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  1. Empathy and Self-Empathy in the Anthropological Dimension of Modernity.Y. O. Shabanova - 2024 - Anthropological Measurements of Philosophical Research 25:36-50.
    _Purpose._ In the article, the author questions rethinking the phenomena of empathy and self-empathy as modes of self-understanding of humanity and the inner intention to self-exploration of human spirituality. _Theoretical basis._ The research is based on the phenomenological dimension of modern anthropology and axiology. _Originality._ The change of the traditional intersubjective approach in the understanding of empathy to an introsubjective one and the affirmation of self-empathy as one of the defining existences in human beings, which is adjusted by the altruism-egoism (...)
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  • Appearance of Beauty.Benedikte Kudahl & Tone Roald - 2024 - Journal of Phenomenological Psychology 55 (1):36-61.
    This article describes what it is like to experience beauty in visual art. Our phenomenological analysis of interviews with visual art museum visitors shows that beauty appears as the relationship between two different experiential modes. Initially, the perceiver feels herself affectively and bodily immersed in the perceived while awareness of herself pulls back. Self-awareness eventually returns, allowing for a subtle yet distinct mode of reflection in which the viewer looks back at the initial moment of felt connection with the perceived. (...)
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  • Touched by beauty: a qualitative inquiry into phenomenology of beauty.Benedikte Kudahl & Tone Roald - 2024 - Continental Philosophy Review 57 (1):45-61.
    Philosophy of aesthetics and beauty has traditionally prioritized the sense of vision while deprioritizing the more basic-bodily and thus less “noble” sense of touch. This paper examines bodily aspects of how beauty appears in the experience of visual art and motivates the view that touch is fundamental to such experiences. We appeal to Merleau-Ponty to show the relevance given to touch in his phenomenology of aesthetics, to unfold the meaning of touch as “reversible,” and to understand how vision can be (...)
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