This work analyzes two perspectives, Atomism and Infinite Divisibility, in the light of modern mathematical knowledge and recent developments in computer graphics. A developmental perspective is taken which relates ideas leading to atomism and infinite divisibility. A detailed analysis of and a new resolution for Zeno's paradoxes are presented. Aristotle's arguments are analyzed. The arguments of some other philosophers are also presented and discussed. All arguments purporting to prove one position over the other are shown to be faulty, mostly by (...) question begging. Included is a sketch of the consistency of infinite divisibility and a development of the atomic perspective modeled on computer graphics screen displays. The Pythagorean theorem is shown to depend upon the assumption of infinite divisibility. The work concludes that Atomism and infinite divisibility are independantly consistent, though mutually incompatible, not unlike the wave/particle distinction in physics. (shrink)

Hume’s discussion of space, time, and mathematics at T 1.2 appeared to many earlier commentators as one of the weakest parts of his philosophy. From the point of view of pure mathematics, for example, Hume’s assumptions about the infinite may appear as crude misunderstandings of the continuum and infinite divisibility. I shall argue, on the contrary, that Hume’s views on this topic are deeply connected with his radically empiricist reliance on phenomenologically given sensory images. He insightfully shows that, working within (...) this epistemological model, we cannot attain complete certainty about the continuum but only at most about discrete quantity. Geometry, in contrast to arithmetic, cannot be a fully exact science. A number of more recent commentators have offered sympathetic interpretations of Hume’s discussion aiming to correct the older tendency to dismiss this part of the Treatise as weak and confused. Most of these commentators interpret Hume as anticipating the contemporary idea of a finite or discrete geometry. They view Hume’s conception that space is composed of simple indivisible minima as a forerunner of the conception that space is a discretely (rather than continuously) ordered set. This approach, in my view, is helpful as far as it goes, but there are several important features of Hume’s discussion that are not sufficiently appreciated. I go beyond these recent commentators by emphasizing three of Hume’s most original contributions. First, Hume’s epistemological model invokes the “confounding” of indivisible minima to explain the appearance of spatial continuity. Second, Hume’s sharp contrast between the perfect exactitude of arithmetic and the irremediable inexactitude of geometry reverses the more familiar conception of the early modern tradition in pure mathematics, according to which geometry (the science of continuous quantity) has its own standard of equality that is independent from and more exact than any corresponding standard supplied by algebra and arithmetic (the sciences of discrete quantity). Third, Hume has a developed explanation of how geometry (traditional Euclidean geometry) is nonetheless possible as an axiomatic demonstrative science possessing considerably more exactitude and certainty that the “loose judgements” of the vulgar. (shrink)

This paper investigates Hume's theory of the perception of spatial magnitude or size as developed in the _Treatise<D>, as well as its relation to his concepts of space and geometry. The central focus of the discussion is Hume's espousal of the 'composite' hypothesis, which holds that perceptions of spatial magnitude are composed of indivisible sensible points, such that the total magnitude of a visible figure is a derived by-product of its component parts. Overall, it will be argued that a straightforward (...) reading of this hypothesis fails to do full justice to the complexity of Hume's theory of spatial perception and geometry, and that a more adequate treatment must also admit an important role for the more direct process of spatial magnitude perception which he dubs 'intuition'. (shrink)