This article explores critical theory's relations to German idealism by clarifying how Adorno's thought relates to Hegel's. Adorno's apparently mixed responses to Hegel centre on the dialectic and actually form a coherent whole. In his Logic, Hegel outlines the dialectical process by which categories – fundamental forms of thought and reality – necessarily follow one another in three stages: abstraction, dialectic proper, and the speculative . Adorno's allegiance to Hegel's dialectic emerges when he traces the dialectical process whereby enlightenment reverts (...) to myth and human domination over nature reverts into our domination by nature. However, Adorno criticizes Hegel's dialectic as the ultimate form of ‘identity thinking’, subsuming unique, material objects under universal concepts by using dialectical reason to expand those concepts to cover objects utterly. These two responses cohere because Adorno shares Hegel's view that dialectical contradict.. (shrink)

The core argument of this article is that Adorno adopts the distinction between an abstract and a concrete universal from Hegel and criticizes Hegel, on that basis, as abstract. The first two parts of the article outline that both thinkers take the abstract universal to be the form of a false type of knowledge and society, and the concrete universal to be a positive aim. However, as the third part argues, Adorno rejects how the concrete universal is understood in Hegel’s (...) philosophy and formulates a different conception of it. The fourth part questions if Adorno manages to overcome the problems he identifies in Hegel or whether they are inherent to the programme of dialectics both endorse. (shrink)

"Before the Voice of Reason is a phenomenological critique of reason grounded in our experience of the voices that already address us and summon us prior to the ...

The article explores the character of Adorno’s materialism while fleshing out his Marxist-inspired idea of natural history. Adorno offers a non-reductionist and non-dualistic account of the relationship between matter and mind, human history and natural history. Emerging from nature and remaining tied to it, the human mind is nonetheless qualitatively distinct from nature owing to its limited independence from it. Yet, just as human history is always also natural history, because human beings can never completely dissociate themselves from the natural (...) world, nature is inextricably entwined with human history. Owing to the entwinement of mind and matter, humanity and nature, a version of dialectical materialism can be found in Adorno’s work. Key Words: body • dialectics • Hegel • history • idealism • Marx • materialism • mind • nature • Timpanaro. (shrink)

This article draws out a critical, yet under-appreciated political theme in Adorno’s Negative Dialectics, namely his emphasis on guilt and atonement. First, the article assesses how Adorno’s Marxism allows him to think justice and guilt beyond the familiar legalistic frame. Second, the article reconstructs Adorno’s treatment of guilt as a distinctly political capacity to imagine one’s boundedness and indebtedness to others, and the affective engine enabling us to engage in a political ethic distinct from familiar categories of reparation. Third, the (...) article shows how the themes of guilt and atonement give us a more complete picture of Negative Dialectics. This inquiry also intervenes in contemporary debates regarding the political status and emancipatory potential latent within guilt-feelings, and claims Adorno gives us a path forward to imagine the relation between guilt and politics in a novel way. (shrink)

‘Immanent criticism' has been discussed by philosophers of quite different persuasions, working in separate areas and in different traditions of philosophy. Almost all of them agree on roughly the same story about its origins: It is that Hegel invented immanent criticism, that Marx later developed it, and that the various members of the Frankfurt School, particularly Adorno, refined it in various ways, and that they are all paradigmatic practitioners of immanent criticism. I call this the Continuity Thesis. There are four (...) different claims that interest me. Hegel is the originator of immanent criticism. Hegel's dialectical method is that of immanent criticism. Adorno practises immanent criticism and endorses the term as a description of his practice. Adorno's dialectical method is fundamentally Hegelian. In this article, I offer an account of immanent criticism, on the basis of which, I evaluate these four claims and argue that the Continuity Thesis should be rejected. (shrink)

The present essay aims to throw light on the study of dialectical thinking from a cultural-historical perspective. Different forms of dialectic are articulated as ideal types, including the Greek dialectic, the Hegelian dialectic, the contemporary German negative dialectic, the Chinese dialectic, and the Indian negative dialectic. These influential cultural products in the history of the East and the West, articulated as ideal types, serve as constellations that could facilitate further empirical studies on dialectical thinking. An understanding of the complexity of (...) these constellations reveals the pitfalls of investigating dialectical thinking without an appropriate conceptualization of the research target. With the ideal types of dialectic as "figure," and Vygotsky's thesis of the cultural-historical origin of higher psychological processes as "ground," we explore possibilities for further lines of inquiry on dialectical thinking. Adhering to the Scribnerian multilevel scheme that reconstructs Vygotsky's thesis, and returning to the core ideas of Vygotsky himself, we discover new, meaningful questions about the study of dialectical thinking. In the research area of "culture and cognition," consideration of a cultural-historical perspective appears to be both necessary and promising. (shrink)

What follows is an attempt to interpret Hegel’s Introduction to thePhilosophy of Rightin a way that explores the thesis of reason’s social character in light of the recent debate on Hegel’s theory of practical normativity. The discussion aims to highlight Hegel’s commitment to a ‘reconstructive’ version of the ‘immanent transcendence’ motive of Critical Theory and, more generally, to a programmatic critique of ‘deficient’ rationality and its effects on practice.

This paper re-examines the relationship between power, reason and history in Horkheimer and Adorno’s "Dialectic of Enlightenment." Contesting Habermas’ highly influential reading of the text, I argue that "Dialectic of Enlightenment," far from being a dead-end for critical theory, opens up important lines of thought in the philosophy of history that contemporary critical theorists would do well to recover. My focus is on the relationship that Horkheimer and Adorno trace between enlightenment rationality and the domination of inner and outer nature.

Resumen: El objetivo de este artículo es mostrar que la singularidad de la crítica de Adorno al sujeto se basa en la presencia de un motivo naturalista que pone en evidencia los límites del concepto racionalista de subjetividad. Mi trabajo consistirá en precisar este concepto de naturaleza y tratar de rescatar su potencial filosófico. Con esto será posible tanto diferenciar la crítica adorniana de otros ataques como defenderla por su aptitud para hacer pensable un concepto de subjetividad no represivo capaz (...) de desarticular la rigidez del modelo moderno de identidad personal.: The aim of this paper is to show that the singularity of Adorno’s critique of the philosophical subject is based on a naturalistic motif that reveals the limits of a rationalistic concept of subjectivity. I will try to pin down such concept of nature and to highlight its critical and philosophical potential for a Subjektkritik. This will both enable me to distinguish Adorno’s critique from other models of critique, and to defend his approach as a theoretical proposal for a nonrepressive notion of subjectivity with the power to disarticulate the modern model of personal identity. (shrink)

The approach of the present paper is settled by the premise that we can no longer pretend that the assumptions of the Enlightenment set the rules for all rationality. The original contribution of the Frankfurt School philosopher, Theodor W. Adorno is firstly examined in his critique of the “enlightened” bequeathal of exclusionary epistemologies, an analysis which culminates with his account of the alternative “aesthetic understanding”. From this moment on, the working hypothesis is that art functions as a legitimate form of (...) knowledge that acknowledges the “excess” of experience that cannot be quantified by rational categories. Then, Martin Buber’s dialogical thinking functions in the logic of the argumentation as an illustration of the non-instrumental relation to the world through the artist/educator who is in a peculiar relation of faithfulness with what meets him in the world, overcoming the distance by means of a communing and inclusive love for the creation and the people entrusted to him. The Jewish thinker has joined art to the fundamental relations between one being and other being, as different than, but on a par with, knowledge. The focus of the main three sections is a cluster of themes of Dialectic of Enlightenment, the essence of the first generation of critical theory, which will then be narrowed down by Theodor Adorno in Negative Dialectics to the critique of the prototype of “identity logic”. All this is meant to function as an anticipation of Adorno’s final position in his Aesthetic Theory. The scope of these subtitles will be narrow and broad at once. Narrow, because Adorno’s work has been abstracted from the larger intellectual enterprise of the Frankfurt School and reference will be strictly made to the thematic critique of instrumental reason and its further development in the philosopher’s mature writings. Broad, because the alternative aesthetic reasoning Adorno ushers in might stand for the horizon of a dramatic renewal within the Romanian educational approaches and contemporary culture interaction. (shrink)

In a series of lectures from 1804–05, Johann Gottlieb Fichte sets out a conception of enlightenment whose basic structure is, I argue, to some extent reproduced in two more famous accounts of enlightenment found in post-Kantian German philosophy: Hegel’s account of the Enlightenment’s struggle with faith in his Phenomenology of Spirit and the conception of enlightenment rationality presented in Horkheimer and Adorno’s Dialectic of Enlightenment. The narrative I offer serves to highlight, moreover, the critical role played by the notion of (...) an unconditional good in Fichte’s and Hegel’s critiques of enlightenment. The lack of an explicit appeal to, and account of, this notion in Horkheimer and Adorno’s critique of enlightenment will be shown to raise questions concerning how successful their critique of enlightenment can really be thought to be. (shrink)

This dissertation deals with the tragic vision that motivates certain key aspects of Theodor W. Adorno’s philosophy. While in the formative early work, the Dialectic of Enlightenment, co-written with Max Horkheimer, the tragic views are clear, in later works, such as the Aesthetic Theory and the Negative Dialectics, they are only implicit. The study reconstructs the tragic vision found in the Dialectic of Enlightenment and uses it as a key to understand Adorno’s mature philosophy. A tragic vision is born when (...) specific philosophical convictions regarding agency and morality coalesce with certain ethical and political conditions. A tragic vision forms the grounds for tragic views. For Adorno, the key convictions rise out of the failures of reason and culture to enable the eradication of unnecessary suffering by creating the kind of conditions in which human beings could flourish. These convictions give rise to a view of humanity as blind to its own shortcomings and thus doomed to perpetuate suffering in the name of progress and growth. Adorno’s persistent negativism prevents him from offering practical solutions for changing the world, but he does offer a scathing critique of the modern world that continues to resonate with new generations of readers. The analysis of the tragic vision presented in this dissertation will highlight the fundamental philosophical and ethical commitments underlying Adorno’s views and will thus allow both situating his work into a larger cultural context and juxtaposing it with the work of other philosophers, as well as other writers, thereby opening new vistas for research not just on Adorno but on continental philosophy, social theory, and the domain of arts and letters at large. (shrink)

_Provides a critique of reason, demanding that we take greater responsibility for nature and other people._.

This article argues that we should not abandon the noun ‘organization’ in favour of the verb ‘organizing’ in order to capture processes of change, flow and movement, but instead explore how such processes reveal themselves when the concept of organization diverges from the objects it is supposed to encapsulate. Here I make use of Adorno’s critique of identity thinking in order to show how the experience of organizational phenomena remains trapped within a contradiction: concepts are needed to describe objects even (...) though concepts can never fully exhaust the objects they describe. However, I maintain that it is precisely this discrepancy between concepts and objects that provides us the opportunity to experience the elusive state of organizations and their processual nature. Consequently, this article shows how organizational phenomena are always more complex, temporal and dynamic than what the concept of organization permits us to grasp. (shrink)