The late Middle Ages witnessed a recapitulation of medieval reflection on beauty. Jean Gerson is an important representative of these philosophical and theological contributions, although he has been largely neglected up to this time. A first dimension of his ideas on beauty is the incorporation of beauty (pulchrum) into the number of transcendentals, i.e., the concepts “convertible” with the notion of being (ens), that is, unity, truth, and goodness (unum, verum and bonum). This article revisits Monica Calma’s study on Gerson’s (...) theory of beauty and suggests new hypothetical sources that may have inspired this aspect of his thought. The second aspect emphasised here is Gerson’s classification of beauty, which entails some similarities to the one of Ulrich of Strasbourg, but also differs from it. Moreover, its incorporation of a division entirely devoted to artistic beauty is highly remarkable. (shrink)

Aesthetic reasons are reasons to do and think various things. For example, it makes sense to wonder if a tree stump on the lawn was left there for environmental rather than aesthetic reasons, or for no reason at all. Aesthetic considerations of this kind are often contrasted with non-aesthetic reasons—such as moral or epistemic reasons. For example, they seem connected to pleasure-in-experience in a distinctive way that differs from paradigmatic moral reasons. Relatedly, the authority of aesthetic reasons has often been (...) thought to involve less of an “external demand” upon us than in the other cases. In this chapter, I suggest that such distinctiveness and modesty coheres well with an anti-realist treatment that views them as non-objective in nature. I then go on to consider an alternative, more robustly realist conception of aesthetic reasons. (shrink)

This article offers a reading of the “transcendental” character of Alain Badiou’s and Giorgio Agamben’s ontologies. While neither Badiou nor Agamben are “transcendental” philosophers in the Kantian sense, this article argues that their respective projects of ontology both recover aspects of the “classical” conception of the transcendentals. Not unlike how pre-modern philosophers conceived of oneness, truth and goodness as transcendental properties of all things, both Badiou’s and Agamben’s ontologies present various structures which can be universally predicated of all being. However, (...) as opposed to the essentialist or even theological tendencies of traditional metaphysics, Badiou’s and Agamben’s ontologies are committedly “inessential” and atheistic at their very core. By replacing the divine names of the one, the true and the good in traditional metaphysics with a new yet quasi-classical transcendental notion of “the void” as a universal predicate of all beings, Badiou’s and Agamben’s works may be regarded as projects that go beyond both the pre-Kantian “theological” and the post-Kantian “subjective” conceptions of transcendental philosophy, thereby marking a new development in the history of western metaphysics. (shrink)

Talking of “medieval aesthetics” is historiographically disputable. During the Middle Ages, in fact, there is no discipline comparable with the aesthetics as from the eighteenth century we know it. In the medieval period, aesthetic considerations mostly occur in spurious contexts, and are all, so to say, pre-theoretical. They refer to different insights on what is the beautiful and what relationship holds between the beauty and its artistic expression. In the Middle Ages, that is, one can frequently encounters forms we would (...) nowadays call of descriptive aesthetics, occasionally forms of normative aesthetics, rather sporadically meta-aesthetic considerations. Not even a privileged attention is reserved to aesthetics understood as the description of the conditions of pleasure that follow from the perception of the beautiful, despite the theme of dilectum is important in the aesthetic meditations of medieval masters. Aesthetic discussions predominantly concern the relationships between the artist, an object and its representation. In this essay, I reconsider these relationships by discussing a key point of Thomas Aquinas’s reflection on the beauty: the role played by of the notion of representation in the explanation of the artistic process. (shrink)

This paper presents an analysis and critique of Roger Penrose’s epistemological, methodological, and ontological positions. The analysis is relevant not only because Penrose is an influential scientist, but also because of the particular traits of his thought. These traits are directly connected with his background and approach to science: ontological and epistemological realism, mathematical Platonism, emphasis on the continuities of science, epistemological inclusiveness and essential openness of science, the role of common sense, emphasis on the connection between science, ethics, and (...) philosophy. The paper articulates Penrose’s position and criticizes some of its possible shortcomings. It contributes to the perception of science as an open activity, as illustrated in Penrose’s particular approach, and provides an interesting case-study that can contribute to understanding how epistemological and ontological positions are connected with particular scientific practices. (shrink)

A systematical exposition of the concept of number cannot be found in Aquinas’ works. Nevertheless, there are many places where the problem is touched. The problem is encountered on the one hand within the discussion of the category of quantity and on the other hand when Aquinas speaks about transcendental concepts and deals with the problem of numerical statements concerning God. The aim of the paper is to reconstruct, on the basis of Aquinas more or less fragmentary ideas, his concept (...) of number. (shrink)

La lección de metafísica que imparte Heidegger durante el invierno de 1929/30 caracteriza el pensamiento metafísico como un pensamiento comprensivo, es decir, un pensamiento que “entiende” y que “incluye”. En este contexto, Heidegger busca definir con mayor precisión el vínculo que une su propia metafísica con la tradición moderna criticada unos años antes por “incluir”, precisamente, al sujeto humano en su propia elaboración. Es la ocasión para Heidegger de presentar un retrato mucho más matizado de su vinculación con la filosofía (...) moderna, retrato que pone de manifiesto lo que el Dasein ha heredado del sujeto moderno. (shrink)

Realism has been a central object of attention among analytical philosophers for some decades. Starting from analytical philosophy, the return of realism has spread into other contemporary philosophical traditions and given birth to new trends in current discussions, as for example in the debates about “new realism.” Discussions about realism focused on linguistic meaning, epistemology, metaphysics, theory of action and ethics. The implications for politics of discussion about realism in action theory and in ethics, however, are not much discussed.

Metaphysics and ethics are two distinct fields in academic philosophy. The object of metaphysics is what is, while the object of ethics is what ought to be. Necessitarianism is a modal doctrine that appears to obliterate this neat distinction. For it is commonly assumed that ought (at least under normal circumstances) implies can. But if necessitarianism is true then I can only do what I actually do. Hence what I ought to do becomes limited to what I in fact do. (...) This is one widespread way of construing the danger that necessitarianism poses for ethics. There is, however, another way in which this collapse of what is with what ought to be can be construed. One could think of what is as already being what ought to be, of the two being one. On this picture, everything that is, is already valuable. In this thesis I explore the theory that being is intrinsically valuable. I do so by investigating the philosophy of perfection present in the works of the early modern rationalist Spinoza. For in his philosophy of perfection, I argue, we find being and value to be perfectly aligned. Hence, my reading challenges a widespread interpretation, according to which (ontological) perfection is divested of normativity in Spinozism. The position that all being is intrinsically valuable since it is perfect may be thought to be incompatible with human perfectionism. For what room can there be for human progress toward an ideal of perfection if all that exists, is necessarily perfect? The goal of the thesis is to respond to this question by providing a systematic interpretation of the metaphysics of human perfectibility in Spinoza’s philosophy. In order to achieve this goal, I undertake two tasks. First, I examine Spinoza’s multi-faceted philosophy of perfection. I distinguish between ontological and teleological perfection. Moreover, I argue that since Spinoza maintains that everything is perfect to the extent that it is, perfection shoulders the role of a transcendental within his system. In order to highlight the normative significance of transcendental perfection, I compare Spinoza’s thought with the transcendental theory of the good in Thomas Aquinas. In addition, I distinguish between ontological and speculative perfection. Speculative perfection is conscious awareness of ontological perfection. Second, I show how infinity plays an essential role in Spinoza’s ethics by indicating how we, by availing ourselves of this notion, are able to acquire a perspective on reality from which its ontological perfection may be discovered. On this basis, I am able to demonstrate the (relatively understudied) ethical and soteriological importance of Spinoza’s conception of infinity. I argue that it is because (a) Spinoza’s ideal of human perfection is speculative, and because (b) one will be able to establish the (ontological) perfection of things by deducing it from the divine essence only when one considers this essence absolutely infinite, that (c) the absolute infinity of the divine essence plays a significant role in Spinoza’s account of human perfection as consisting in conscious awareness of the value of all being. (shrink)

The last thirty years of scholarship in western medieval philosophical historiography have seen a number of reflections on the methodological paradigms, schools, trends, and dominant approaches in the field. As a contribution to this ongoing assessment of the existing methods of studies in medieval philosophy and theology and a supplement to classifications offered by M. Colish, J. Inglis, C. König-Pralong, J. Marenbon, A. de Libera, and others, the article offers another explanatory tool. Here is a description of an imaginary system (...) of methodological coordinates that systematizes the current tendencies by placing them in a three-dimensional system of axes. Every axis corresponds to a certain aspect of the historical and systematic research in medieval thought and symbolizes a possible movement between two extremes representing opposite methodological values and directions. The methods and approaches practiced in recent studies in medieval philosophy and theology might be schematically located inside this general system of argumentational, focal (or objectival), and (con)textual axes with their intersection identified with what some scholars call the “integral” model of study. This explanatory tool allows one to see how current approaches and methods form a panoply of axes that belong together in one complex grid and helps to visualize the tapestry of existing approaches in medieval philosophical historiography. (shrink)

ABSTRACTA number of contemporary authors have argued that Aquinas’s understanding of God is ontotheological. In this paper, I consider the charge as it is formulated by Kevin Hart in his influential book The Trespass of the Sign: Deconstruction, Theology, and Philosophy. Hart claims that three features of Aquinas’s approach to the divine make it ontotheological, namely that it privileges positive theology over negative theology, regards God as the ‘highest value’, and takes God to be the essence of beings. I argue (...) that these features are either not to be found in Aquinas’s thinking about God or that Hart misunderstands them. (shrink)

In the last decade there arose a debate between William P. Alston and Nicholas Wolterstorff on the subject of Thomas Aquinas’s doctrine of analogia—that is, the position that perfection terms, when properly predicated of God and of creatures, are distinct, yet related in meaning. Whereas Alston interprets Aquinas to hold this well-known position before criticizing it, Wolterstorff argues that Aquinas actually did not hold the position as it is usually presented. In this paper, I show why Alston’s “orthodox” interpretation is (...) more faithful to the letter of Aquinas’s text than is Wolterstorff’s “heterodoxy” and attempt to defuse Alston’s criticisms. (shrink)

The paper discusses legal implications of the expansion of practical uses of mathematics in social life. Taking as a starting point the omnipresence of mathematical infrastructures underlying policies, technology and markets, the paper proceeds by attending to relevant materials offered by general philosophy, legal philosophy, and the history and philosophy of mathematics. The paper suggests that the modern transformation of mathematics and its practical applications have spurred the emergence of multiple useful technologies and forms of social interaction but have impoverished (...) access to meanings originating in the lifeworld. The paper also argues that, as part of devices of interest aggregation and expert networks, mathematical infrastructures can be scrutinized by a revised form of legal practice that subjects them to legal critique and reconstruction in order to overcome conditions that have eroded the moral self-awareness of individuals and communities and their existential meanings. (shrink)

Phenomenology speaks not directly of phenomena but rather of the appearing of phenomena. In so speaking it moves from the level of things with generic or proper names to the level of universal terms. In speaking and thinking the phenomenon Phenomenology comes “after” in the twofold sense of being too late and desiring for that which is to come. This paper explores this place of phenomenology with respect to the relation of faith and reason, the manner of speaking phenomenologically and (...) the affective and temporal situation of experience. Drawing on the pre-modern concept of the transcendentals and on an account of emphatic consciousness of things, this article argues that the future of phenomenology is as a form of metaphysics which remains focused on experience and the “promise” of things that guides and structures perception. (shrink)