This article examines the evolution of Zygmunt Bauman’s theory of culture during his over-sixty-year-long scholarly activity. Bauman wrote his first books on the theory of culture (Culture and Society; Sketches in the Theory of Culture) when he was a Professor at Warsaw University. The ideas put forward at that time were later developed in his writings. This applies in particular to the critical nature of his thought, the combination of synchronic and diachronic perspectives, the inclusion of the context of the (...) social structure as well as his references to the structural dimension and to agency. Later years – starting with the publication of the book, Culture as Praxis – saw Bauman’s growing emphasis on the transcendence of the existing reality and the creative role of an individual in the transformation of cultural reality. This article shows how other theorists of culture inspired Bauman and how he critically referred to them. The article offers a holistic look at Zygmunt Bauman’s oeuvre. It also creates an opportunity for English-speaking readers to become familiar with Bauman’s writings in his mother tongue. (shrink)

Among the theses promulgated by the Frankfort School theorists during the forties and fifties was the decline of the individual under contemporary capitalism. The chief agent of this decline was identified as the culture industry, which served the reigning system by integrating people into its particular regime of production, reproduction, and consumption. By dominating minds, homogenizing behaviors, and normalizing tastes, this industry prepared people for capitalist toil. In so doing, it also obstructed the flowering of individuality. Individuality, if it were (...) possible any longer, could henceforth be found only among the “captains” of capitalism in charge of the system. In fact, however, these captains were equally captive. The future of the individual thus seemed sealed. (shrink)