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  1. Proper Names and their Fictional Uses.Heidi Tiedke - 2011 - Australasian Journal of Philosophy 89 (4):707 - 726.
    Fictional names present unique challenges for semantic theories of proper names, challenges strong enough to warrant an account of names different from the standard treatment. The theory developed in this paper is motivated by a puzzle that depends on four assumptions: our intuitive assessment of the truth values of certain sentences, the most straightforward treatment of their syntactic structure, semantic compositionality, and metaphysical scruples strong enough to rule out fictional entities, at least. It is shown that these four assumptions, taken (...)
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  • Are there all the alleged possible objects?Alberto Voltolini - 2000 - Topoi 19 (2):209-219.
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  • Kinds of context: A Wittgensteinian approach to proper names and indexicals.Eros Corazza - 2004 - Philosophical Investigations 27 (2):158–188.
    In focusing on indexicals and proper names and on the different ways in which their references are fixed, I illustrate how our linguistic practice rests on context, broadly construed. The following theses are discussed and defended: • There are two main kinds of information: (i) anchored information, i.e. the information one gathers in using and entertaining indexical expressions and (ii) unanchored information, i.e. the information one may gain in hearing a proper name. • Indexical expressions differ from proper names; this (...)
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  • Marcus, Kripke, and names.John P. Burgess - 1996 - Philosophical Studies 84 (1):1 - 47.
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  • The Name-Notion Network: On How to Conciliate Two Approaches to Naming and Reference-Fixing.Eros Corazza - 2023 - Topoi 42 (4):961-974.
    In the last decade a new debate concerning the foundations of reference and semantics emerged, which mainly focuses on how to interpret Donnellan’s seminal works and, in particular, on _how_ it differs from Kripke’s influential contributions to so-called “direct reference”. In this paper, I focus on this “new” reading/understanding of Donnellan and how, as it is nowadays presented, differs from Kripke’s picture. I will discuss a Kripke-inspired picture and the way it differs from a Donnellan-inspired one and show that there (...)
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