This paper deals with Hobbes's theory of optical images, developed in his optical magnum opus, ‘A Minute or First Draught of the Optiques’, and published in abridged version in De homine. The paper suggests that Hobbes's theory of vision and images serves him to ground his philosophy of man on his philosophy of body. Furthermore, since this part of Hobbes's work on optics is the most thoroughly geometrical, it reveals a good deal about the role of mathematics in Hobbes's philosophy. (...) The paper points to some difficulties in the thesis of Shapin and Schaffer, who presented geometry as a ‘paradigm’ for Hobbes's natural philosophy. It will be argued here that Hobbes's application of geometry to optics was dictated by his metaphysical and epistemological principles, not by a blind belief in the power of geometry. Geometry supported causal explanation, and assisted reason in making sense of appearances by helping the philosopher understand the relationships between the world outside us and the images it produces in us. Finally the paper broadly suggests how Hobbes's theory of images may have triggered, by negative example, the flourishing of geometrical optics in Restoration England. (shrink)

This paper reconstructs the development of Mersenne's reflections concerning optics. I argue that Mersenne's optical writings provide crucial insights into Mersenne's Aristotelianism. I reconstruct Mersenne's attempt of explaining the new ideas on light, which were advanced by Kepler, Descartes and Hobbes within Aristotle's natural philosophy. Mersenne explained Kepler's work on light within the Scholastic tradition. In the 1640s, Mersenne was stimulated by the debate concerning Descartes' theory of light, which he accepted only in 1648. Indeed, Mersenne first explained Descartes' law (...) of refraction by means of Hobbes physics. However, Mersenne always wanted to remain faithful to Aristotle. (shrink)