existence theory can provide an alternative fruitful perspective on some of the phenomena discussed in this book. (shrink)

Despite the fact that the sociological notion ‘individualization’ contains the most heterogeneous phenomena, the article develops an interpretation of the fate of individualization in Western capitalism today. After having differentiated three different meanings of that notion with the help of Georg Simmel, the position is defended that the claims to individual self-realization, which have rapidly multiplied in the Western societies of thirty or forty years ago, have become so much a feature of the institutionalized expectations inherent in social reproduction that (...) the particular goals of such claims are lost and they are transmuted into a support of the system’s legitimacy. The result of this paradoxical reversal, where the processes which once promised an increase of qualitative freedom are henceforth altered into an ideology of de-institutionalization, is the emergence in individuals of a number of symptoms of inner emptiness, of feeling oneself to be superfluous, and of absence of purpose. (shrink)

Consumer society has negated Freud's thesis presented in Civilization and its Discontents. The hindrance of desire affirmation is no longer the foundation of discontent. The inverse is now true. A seemingly limitless number of desires have been manufactured and administered with a solitary route to their affirmation via consumption. Because of this, consumer society's members find themselves in a lifeworld of aimless striving, dissatisfaction, disappointment and boredom. I demonstrate that the attempt to flee the sufferings of estranged labour through consumption (...) has pushed consumer society into a new web of suffering brought on by a continual development of manufactured desires, creating a minor yet perpetual pain that is best understood in the light of a sociologized and historicized Schopenhauerian philosophy. (shrink)

Philosophy’s engagement with mass media has often been ambiguous: many critical theorists, from Benjamin to Bourdieu, recognised the emancipatory potential of modern communication technologies, but they also denounced the economic, political and ideological forces at work in the creation and dissemination of public opinion. Looking at different media, these authors emphasised the dialectical tension between the plurality of the public sphere and different forms of control and manipulation. In the present paper, I argue that this line of criticism, albeit important, (...) is no longer sufficient. I claim that contemporary forms of communication, defined by a unique emphasis on interactivity, cannot be analysed simply in terms of the opposition between dominant and marginalised agents or discourses. In its most extreme form, interactivity leads to an implosion of the distinction between the sources and the targets of the information flow, which calls into question the very possibility of a meaningful communicative exchange. To clarify the nature of this phenomenon, I retrace the evolution of modern political communication, from live speeches to digital platforms and social networks, and discuss its implications for recent debates on political authority, participation and representation. (shrink)

Journal of Social Philosophy, Volume 52, Issue 1, Page 72-91, Spring 2021.

The article begins by noting that the widespread assumption that the social basis of more difficult or cosmopolitan art has been undermined in later modernity should lead to blander, less controversial art. An alternative interpretation is briefly described in which cosmopolitan art has become a spectacular tourist attraction. Significant questions that would follow such a development are: how national cultural institutions have been co-opted into a global spectacular culture and whether the work displayed in these settings can be radically critical (...) of dominant social values; and the implications of the development of a public culture focused on spectacular attractions for notions of cultural citizenship. In the article these questions are explored through a brief history of changing attitudes and values in British public culture, leading to a suggestion that we are experiencing an era of cultural fragmentation. The article concludes with a consideration of the possibilities for cultural citizenship in these changing circumstances. (shrink)

Culture is considered as a key term in anthropology, now in critical mode, and to be worked through powerful tropes that lead to issues in politics, interpretation, translation, stereotype and racism. Anthropology is described as a cultural system itself, with a large supporting institutional apparatus, not unlike the culture industry as critiqued by Adorno and the Frankfurt School. The high mass culture/high culture distinction is considered and some distortions explained (away). Street culture and culture as (development) resource are evaluated, leading (...) to an assessment of culture as souvenirs, trinkets and the ephemera of tourism as a modern commodity fetish. How this measures up to political struggles is again considered in the light of work by critics such as Fanon and those engaged with anti-imperialist struggles worldwide. (shrink)

As militarization of bodies politic continues apace the world over, as military organizations again reveal themselves as primary political, economic and cultural forces in many societies, we argue that the emergent and potentially dominant form of political economic organization is a species of neo-feudal corporatism. Drawing upon Bourdieu, we theorize bodies politic as living habitus. Bodies politic are prepared for war and peace through new mediations, powerful means of public pedagogy. The process of militarization requires the generation of new, antagonistic (...) evaluations of other bodies politic. Such evaluations are inculcated via these mediations, the movement of meanings across time and space, between formerly disparate histories, places, and cultures. New mediations touch new and different aspects of the body politic: its eyes, its ears, its organs, but they are consistently targeted at the formation of dispositions, the prime movers of action. (shrink)

This is a study of the semiotics of counterfeit products. Beginning with an analysis of a number of piracy-related activities taking place in China, I look at how and why China is understood by the world as a pirate nation. Through a careful reading of the counterfeit product as a material object, my study aims at demythologizing the relation between China and piracy, and I relate the logic of the counterfeit to the logic of capitalism. I argue that piracy is (...) a result of global capitalism rather than to do with the character of a particular people, and I demonstrate the urgent need to establish a politics of mimetic reading, which refuses to be shut down by capitalist discourse, such as that produced by the intellectual property rights regime. (shrink)

We explore how the singer Morrissey has represented the struggles of the proletariat in creative and provocative ways, inviting a deep textual reading that reveals a complex counter-hegemonic stance on the issue of social class. A champion of the ‘Other’ in a variety of guises, Morrissey is revealed in this article as a raconteur of the marginalized working class. We illustrate this through a detailed semiotic, musical and contextual reading of one particular song; ‘Interesting Drug’. We reveal tensions in Morrissey's (...) representations of the proletariat. Specifically, Morrissey's romantic, nostalgia-laden, oversimplification of the working-class hero of an earlier era seems some distance from the ‘real’ proletariat struggle for representation in the places that count. However, in providing both collective places and intimate spaces in which to reflect, his music becomes counter-hegemonic as he hands power back to the individual to make the music meaningful in whatever way he or she wishes. (shrink)

The piece contrasts the functioning realities of the British Asian diaspora - music, violence, sex, food, life - with the institutionalized production of knowledge about that diaspora, in particular as regards its expressive cultures. It focuses on the emergence of the so-called `Asian Underground' within a contemporary Benjaminian context of `mechanical reproduction' and explores the opportunistic relationship between middle-class elites and their efforts to appropriate a certain radical chic. It goes on to suggest that this is a deliberate process, which (...) not only absolves a voyeuristic whiteness of its hegemonic associations, but also allows the Asian middle class to conjure out of sight class differentials, even as it struggles with its own dependency on the cultural lifeblood of the urban poor or the semiotically disadvantaged. (shrink)

Examines Bergson’s work from the perspectives of critical philosophy of race and decolonial theory, placing it in conversation with theorists from Africa, the African Diaspora, and Latin America. Building upon recent interest in Henri Bergson’s social and political philosophy, this volume offers a series of fresh and novel perspectives on Bergson’s writings through the lenses of critical philosophy of race and decolonial theory. Contributors place Bergson’s work in conversation with theorists from Africa, the African Diaspora, and Latin America to examine (...) Bergson’s influence on literature, science studies, aesthetics, metaphysics, and social and political philosophy within these geopolitical contexts. The volume pays particular attention to both theoretical and practical forms of critical resistance work, including historical analyses of anti-racist, anti-imperialist, and anti-capitalist movements that have engaged with Bergson’s writings—for example, the Négritude movement, the Indigenismo movement, and the Peruvian Socialist Party. These historical and theoretical intersections provide a timely and innovative contribution to the existing scholarship on Bergson, and demonstrate the importance of his thought for contemporary social and political issues. Andrea J. Pitts is Assistant Professor of Philosophy at the University of North Carolina, Charlotte. Mark William Westmoreland is a doctoral candidate and instructor of ethics and philosophy at Villanova University. (shrink)

ABSTRACTThis paper seeks to problematise and complexify scholarly accounts of contemporary emotional repression in Western contexts by presenting counterevidence in the form of two examples of post-secular collective affectivity and their ritual expressions. It argues that both narratives of emotional repression and expression fail to capture the non-linear complexity of processes of cultural transformation, which have resulted in the simultaneous expression and repression of ritualistic affects that are products of our evolutionary embodied history. Drawing on insights from affect theory, this (...) paper seeks to illustrate how contingent yet nonetheless residual ritualistic affects have become repressed in the nominally secular public sphere in modernity. This has presented certain obstacles to the open communal display of religious ritual, and, as a corollary, the expression of certain religious affects, which have subsequently re-emerged in post-secular ritual spaces that are both publically private and pr... (shrink)

In the aftermath of national or international tragedies, appeals for action such as, “Never Forget” or “Never Again” are ubiquitous. Theodor Adorno makes a similar call in the wake of the Holocaust, proclaiming that all education should be focused on the prevention of another genocide. While most would agree with such a statement, practically how do we respond to such a call, specifically in light of Adorno’s work? Answering this question is at the heart of this project and I argue (...) that imaginative memorials can fulfill Adorno’s criteria for post-Auschwitz education. I first present a theory of moral imagination by relying on contemporary accounts of the theory and then show how it complements Adorno’s work, specifically by offering an explanatory foundation to a number of his claims. I reveal that many of Adorno’s observations about the world are supported by recent advancements in the understanding of imagination and I argue that the combination of contemporary accounts of moral imagination and Adorno’s thought are mutually beneficial. After the two theories have been sufficiently discussed and integrated, I focus on Adorno’s arguments regarding education following Auschwitz. Adorno argues that we should investigate how such a horror could occur, and the people who committed the acts of genocide. Such information will be helpful for the prevention of another Auschwitz because we can attempt to overcome the values and ideas of those who perpetrated genocide. This dissertation is unique and of philosophical importance because it fleshes out Adorno’s discussion of the characteristics that led to the Holocaust and argues for a specific form of education that meets all of the criteria of Adorno’s post-Auschwitz education: memorials that stimulate the visitor’s imagination. In order to make this point, I highlight specific Holocaust memorials that are imaginative and argue for their efficacy. My goal for the project is to actualize Adorno’s post-Auschwitz education initiative through imaginative memorials. (shrink)

Recent criticism has already shown that the notoriously unanswered plot questions of The Big Sleep elicit serious philosophical issues, including skepticism about the validity of interpretation itself. The film allegorizes the reason for this questioning in what Derrida calls the "blackmail" of photography--its coercive claim to represent objective truth. Blackmail arising from photography is the main plot premise of The Big Sleep, but it serves as a figure for the "postal" world of signs divorced from referents, finally epitomized in thel (...) groundlessness of Marlowe's logic and final conclusions. Parallels are drawn between this Derridean world and Adorno's writings, in the light of Derrida's acknowledgement of their affinity. The phrase "big sleep" is gangster-slang for death, but this essay argues that it also refers to life, understood in the Buddhist sense of the human illusion of a waking or enlightened life. (shrink)

The relationship between opera and gay subcultures (especially male), lifestyle practices and consumerism has been noted by cultural critics and musicologists - the former in affirmative terms, the latter largely hostile. This article explores this relationship initially through a review of the existing literature before concentrating on the striking affinities in the discursive construction of both cultural forms. In the modern era, both opera and homosexuality have been stigmatized and marginalized in their respective rationalizing ‘scientific’ domains: musicology and sexology. Both (...) have been authoritatively declared unhealthy, both reconstructed out of the distinctive repressions of Victorianism, both subsequently searching for inclusion and legitimacy. (shrink)