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Nils-Hennes Stear
University of Southampton
  1.  27
    Sport, Make-Believe, and Volatile Attitudes.Nils-Hennes Stear - 2017 - Journal of Aesthetics and Art Criticism 75 (3):275-288.
    The outcomes of sports and competitive games excite intense emotions in many people, even when those same people acknowledge that those outcomes are of trifling importance. I call this incongruity between the judged importance of the outcome and the intense reactions it provokes the Puzzle of Sport. The puzzle can be usefully compared to another puzzle in aesthetics: the Paradox of Fiction, which asks how it is we become emotionally caught up with events and characters we know to be unreal. (...)
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  2. Sadomasochism as Make-Believe.Nils-Hennes Stear - 2009 - Hypatia 24 (2):21 - 38.
    In "Rethinking Sadomasochism," Patrick Hopkins challenges the "radical" feminist claim that sadomasochism is incompatible with feminism. He does so by appeal to the notion of "simulation." I argue that Hopkins's conclusions are generally right, but they cannot be inferred from his "simulation" argument. I replace Hopkins's "simulation" with Kendall Walton's more sophisticated theory of "make-believe." I use this theory to better argue that privately conducted sadomasochism is compatible with feminism.
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  3.  25
    Conversations on Art and Aesthetics. [REVIEW]Nils-Hennes Stear - forthcoming - British Journal of Aesthetics:ayy019.
    Conversations on Art and Aesthetics MaesHans oup. 2017. pp. 336. £30.
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  4.  21
    In Other Shoes: Music, Metaphor, Empathy, Existence. [REVIEW]Nils-Hennes Stear - 2017 - British Journal of Aesthetics 57 (4):443-447.
    © British Society of Aesthetics 2017. Published by Oxford University Press on behalf of the British Society of Aesthetics. All rights reserved. For Permissions, please email: journals.permissions@oup.comIn Other Shoes is a companion to Kendall Walton’s other essay collection, Marvellous Images, published seven years earlier. But careful study reveals considerable coherence; Walton reprises the same motifs throughout, though with different combinations and inflections, the book’s reverse chronology revealing how some of these ideas developed. Moreover, every paper exhibits the same accessible, sometimes (...)
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