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  1. Phantastic, Impressive Rhetoric.Misti Yang - 2021 - Philosophy and Rhetoric 54 (4):374-396.
    ABSTRACT This article develops a theory of rhetorical impression through a critical genealogy of the term phantasia. The genealogy demonstrates cause for understanding phantasia as impression, not image. I trace phantasia as impression through the work of Plato and Aristotle but ultimately argue that the stoics offer the most productive leads for thinking through impressions, materiality, and sensations together. Specifically, I demonstrate how the stoics' concept of lekton can productively mediate the relationship between rhetoric, materiality, imagination, and idealism. In the (...)
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  • William James and the Impetus of Stoic Rhetoric.Scott R. Stroud - 2012 - Philosophy and Rhetoric 45 (3):246.
    The relationship between William James and the stoics remains an enigma. He was clearly influenced by reading Marcus Aurelius and Epictetus throughout his career. Some work has been done on the thematic convergences between Jamesian pragmatism and stoic thought, but this study takes a different path. I argue that the rhetorical style that James uses in arguing for his moral claims in front of popular audiences can be better understood if we see it in light of the stoic style of (...)
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  • Verecundia, risa y decoro: Cicerón y el arte de insultar.Salvador Mas - 2015 - Isegoría 53:445-473.
    Sobre la risa puede hablarse de muchas maneras; cabe, por ejemplo, una aproximación fisiológica, otra psicológica o una tercera sociológica, que los antiguos no desatendieron por completo, si bien Cicerón prefirió investigar sus posibilidades retóricas. A nadie se le oculta la relevancia de chanzas y chistes para disponer a la audiencia de manera favorable o para ridiculizar al adversario; tampoco que esta estrategia, a despecho de su efectividad y por la misma, puede sobrepasar los límites de lo aceptable o de (...)
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  • Ética, estética e historia en Dionisio de Halicarnaso: imitación y construcción de la tradición.Iker Martínez Fernández - 2018 - Revista de Filosofía 43 (1):9-26.
    The work of Dionysius of Halicarnassus has been traditionally divided into two parts: first, treaties of rhetoric and, secondly, Roman Antiquities, the history of Rome from its origins to the First Punic War. However, there is a common element among the rhetorical and historical writings that gives internal coherence to the whole work. This element is imitation, wich Dionysius used to link ethics and aesthetics at the service of building the tradition of the Roman people.
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  • Ars Topica: The Classical Technique of Constructing Arguments From Aristotle to Cicero.Sara Rubinelli - 2009 - Dordrecht, Netherland: Springer.
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  • Stoicism.Dirk Baltzly - 2008 - Stanford Encyclopedia of Philosophy.
    Stoicism was one of the new philosophical movements of the Hellenistic period. The name derives from the porch (stoa poikilê) in the Agora at Athens decorated with mural paintings, where the members of the school congregated, and their lectures were held. Unlike ‘epicurean,’ the sense of the English adjective ‘stoical’ is not utterly misleading with regard to its philosophical origins. The Stoics did, in fact, hold that emotions like fear or envy (or impassioned sexual attachments, or passionate love of anything (...)
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  • Quintilian's Theory of Certainty and Its Afterlife in Early Modern Italy.Charles McNamara - 2016 - Dissertation, Columbia University
    This dissertation explores how antiquity and some of its early modern admirers understand the notion of certainty, especially as it is theorized in Quintilian's Institutio Oratoria, a first-century educational manual for the aspiring orator that defines certainty in terms of consensus. As part of a larger discussion of argumentative strategies, Quintilian turns to the “nature of all arguments,” which he defines as “reasoning which lends credence to what is doubtful by means of what is certain” (ratio per ea quae certa (...)
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