- The Geography of Taste.Dominic Lopes, Samantha Matherne, Mohan Matthen & Bence Nanay - 2024 - New York, NY: Oxford University Press.details
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Imagining the Author: Historical Understanding and the Cognitive Value of Art.David Collins - 2023 - Philosophia 52 (1):37-48.details
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The Art Model as Performer.Aurélie Debaene - 2021 - Aesthetic Investigations 5 (1):7-27.details
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Failures of Intention and Failed-Art.Michel-Antoine Xhignesse - 2020 - Canadian Journal of Philosophy 50 (7):905-917.details
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Functional Beauty, Pleasure, and Experience.Panos Paris - 2020 - Australasian Journal of Philosophy 98 (3):516-530.details
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Silent Messengers: The Circulation of Material Objects of Knowledge in the Early Modern Low Countries - edited by Sven Dupré and Christoph Lüthy.Matthew C. Hunter - 2012 - Centaurus 54 (3):255-257.details
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Meriting a Response: The Paradox of Seductive Artworks.Nils-Hennes Stear - 2019 - Australasian Journal of Philosophy 97 (3):465-482.details
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Entitled Art: What Makes Titles Names?Michel-Antoine Xhignesse - 2019 - Australasian Journal of Philosophy 97 (3):437-450.details
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Fake Views—or Why Concepts are Bad Guides to Art’s Ontology.Michel-Antoine Xhignesse - 2018 - British Journal of Aesthetics 58 (2):193-207.details
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Attempting art: an essay on intention-dependence.Michel-Antoine Xhignesse - 2017 - Dissertation, Mcgill Universitydetails
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The intuitive concept of art.Alessandro Pignocchi - 2012 - Philosophical Psychology 27 (3):425-444.details
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Beauty, The Social Network.Dominic McIver Lopes - 2017 - Canadian Journal of Philosophy 47 (4):437-453.details
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The Composer-Performer Relationship, the Musical Score, and Performance: Nelson Goodman's Account of Music as Applied to the Thought and Work of Glenn Gould.Elizabeth J. Wood - 1997 - Dissertation, Mcgill University (Canada)details
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Personal Style and Artistic Style.Nick Riggle - 2015 - Philosophical Quarterly 65 (261):711-731.details
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Where Ethics and Aesthetics Meet: Titian's Rape of Europa.A. W. Eaton - 2003 - Hypatia 18 (4):159 - 188.details
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(1 other version)Scientific representation.Mauricio Suárez - 2010 - Philosophy Compass 5 (1):91-101.details
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How the intentions of the draftsman shape perception of a drawing.Alessandro Pignocchi - 2010 - Consciousness and Cognition 19 (4):887-898.details
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The living academies of nature: scientific experiment in learning and communicating the new skills of early nineteenth-century landscape painting.Beryl Hartley - 1996 - Studies in History and Philosophy of Science Part A 27 (2):149-180.details
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Forgery and the Corruption of Aesthetic Understanding.Sherri Irvin - 2007 - Canadian Journal of Philosophy 37 (2):283-304.details
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History and Intentions in the Experience of Artworks.Alessandro Pignocchi - 2014 - Topoi 33 (2):477-486.details
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Preserving the unpreservable: docile and unruly objects at MoMA.Fernando Domínguez Rubio - 2014 - Theory and Society 43 (6):617-645.details
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Robust Immoralism.A. W. Eaton - 2012 - Journal of Aesthetics and Art Criticism 70 (3):281-292.details
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The foundational problem for cognition.Fred Keijzer & Pamela Christine Lyon - unknowndetails
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An inferential conception of scientific representation.Mauricio Suárez - 2004 - Philosophy of Science 71 (5):767-779.details
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Criticism and Truth: On Method in Literary Studies.Nat Hansen - forthcoming - British Journal of Aesthetics.details
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Renaissance humanism and modern philosophy.Nancy S. Struever - 2016 - Intellectual History Review 26 (1):147-152.details
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Museums and Philosophy – Of Art, and Many Other Things Part II. [REVIEW]Ivan Gaskell - 2012 - Philosophy Compass 7 (2):85-102.details
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What is art? A methodological framework for a pluridisciplinary investigation.Alessandro Pignocchi - unknowndetails
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Burckhardt and the ideology of the past.Michael Ann Holly - 1988 - History of the Human Sciences 1 (1):47-73.details
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“Categories of Art” for Contextualists.David Davies - 2020 - Journal of Aesthetics and Art Criticism 78 (1):75-79.details
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The shock of the odd.Boris Jardine - 2015 - British Journal for the History of Science 48 (2):353-356.details
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(1 other version)History of the Ontology of Art.Paisley Nathan Livingston - 2011 - Stanford Encyclopedia of Philosophy.details
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The STEP (Science and Technology in the European Periphery) Initiative: Attempting to Historicize the Notion of European Science.Kostas Gavroglu - 2012 - Centaurus 54 (4):311-327.details
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Recurrences and Human Agential Meaning Grounding: Laying a Path in Walking.Sergio Rodríguez - 2016 - Biosemiotics 9 (2):169-184.details
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A matter of culture.Robert Cooper - 2001 - Cultural Values 5 (2):163-197.details
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Painting Ethics: Death, Love, and Moral Vision in the Mahāparinibbāna.Anne Ruth Hansen - 2016 - Journal of Religious Ethics 44 (1):17-50.details
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Resisting pictures : Representation, distribution and ontological politics.John Law & Ruth Benschop - 1997 - In Kevin Hetherington & Rolland Munro (eds.), Ideas of Difference: Social Spaces and the Labour of Division. Blackwell Publishers/the Sociological Review. pp. 158--82.details
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Historians and friends: reflections on some contemporary historians.Antony Molho - 2019 - History of European Ideas 45 (8):1156-1170.details
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Visual and aural intellectual histories: an introduction.Jennifer Milam & Alan Maddox - 2017 - Intellectual History Review 27 (3):285-298.details
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