Henri Bergson (1859–1940), the most prominent member of nineteenth-century French spiritualism, is the first philosopher who explicitly defined philosophy as a practice which consists in posing problems anew and in creating concepts. In this article, I will try to reconstruct the progressive importance acquired by the terms ‘problem’ and ‘concept’ in nineteenth-century French philosophy and how they combined in Bergson’s theories about creativity, invention and novelty. I will argue that Bergson’s conception of philosophy as a creative intellectual practice was the (...) result of a negotiation, inside a pre-existent spiritualist framework, between, on the one hand, neo-Kantianism and, on the other hand, evolutionism which strongly influenced empirical psychology and the emerging social sciences. Bergson’s solution, influenced by the evolution of mathematics and literary theory, was just one of the possible options, and the main alternative to a new form of transcendental philosophy. (shrink)

Besieged by ongoing economic crises, global health emergencies, geopolitical instabilities, ecological devastation, and growing political resentments, the intractable nature of the problems that configure the present has never loomed larger or more darkly. But what, indeed, is a problem? Problematising the modern image that treats problems as obstacles to be overcome by the progress of technoscientific knowledge and policy, this introductory article lays the groundwork for a generative conceptualisation of problems. Reweaving intercontinental connections between traditions of French philosophy and American (...) pragmatism, it proffers a conception of the problematic as a mode of existence that is irreducible to the subjective, the methodological, or the epistemological. Problems go all the way down and up, requiring nothing less than an art of metamorphosis capable of engendering processes of creation, invention, and transformation in whose hold bodies and practices, knowledges and lives, thoughts and worlds, are done and undone, made and remade. (shrink)

Résumé Cet article esquisse une généalogie du privilège que le terme concept a acquis en français par rapport à notion et à idée en se fondant non seulement sur les ouvrages des philosophes, mais sur des dictionnaires de langue philosophique. Il comprend quatre parties chronologiques. Après avoir étudié l’introduction des termes concept, notion, idée dans la langue philosophique, la première partie répertorie leurs usages dans les dictionnaires scolastiques du SVIIe siècle. La deuxième montre que Descartes a imposé idée en donnant (...) de ce terme une acception large et que les dictionnaires post-cartésiens la reprenne. La troisième établit que Kant a, contre cette acception large, introduit une distinction entre Begriff et Idee, mais que, initialement, les dictionnaires français refusèrent cette distinction. La quatrième et dernière partie est consacrée à un XXe siècle marqué par l’idéalisme allemand et l’analyse logique : aussi différentes qu’aient été ces deux traditions, elles ont été d’accord pour consacrer la prééminence du terme concept. (shrink)