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  1. Aesthetic Empathy: An Investigation in Phenomenological Psychology of Visual Art Experiences.Jannik M. Hansen & Tone Roald - 2022 - Journal of Phenomenological Psychology 53 (1):25-50.
    Empathy is a psychologically significant phenomenon. It plays a key role in the development of the self, sociality, and prosocial behaviour. The term empathy originated in 19th-century aesthetics, where the concept was seen as an explanation for aesthetic experience. Despite renewed interest in the relation between empathy and aesthetic experiences, investigations into how empathy shapes experiences of art are still scarce. Given this situation, we ask the following three questions: What does one experience when experiencing a work of art empathetically? (...)
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  • Remarks on Symbols.Mieczysław Wallis - 1977 - Studia Semiotyczne—English Supplement 7:4-14.
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  • From the depths of rhetoric: The emergence of aesthetics as a discipline.John Poulakos - 2007 - Philosophy and Rhetoric 40 (4):335 - 352.
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  • Heidegger and the Aesthetics of Rhetoric.Joshua Reeves & Ethan Stoneman - 2014 - Philosophy and Rhetoric 47 (2):137-157.
    But that which remains the poets have founded.In contemporary rhetorical theory, the relationship between rhetoric and art tends to be articulated in terms of aesthetics. This increasingly popular discourse on “aesthetic rhetoric,” however, is characterized by a remarkable diversity. The rhetoric of fiction, poetry, and other literary genres, for example, has been explored in these terms (e.g., Booth 1983), as has the rhetoric of film (Haskins 2003), photography (Hariman and Lucaites 2007), and even natural landscapes (Clark 2004). From a different (...)
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