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Friedrich Nietzsche and Weimar classicism

Rochester, NY: Camden House. Edited by R. H. Stephenson (2005)

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  1. „Oh Voltaire! Oh Humanität! Oh Blödsinn!“ Über den Zusammenhang von Anerkennung, Leben und menschlichem Selbstverständnis bei Nietzsche.Sarah Bianchi - 2017 - Zeitschrift für Praktische Philosophie 4 (1):15-36.
    Mit diesem Aufsatz soll ein Beitrag zur Klärung von Nietzsches Humanitätsverständnis in binnenrelationaler Perspektive geleistet werden. Dabei wird in drei Schritten vorgegangen: Der erste Schritt setzt an den kritischen Vorzeichen von Nietzsches Humanitätsverständnis an. Hierbei geht es um die Skizzierung der kritischen Verfahren der genealogischen Kritik und des Perspektivismus. In einem zweiten Schritt soll sodann aufgezeigt werden, worin bei Nietzsche die genealogische Kritik ihren Halt findet, damit nicht jeglicher Wert destruiert wird. Dabei soll die binnenrelationale Perspektive des Individuums in der (...)
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  • Classical Form or Modern Scientific Rationalization? Nietzsche on the Drive to Ordered Thought as Apollonian Power and Socratic Pathology.Eli I. Lichtenstein - 2021 - Journal of Nietzsche Studies 52 (1):105-134.
    Nietzsche sometimes praises the drive to order—to simplify, organize, and draw clear boundaries—as expressive of a vital "classical" style, or an Apollonian artistic drive to calmly contemplate forms displaying "epic definiteness and clarity." But he also sometimes harshly criticizes order, as in the pathological dialectics or "logical schematism" that he associates paradigmatically with Socrates. I challenge a tradition that interprets Socratism as an especially one-sided expression of, or restricted form of attention to, the Apollonian: they are more radically disparate. Beyond (...)
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  • Nietzsche contra Sublimation.Eli I. Lichtenstein - 2020 - Journal of the History of Philosophy 58 (4):755-778.
    Many commentators have claimed that Nietzsche views the “sublimation” (Sublimierung) of drives as a positive achievement. Against this tradition, I argue that, on the dominant if not universal Nietzschean use of Sublimierung and its cognates, sublimation is just a broad psychological analogue of the traditional (al)chemical process: the “vaporization” of drives into a finer or lighter state, figuratively if not literally. This can yield ennobling elevation, or purity in a positive sense—the intensified “sublimate” of an unrefined original sample. But it (...)
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  • The Passions and Disinterest: From Kantian Free Play to Creative Determination by Power, via Schiller and Nietzsche.Eli I. Lichtenstein - 2019 - Ergo: An Open Access Journal of Philosophy 6:249-279.
    I argue that Nietzsche’s criticism of the Kantian theory of disinterested pleasure in beauty reflects his own commitment to claims that closely resemble certain Kantian aesthetic principles, specifically as reinterpreted by Schiller. I show that Schiller takes the experience of beauty to be disinterested both (1) insofar as it involves impassioned ‘play’ rather than desire-driven ‘work’, and (2) insofar as it involves rational-sensuous (‘aesthetic’) play rather than mere physical play. In figures like Nietzsche, Schiller’s generic notion of play—which is itself (...)
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