This article examines the relationship between global poverty and terrorism. The approach is built around a concept of ‘social bandit’ developed by Eric Hobsbawm. By social bandits, Hobsbawm refers to those outlaws in pre-capitalist societies who robbed the rich, and gave to the poor. What was common to social bandits is a myth that surrounded their activity, and a strong popular sympathy and support. This article uses Hobsbawm's notion of social bandit to deal with the fact that in today's international (...) setting, particularly in the context of huge international inequality and widespread poverty in the non-western world, violence against western states, particularly the United States, enjoys significant sympathy elsewhere. This is not only an outcome of inequality and has to do with other factors, particularly certain political or military actions of the USA and other western states, but what is important to note here is that violence perpetrated by terrorists is directed at those who are seen as beneficiaries of the existing order, of international inequalities and injustices. In short, the operation of the international order, its asymmetries and inequalities, riches and wealth in developed countries and poverty and misery elsewhere, seems to play a role in the creation of such social bandits, and in providing them with support and legitimacy which they otherwise would not have had. (shrink)

The ethical self is an embodied being of flesh and blood, a being who is capable of hunger …. “Only a being that eats can be for the Other …”; that is, only such a being can know what it means to g...

This volume of collected essays brings together conversations, papers, and debates from the Third Annual North American Anarchist Studies Network Conference in San Juan, Puerto Rico. Nathan Jun and Jorell A. Meléndez aspire to go beyond a simple collection of papers and instead aim to maintain a dialogue among different academic fields with the sole task of comprehending and re-thinking anarchist studies. With over twenty-one chapters written by a diverse range of activists, organizers, musicians, artists, poets, and academics, this book (...) transgresses the apparent simplicity of the study of anarchism with a dynamic and interdisciplinary approach that crystallizes and emulates the heterogeneous nature of the anarchist ideal. From theory and philosophy to historical analyses, methodologies, and perspectives, from different manifestations in the arts, media, and culture to religion, ethics, and spirituality, from the intersectionality of animal liberation and queer struggles to contemporary praxis and organizing, the authors explore different topics from a critical perspective that is often lacking in their respective academic fields. This book is a must-buy for critical teachers, students, and activists interested in studying anarchism and the different ways in which we can transform our reality. (shrink)

In this article, I compare the ways in which Baudrillard and Heidegger seek to bring attention to the importance of death for our personal existential situation which has now become repressed in conceptions of existence and society. Heidegger critiques public conceptions of death that serve to cover up its importance. Less well known is that, somewhat in parallel fashion, Baudrillard charts a ‘genealogy’ of the ‘extradition’ of the dead from the centre of the social and he claims that we live (...) currently in a death denying society. This reduces the meaning of our own impending deaths. However, unlike Heidegger, Baudrillard’s ‘genealogical’ critique of the exclusion of death in modern society is not a one-way dismissal because he proposes an alternative social role for death in the form of ‘primitive symbolic exchange’. (shrink)

Images share a common feature with all phenomena of imagination, since they make us aware of what is not present or what is fictional and not existent at all. From this perspective, the philosophical approach of Kendall Lewis Walton—born in 1939 and active since the 1960s at the University of Michigan—is perhaps one of the most notable contributions to image theory. Walton is an authoritative figure within the tradition of analytical aesthetics. His contributions have had a considerable influence on a (...) broad range of topics, such as the role of categories in the understanding of the arts (Walton, “Categories of Art”. Philosophical Review, 79(3): 334–367, 1970), the ambiguous nature of emotions in the experience of fictional stories (Walton, “Fearing Fictions”. The Journal of Philosophy, 75(1): 5–25, 1978), the transparency of photographic images compared to other depictions (Walton, “Transparent Pictures: On the Nature of Photographic Realism”. Noûs, 18(1): 67–72, 1984) and, above all, the development of a general theory of fiction as imaginative activity. His 1990 book Mimesis as Make-believe: On the Foundations of the Representational Arts collects and re-elaborates articles Walton published on the subject since the 1970s. Though he does not attempt to give a definitive answer for what imagination is, Walton thoroughly investigates its role in all cases of representational works, describing depictions as a specific case of “make-believe” activity: images, in short, are specific props of a visual and perceptual “make-believe” game. (shrink)

This paper offers a brand storytelling, that is a narratological account of Covid-19 pandemic’s emergence phase. By adopting a fictional ontological standpoint, the virus’ deploying media story-world is identified with a process of narrative spacing. Subsequently, the brand’s personality is analyzed as a narrative place brand. The narrative model that is put forward aims at outlining the main episodes that make up the virus’ brand personality as process and structural components (actors, settings, actions, relationships). A series of deep or ontological (...) metaphors are singled out as the core DNA of this place brand, by applying metaphorical modeling to the tropical articulation of Covid-19’s narrative. The virus’ kernel is identified with terror, as a menacing force that wipes out existing regimes of signification due to its uncertain motives, origins and operational mode. In this context, familiar urban spaces, cultural practices and intersubjective communications are redefined, repurposed and reprogrammed. This process is called terrorealization, as the desertification and metaphorical sublation of all prior territorial significations. This study contributes to the narrative sub-stream of place branding by approaching a globally relevant sociocultural phenomenon from a brand storytelling perspective. (shrink)

The argument claims the vital importance of the idea of the fundamental unity of humankind for any intercultural philosophy, and succinctly traces the trajectory of this idea – and its denials – in the Western and the African traditions of philosophical and empirical research. The conclusion considers the present-day challenges towards this idea’s implementation – timely as it is, yet apparently impotent in the face of mounting global violence.

This paper challenges the claim, made by French sociologist andphilosopher, Jean Baudrillard in The Spirit of Terrorism, that contemporary“Islamic” terrorism as exemplified by the 9/11 attacks in the United States isa phenomenon that defies morality. By considering alternative explanationsand applying a thought experiment, we find that Baudrillard’s claim shouldbe rejected because it is based on invalid premises and inconsistencies.The problematic premises include Baudrillard’s statements that terror is aneffective strategy and the only means available to marginalized group seekingto oppose Western globalization. (...) We argue that contemporary terrorism cannotlie beyond the limits of morality, and we suggest that the main cause of theupsurge in terrorist incidents today lies in the logic of Western globalization, orthe consumption system, that has given rise to simulation. (shrink)

This article examines Flusser’s ideas on creativity with apparatus as a model for communication in a telematic society. By placing Flusser’s thinking in the post World War II context, it explores relations to Walter Benjamin’s criticism of technical reproduction and Katherine Hayles’ notion of the post-human. By focusing on Flusser’s suggestion of chamber music as a prototype of telematic dialog, it proposes an analysis of chamber music, electroacoustic music and digital audio technology aiming to critically illuminate Flusser’s utopian vision of (...) telematics dialog from the perspective of music. (shrink)

This article disputes the premise dominant in moral philosophy and the social sciences that a strict definition of terrorism is needed in order to evaluate and confront contemporary political violence. It argues that a definition of terrorism is not only unhelpful, but also impossible if the historicity and flexibility of the concept are to be taken seriously. Failure to account for terrorism as a historical phenomenon produces serious analytical and epistemological problems that result in an anachronistic, ahistorical, and reductive understanding. (...) Because there are no historically or contextually stable answers to the question what terrorism is, this article argues for a novel account of terrorism that replaces the attempt to define terrorism with an analysis of its meaning and function within a specific context. (shrink)

In the primordial scene, which Girard has described, society is constituted on the basis of the lynching mob, whose mimetic desire, envy and egotism culminate in sacrificing the scapegoat. With spite, though, we confront the opposite situation, in which the mimetic desire does not establish but rather destroys `society'. Here everybody, and not only the scapegoat, is threatened with destruction. Regarding the genealogy of spite, the article elaborates on radical nihilism (that is, the will to negation) and relates this to (...) passive nihilism (the negation of the will as such), arguing that these two nihilisms are significant to understand both the hedonism/disorientation that characterizes contemporary post-political culture and the emerging forms of despair and violence as a reaction to it. These two nihilisms constitute a non-dialectical `synthesis' in spite of seemingly antagonistic `disjunctions'. The article concretizes the genealogy of spite with two cases: French bestselling writer Houellebecq's novels and (the war against) terrorism. Then it focuses on the relationship between the three social formations (primitive, despotic and capitalist societies) and spite as an `affect without society'. Finally, agonism as a political virtue is set against spite. (shrink)

This article argues that the indefinite detention and torture of prisoners at the Guantanamo Bay Detention Camp and the intentional destabilization of Palestinian civilian life in the Israeli occupied Palestinian territories are indicative of the emergence of a new postmodern form of power. Coining the term homo dolorosus – the man who is available to be made to suffer – this article seeks to understand this emergent politics of suffering through a historicized reading of Foucault’s typology of power, informed by (...) the work of Giorgio Agamben. It is argued that, just as discipline was the dark inverse of the modern utopian Enlightenment project of universal democratic inclusion, the politics of suffering is the dark inverse of the postmodern biopolitical project of security. Using the work of Mikkel Joronen, Jasbir Puar and Lauren Wilcox as signposts, this article argues that homo dolorosus is produced by power’s encounter with a population that it perceives or represents as simultaneously risky and dependent. Moreover, it is suggested that homo dolorosus may be the manifestation of a project that aims to do away with freely-deciding subjectivity while keeping the human body alive. (shrink)

The chapter begins with a brief genealogy of psychoanalytic thinking in the broad area of religion. It first looks at Freud’s early modernist dismissal of religion, comparing this with Lacan’s valorisation of the ethical quests that both religion and psychoanalysis are said to share at the heart of their discourse. It then examines Lacan’s later pessimism in opposing the ‘triumph of religion’ in our times to an increasingly uncertain future for psychoanalysis. Moving from a conceptual discussion of these themes to (...) an applied analysis of contemporary challenges, the chapter highlights the contribution of psychoanalysis to an understanding of the aesthetics of violence informing the eschatology of Islamic terror within contemporary global jihadism. (shrink)

Of Jean Baudrillard’s four orders of simulacra: the natural, the commodity, the code, and the fractal the first three have been widely acknowledged, especially the importance of the theory of the third order for his analysis of the Gulf War. But the fourth order has not been accorded similar recognition and his works around this idea are not as widely known. It is clear that his essays on 9/11 drew substantially on ideas rounding out the theory of the fourth order. (...) This article examines the emergence of the radical theory of evil of the later Baudrillard. (shrink)

Mauro Carbone’s most recent book, Philosophy-Screens: From Cinema to the Digital Revolution advances the work and thought of his Flesh of Images: Merleau-Ponty Between Painting a...

This thesis offers a comparison of documentary case studies to explore how moments from reality are recorded and how future representations of them can offer or instigate a parallax to create a new or different way of understanding the occurrence of such moments and how they have been remembered. I postulate that this shift in perspective offers an interaction with reality through a reconfiguration of the Real of these moments. The study will consider this assertion in relation to Žižek’s and (...) Baudrillard’s reflections on the Real as being an excessive moment unable to be assimilated and the veiled encapsulation of what lies beyond the Image-Event. After exploring the use of images from reality, my thesis will go on to consider the processes of recollecting and communicating past occurrences to highlight the potential that documenting and revisiting past memories – re-collecting them – can actively impact and evolve the trajectory of personal histories. Utilising LaCapra’s notion of the working through traumatic memories enables my investigation to plot a course which considers the memory narratives of my case studies as subject to a, ‘continual process of retranslation’ and, as such, explores the subjectivity of the Real of occurrences. (shrink)

This paper investigates the efforts of four Malaysian NGOs; PERKIM, YADIM, ABIM, and JIM which are representative of Malaysian NGOs as a whole in defusing terrorism and promoting peace. Instead of taking the usual sociological approach, this article will apply a cultural-critical approach, drawing on the theories of relevant Western and Muslim inte llectuals in order to gain greater insight into the peace-promoting efforts. In so doing, it examines the space open for NGOs to work in, as well as the (...) importance of providing counter-narratives to terrorist rhetoric. The unique narrative of Islam in Malaysia, and how that helps NGOs in peace-building efforts is another aspect that is touched on. Finally, the paper discusses some of the challenges Malaysian NGOs face in their peace-building efforts. The article concludes that prevalent strategies in terrorism studies need to be re-examined and reevaluated in order to make them more effective. It is hoped that this article will give a new perspective on counter-terrorism strategies and help policy makers in better understanding the ubiquitous threat terrorists pose. (shrink)

Since the very week of September 11, 2001, commentators have remarked on the apparent clairvoyance evidenced in the novelsof the American writer Don DeLillo. DeLillo’s novels have always represented the Twin Towers as gargantuan symbols of latent catastrophe. The towers have been significant to DeLillo as a particularly gargantuan representation of the manner in which modern mass-consciousness expresses itself in the form of material technologies. Throughout his career, DeLillo has described the World Trade Center not only as a physical structure, (...) but as a kind of schematic of the future of the culture that created it. In the lines and angles of the towers, DeLillo seems to discern the “lines of intentionality” inherent in the culture of advanced technology itself, and traces them out to the conclusions toward which they seem to lead. In this paper, I will examine the manner in which DeLillo has “read” the World Trade Center as an architectural confession of a distinctly American wish to negate the human scale, to make the world over as an artificial environment, and to look forward to the surpassing of bodily and social existence. In four novels written before 9/11, DeLillo crafts an image of the World Trade Center as a sculptural representation of America’s own will to self-destruction and in his most recent novel, Falling Man, DeLillo illustrates the kind of existence that lies on the other side of this self-destruction. (shrink)

In this article I take the US television series Mad Men as an exemplary ‘approximation’, a term I adopt to signal the way in which certain texts construct a changeable, fluid ‘truth’ resulting from collisions, exchange and dialectical argument. Approximations are layered, their formal layerings mirroring a layered, multifaceted argument. Mad Men integrates and represents real historical events within a fictional setting, and act that suggests that an event or action can never be finished, fixed and not open to reassessment. (...) Specifically, this article examines ‘The Grown Ups’, Episode 12 of Season 3, which charts the events of 22 November 1963, the day Kennedy was assassinated. Although we might be able to bring to mind the images and conspiracy theories that have been made available since, these images were not available at the time. Mad Men as a series always strives to represent its historical milieu as authentically as possible, so the characters re-enact 22 November 1963 as authentically as possible by watching only what was on television that day. The contemporary backdrop to these events, including the resonances of ‘9/11’ through Mad Men, inform and collide with the authenticity on the screen. (shrink)

My hypoltheses concerning the United States led War on Terrorism are derived from the German novelist, critic and social theorist Ernst J¸nger’s outstanding 1930 essay on ‘Total Mobilization’. Accordingly, this article explores J¸nger’s ‘Total Mobilization’ and what I label the ‘totally mobilized body’ as the philosophical underpinning of the War on Terrorism from the perspective of my own conceptions of ‘ hypermodern total mobilization’, ‘globalitarian rule’ and the ‘neoconservative body’. From this post-J¸ngerian or hypermodern viewpoint, the examination of the War (...) on Terrorism as offered by social theorists such as Jean Baudrillard and Zygmunt Bauman, Gilles Deleuze, Douglas Kellner and Paul Virilio is analytically evaluated and developed. For their research on the ‘spirit of terrorism’ and the new ‘planetary frontier-land’, control societies, the momentous events of September 11, 2001, and ‘globalitarianism’ can help us to understand the complexities and multiplicities of the neoconservative body. The article concludes by probing the distinction between Jünger’s idea of modern total mobilization and my own hypermodern notions of ‘egalitarian rule’ and the ‘neoegalitarian body’. (shrink)

Realist and liberal understandings of ethics as the dominant approaches to ethics in international relations are unable to respond efficiently to the call of the other in the age of war against terrorism as they revolve around the needs and the interests of the self. Such self-centred understandings of ethics cannot respond to the other ethically and respect the other in its otherness. Therefore, in this work I attempt to develop responsive ethics by drawing on Levinasian ethics which can create (...) the possibilities of concrete non-violent responses to the other in the age of war against terrorism. (shrink)

ABSTRACTThe paper addresses the ways in which the cultural, the affective and the political intersect, counter and/or feed upon one another in the context of contemporary terror. Initially, buildin...

According to many of his critics, Habermas is so preoccupied with `old normative maps' that he cannot really help us chart our options in a fast globalizing world. The following article contests aspects of this familiar critique. The argument is developed in three stages. First, some misapprehensions are targeted. No unreconstructed liberal, Habermas is shown to offer a discriminating interpretation of learning processes that need to guide political democracy in a global context. The far-reaching agenda of Habermas's programme for a (...) globalized and democratized welfare project is underlined. Next, Habermas's attempt to bring forward the normative resources of liberal democratic histories is contrasted with Ulrich Beck's normative avant-gardism. This latter is shown to be a mere semblance of radicalism that serves to legitimate the triumph of one particular axis within modernization processes. Finally, the article explores a dilemma that faces Habermas's attempt to use the potentials of a particular cultural tradition as the normative grounds for a globally extended democracy. Habermas wants to avoid reducing critical theory to the mere affirmation of certain parochial cultural choices and so tries to find grounds for establishing the universal resonance of these normative contents. The last section looks into the ideological character of this attempt and considers an alternative way in which the inter-cultural significance of democratic Enlightenment commitments might be tested. (shrink)

Стаття присвячена найменш контрольованим і найбільш небезпечним загрозам сьогодення, а саме – біотероризму та біологічним війнам. Акцентується увага на тому, що на даний час наявна послідовність терористичних акцій із застосуванням збудників інфекційних хвороб і бактеріальних токсинів актуалізує проблему біологічної безпеки, яка набула глобального характеру і не залежить від державних кордонів. Відзначається, що розробки в галузі мікробіології використовуються в антигуманних цілях, що є істотним чинником, який загострює питання біобезпеки. Йдеться про створення новітніх видів біологічної зброї. Значну біологічну небезпеку для людини становлять (...) нові інфекційні хвороби, які викликаються раніше невідомими людству патогенами. Зокрема вірусами, бактеріями, а також пріонами. Наголошується на необхідності прийняття рішень політичного, економічного та філософського характеру, що включають посилення міжнародного контролю за роботою з особливо небезпечними збудниками, а також розробку конкретних програм протидії біотероризму. Підкреслюється, що на даний час вирішення проблем, пов'язаних з протидією біотероризму, є провідним завданням, яке безпосередньо стосується інтересів забезпечення безпеки не лише окремих країн, а й усієї планети загалом. (shrink)

This paper aims to analyse how COVID-19 pandemic is changing our perception of reality. It starts looking at our situation from the point of view of Riegl’s distinction between optical and tactile, and then it compares the nature of the relationship between these two approaches to Lévi-Strauss’s description of bricolage. Our current world-view turns out to be not only an optic one, because the optical approach is just the means by which we can articulate a private and social life messed (...) up by Coronavirus. Thereby, optical takes care of tactile without replacing it, and this article draws parallels between this aspect and language as described by Heidegger. Finally, after having argued the presence of an aura in this “optical house of tactile” in both Walter Benjamin’s and Hito Steyerl’s forms, this article tries to figure out how this perspective could last beyond the end of this emergency. (shrink)