In this volume, Karl Ameriks explores 'Kantian subjects' in three senses. In Part I, he first clarifies the most distinctive features-such as freedom and autonomy-of Kant's notion of what it is for us to be a subject. Other chapters then consider related 'subjects' that are basic topics in other parts of Kant's philosophy, such as his notions of necessity and history. Part II examines the ways in which many of us, as 'late modern,' have been highly influenced by Kant's philosophy (...) and its indirect effect on our self-conception through successive generations of post-Kantians, such as Hegel and Schelling, and early Romantic writers such as Hölderlin, Schlegel, and Novalis, thus making us 'Kantian subjects' in a new historical sense. By defending the fundamentals of Kant's ethics in reaction to some of the latest scholarship in the opening chapters, Ameriks offers an extensive argument that Hölderlin expresses a valuable philosophical position that is much closer to Kant than has generally been recognized. He also argues that it was necessary for Kant's position to be supplemented by the new conception, introduced by the post-Kantians, of philosophy as fundamentally historical, and that this conception has had a growing influence on the most interesting strands of Anglophone as well as Continental philosophy. -/- . (shrink)

: The paper discusses the concepts of obligation and moral evidence in Mendelssohn’s and Kant’s prize essays. I argue that Mendelssohn departs in significant ways from Christian Wolff’s position, and that Kant intends to overcome Wolffian philosophy with Newtonian methodology while still owing a lot to Wolff and to the project of an ethics within the limits of metaphysics. Although quite akin to Francis Hutcheson’s philosophy, it becomes clear that Kant intended to lay the foundation of an innovative concept of (...) obligation, which shares some similarities with Christian August Crusius’s interpretation of it. (shrink)

Alexander Gottlieb Baumgarten’s ethics had a significant influence on the formation of Kant’s ethics. The extent of this influence, however, has not been sufficiently investigated by existing Kant scholarship. Filling this gap, this paper aims to reveal Baumgarten’s substantial influence on the formation of Kant’s ethics, particularly the complex ways in which Kant’s ethics retains the concept of God as crucial for ensuring that his ethics persist under the scrutiny of reason. In a systematic comparison of the ethics of the (...) two philosophers, I argue that Kant alters and yet accommodates several aspects of Baumgarten’s ethics in his own version of the system of ethics more thoroughly than has previously been perceived. More specifically, I argue, first, that Kant’s rejection of Baumgarten’s conception of “duties towards God” and his alternative notion that duties are recognized as if they were divine commands unveil his criticism of Baumgarten’s conception of how religion is situated in ethics. Second, I argue that Kant’s argument for the extension of pure reason for practical purposes discloses his critical response to Baumgarten’s optimistic assumption about the entirety of pure reason. (shrink)

I argue that by considering Kant’s engagement with previous theorists of natural right, we can gain a clearer understanding of how he transformed the discipline from its foundations. To do this, I focus my analysis on Kant’s (critical) reception of two models of natural right with which he was very familiar: one from Alexander Baumgarten’s Elements of First Practical Philosophy [Initia philosophiae practicae primae], the other from Gottfried Achenwall’s Natural Law [Ius naturae]. The Initia served as a basis for Kant’s (...) lectures on moral philosophy for over three decades and may thus be considered as having played an important role in shaping his practical philosophy as a whole. Achenwall’s Ius naturae was the textbook that Kant employed in his lectures on natural right for over two decades. I argue that Kant distances himself from previous models of natural right in three main regards: the identification of moral laws with laws of nature, the normative connection between the principles of right and a natural end, and the place of God as the author of moral laws. I then briefly discuss what Kant retains of Baumgarten’s and Achenwall’s models of natural right. Kant’s Metaphysics of Morals preserves the view that a rational doctrine of right belongs to a broader systematic doctrine that comprehends the entire system of duties. I address the question of the division of the Sittenlehre into two branches and claim that, whereas Kant did not consider Baumgarten’s answer to the problem of distinguishing juridical from ethical principles to be satisfactory, he found a key piece of his own resolution in Achenwall’s Ius naturae, namely the definition of right as a power to coerce. (shrink)

Two generalizations can be made regarding Kant’s account of imperatives of skill and prudence. First, Groundwork 4:412-420 remains the locus classicus for reconstructions of Kant’s view. Second, it is widely agreed that Kant’s treatment of these imperatives is confusing, incomplete, and lacking the requisite argumentation. I agree that Groundwork 4:412-420 lacks a clear and defensible account of imperatives of skill and prudence. But while many think this spells trouble for Kant’s theory of non-moral practical imperatives more generally, and that Kant (...) never really clarified his position, on this point I differ. Groundwork II is problematic, yet it’s not Kant’s final word on the non-moral imperatives of practical reason. In fact, there is substantial and broadly overlooked evidence that Kant later rejected much of the account he laid out in this text. This evidence is found primarily in the third Critique, and I explore this evidence and the virtues of Kant’s revised account. (shrink)

This book aims to address in a novel way some of the fundamental philosophical questions concerning suicide. Focusing on four major authors of Western philosophy - Kant, Schopenhauer, Nietzsche, and Wittgenstein - their arguments in favour or against suicide are explained, contextualized, examined and critically assessed. Taken together, these four perspectives provide an illuminating overview of the philosophical arguments that can be used for or against one’s right to commit suicide. Intended both for specialists and those interested in understanding the (...) many complexities underlying the philosophical debate on suicide, this book combines philosophical depth with exemplary clarity. (shrink)

The paper aims to investigate the peculiar relationship between art and life in the context of Nietzsche’s thought. We mean to show how Nietzschean aesthetics is not conceived as a theoretical and rational reflection that abstractly investigates the conditions of possibility of beauty and art: on the contrary, aesthetics is understood by Nietzsche as a practice aimed at shaping life in a beautiful form. The topic of the Lebens-form is considered as a common thread of an original exegesis of human (...) types as aesthetic symbols of life within Nietzsche’s philosophy. Nietzsche’s notion of “becoming who we are” will therefore be understood as an ability to affirm and realize one’s life in all its potential. The Dionysian conception of art, which is considered in The Birth of Tragedy as an ecstatic inebriation that stimulates life and saves man from the tragedy of pain, will then be compared with the idea of ars vivendi, referring to the notion of wisdom and to the Hellenistic-Roman practice of ἄσκησις. (shrink)

Obwohl Kants Tugendlehre bei ihrer Veröffentlichung weithin unbeachtet bleibt, entfaltet sie in den letzten Jahren eine zunehmende Wirkung: ein revolutionär neuer Tugend-Begriff, der mit Nachdruck vertretene Gedanke von Pflichten gegen andere und auch gegen sich selbst, eine Auseinandersetzung mit "Liebespflichten" sowie mit Achtung und Würde. Der von Fachleuten verfasste Kommentar, der anlässlich des 300. Jubiläums Immanuel Kants in einer 2. überarbeiteten erscheint, entschlüsselt damit das letzte wichtige Werk Kants zur Moral. Mit Beiträgen von Monika Betzler, Jochen Bojanowski, Dahan Fan, Franz (...) Hespe Moritz Hildt, Otfried Höffe, Dieter Hüning, Heiner F. Klemme, Karoline Reinhardt, Elke E. Schmidt, Dieter Schönecker, Oliver Sensen, Amelie Stuart. (shrink)

Struck by the absence of love affairs, adventures, travels, and political engagement in Immanuel Kant's life, a noted commentator describes him as unformed, to a degree surpassing all other philosophers, by challenging life events. Declaring that Kant 'can be understood only through his work in which he immerses himself with unwavering discipline,' the writer evokes the image of a body of writing demanding to be understood through text-internal analytical methods alone. The theme of the enclosed Kantian text is virtually irresistible. (...) It dominates in teaching practice and in a large percentage of the expository literature, where Kant's ideas are paraphrased in more, or even less transparent prose. It is attributable to the fact that Kant is a difficult author, a fact that, despite his scorn for popular philosophy, he knew and to some extent regretted. The commentator too is apt to immerse him or herself in Kant's writings with unwavering discipline, leaving little time and energy for a study of Kant's surrounding context. Like Wordsworth's Isaac Newton, whose innate powers enable him to teach the truth to himself, Kant is seen as a walled-off genius whose innovations nevertheless reached to the whole world. But Kant's famous domesticity and addiction to routine did not preclude contact with an external world. His mind was formed--as was Newton's, as is that of any one of us-- by his encounters with books and essays, by his exchanges with correspondents and dinner guests, from whom he learned and by whom he was provoked and challenged. The name index of the Academy Edition of Kant's works and the range of authors in the catalogue of Kant's library books published by Arthur Warda in 1922 leave no doubt as to the breadth of his personal and literary acquaintances. (shrink)