What makes it possible to affect one another, to move and be moved by another person? Why do some of our encounters transform us? The experience of moving one another points to the inter-affective in intersubjectivity. Inter-affection is hard to account for under a cognitivist banner, and has not received much attention in embodied work on intersubjectivity. I propose that understanding inter-affection needs a combination of insights into self-affection, embodiment, and interaction processes. I start from Michel Henry's radically immanent idea (...) of self-affection, and bring it into a contrastive dialogue with the enactive concepts of autonomy and (participatory) sense-making. I suggest that the latter ideas can open up Henry's idea of self-affection to inter-affection (something he aimed to do, but did not quite manage) and that, in turn, Henry's work can provide insights into underexplored elements of intersubjectivity, such as its ineffable and mysterious aspects, and erotic encounters. (shrink)

Two key themes structure the work of French philosopher of science Gilbert Simondon: the processes of individuation and the nature of technical objects. Moreover, these two themes are also at the heart of contemporary debates within Ethics and Bioethics. Indeed, the question of the individual is a key concern in both Virtue Ethics and Feminist Ethics of Care, while the hyper-technical reality of the present stage of medical technology is a key reason for both the urgency for and the success (...) of the field of Bioethics. And yet, despite its potential for thinking about these issues, Simondon’s philosophy remains largely unknown. Rather than exploring Simondon’s complex ontology for itself, the aim of this paper is to establish what contribution his work can make in Ethics and Bioethics on two essential questions: the relational structure of the self and the nature of the human-technology relation. I argue that Simondon’s re-conceptualization of the individual harmonizes with perspectives in Feminist Bioethics (particularly the Ethics of Care) and points toward what I call an “open” Virtue Ethics that takes relations to be essential. In order to establish this connection, I explore at length the relational approach to Feminist Bioethics offered by Susan Sherwin’s work. I argue that a Simondonian account of technology and of the individual furthers the relational understanding of the self, offers a characterization of Virtue Ethics that is in harmony with the Ethics of Care, and clarifies a notion of responsibility that is implicated in the complex reality of the modern technological milieu. (shrink)

Resumen El artículo parte del supuesto que Merleau-Ponty realiza en su filosofía una formulación y caracterización del conocimiento humano. Se explican cuatro notas que dan cuenta, no exhaustiva, de los rasgos centrales de su pensamiento gnoseológico. La característica principal, de la que se desprenden las otras tres notas, es la primacía de la percepción. La segunda nota, que dice relación con la opacidad del conocimiento, se explica tomando una expresión de Bech: “el pensamiento de la no-coincidencia”. La tercera nota corresponde (...) a la interrogación radical y la cuarta se expone a través del concepto de no-filosofía.The article starts from the assumption that Merleau-Ponty, in hisphilosophy, formulates and characteriges human knowledge. Four traits are explained, each of which gives account, in a non-exhaustive way, of hisgnoseological thinking centralfeatures. The main feature, from which emerge the other three, is the primay of perception. The second feature, which is related to the opaaty of knowledge, is explained by Bech ’s expression of “the thought of non-coincidence”. The third feature corresponds to radical interrogation and the fourth is explained through the concept of non-philosophy. (shrink)

This article examines the particular aesthetic experience brought about by soundwalks. In each case, the point of departure is the phenomenological analysis of two case study: Janet Cardiff’s Walks and the audio-tours Remote x by Rimini Protokoll. Drawing upon Husserl and Merleau-Ponty, I will examine the conflicts of perception and the peculiar shift from one order of perception to another that punctuate the spectator’s walking, as well as the intertwining of the real and the imaginary coming into being in such (...) performances and experienced at the very level of his bodily inscription in space. More specifically, my aim is to address the challenge that the aesthetic experience here in question sets to Husserl’s phenomenology of perception and to show how the extension of the notion of perception achieved by Merleau-Ponty makes it possible to overcome the paradox. (shrink)

The purpose of this paper is to lay out the similarities between the philosophical projects of Patočka and Merleau-Ponty, with respect to the question of the “limits of phenomenology”. We suggest that both these authors propose two complementary strategies in their attempt of overcoming the Husserlian phenomenology. The first one consists in extending the field of phenomenology so as for it to be able to encompass phenomena either insufficiently explored or misinterpreted by the conceptuality that Husserl put forth; the second (...) strategy, more ambitious, aims to overpass the very standpoint of phenomenology in favour of an ontological approach. We try to show that what profoundly motivates these attempts is a radical – and hence, ontological – reinterpretation of the Lebenswelt. (shrink)

In this article, I reconstruct and evaluate Merleau-Ponty’s main responses to philosophical skepticism in the relevant parts of his work. To begin with, I introduce the skeptical argument that Merleau-Ponty most often tried to refute, namely, the dream argument. Secondly, I show how Merleau-Ponty, in his initial works, excludes the skeptical problem by appealing to a general contact with the world guaranteed by perception. Finally, I analyze how in his last texts Merleau-Ponty considers at least some uses of the skeptical (...) arguments as tools to make our opaque contact with being explicit. (shrink)

In Dynamis. Ontologia dell’incommensurabile, Gaetano Chiurazzi offers an account of the philosophical sense and implications of the discovery of incommensurable magnitudes in ancient thought. In his study, Chiurazzi presents the scope of the idea of incommensurability in contrast to those theories that have interpreted perception as the primary access to reality. Chiurazzi claims that the discovery of incommensurable relations, such as that of “1/square root of 2,” which expresses the relation between the side and the diagonal of a square, introduces (...) the conception of asymmetrical relations into Western epistemology and ontology. This conception finds in the modern idea of transcendental philosophy its mature formulation. In this paper, I draw on Maurice Merleau-Ponty’s proposal of a phenomenology of perception in order to critically evaluate the working assumption in Chiurazzi’s account that perception is the faculty of intuition that seizes upon the individual and therefore as “atomic” in nature. (shrink)

Sensibility has traditionally been defined as a relation with the world’s exteriority. However, a certain post-husserlian phenomenology tends to reverse this definition and to redefine sensibility as an internal relation that takes place from within the world. This article focuses on this phenomenological concept of “sensibility” in Levinas and Merleau-Ponty and intends to show that this concept rests upon the presupposition of an alternative according to which we would have whether a sensible experience of identity, or an acosmic experience of (...) otherness—whether a wordly experience of the same or a worldless experience of otherness. Yet, by reducing sensibility to the experience of the world’s interiority and rejecting otherness beyond any worldly experience, this conception fails to account for a significant dimension of sensibility—namely, sensibility as the experience of the world’s own otherness, foreignness or exteriority. It is our hope that, from the critical exposition of this alternative, will eventually appear in conclusion the significant part of this forgotten dimension of sensibility. (shrink)

Se propone una lectura fenomenológica en torno al concepto bergsoniano de durée. Para esto, se revisa el registro y recepción de Bergson en la tradición fenomenológica. Al advertir la cercanía entre Bergson y la fenomenología, es analizable la durée fenomenológicamente. Es decir, la duración entendida como constitución de conciencia, de los objetos reales del mundo y de la relación entre la conciencia que aprehende y la experiencia aprehendida. Con ello, destaca el método de la intuición o simpatía intelectual en clave (...) de método de división, a la vez, la posibilidad de conocimiento objetivo y esencial respecto de la realidad. (shrink)

Borrowing conceptual tools from Bergson, this essay asks after the shift in the temporality of life from Merleau‐Ponty's Phénoménologie de la perception to his later works. Although the Phénoménologie conceives life in terms of the field of presence of bodily action, later texts point to a life of invisible and immemorial dimensionality. By reconsidering Bergson, but also thereby revising his reading of Husserl, Merleau‐Ponty develops a nonserial theory of time in the later works, one that acknowledges the verticality and irreducibility (...) of the past. Life in the flesh relies on unconsciousness or forgetting, on an invisibility that structures its passage. (shrink)