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  1. Filosofie van het luisteren: partituren van het Zijn.Hub Zwart - 2012 - Nijmegen, Nederland: Vantilt.
    De moderne filosofie lijdt aan muziekvergetelheid. Opvallend is echter dat filosofen, wanneer ze toch aandacht schenken aan muziek, hun aandacht bij voorkeur op één bepaald genre richten, namelijk de opera. Filosofen zoals Søren Kierkegaard en Friedrich Nietzsche lieten hun gedachten over Don Giovanni, Parsifal en Carmen gaan, terwijl omgekeerd de filosofie van Arthur Schopenhauer de opera heeft beïnvloed via Wagner. Diens werk lijkt zich op het snijpunt van het grensverkeer tussen moderne filosofie en moderne muziek te bevinden. Het was zijn (...)
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  • Katharina Kanthack (1901–1986): Portrait einer Vergessenen. Die Berliner Philosophin Katharina Kanthack zwischen Scheler und Heidegger. [REVIEW]Till Greite - 2020 - Internationales Jahrbuch für Philosophische Anthropologie 9 (1):355-382.
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  • Lived Space and Support as Interrelated Phenomena in the Context of Young People with Mental Health Problems.Mona Sommer & Tone Saevi - 2018 - Phenomenology and Practice 12 (1):40-56.
    The Norwegian welfare system due to human rights is in charge of providing necessary support of life to every citizen in terms of a safe place to live, the opportunity to education or employment and meaningful life accomplishments. We explore how public sustenance is experienced by a group of young receivers of public support. The article is one of three substudies drawing on empirical material from in-depth interviews with 14 young adults with mental health challenges and experiences from being partly (...)
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  • A Phenomenological Investigation of the Presencing of Space.Francisco Mata - 2016 - Phenomenology and Practice 10 (1):25-46.
    In this paper the author explores certain fulfilling personal experiences that he describes as the presencing of space, i.e. the way in which an individual’s spatial involvement may put him or her in contact with reality as a whole. These experiences are investigated from a phenomenological perspective, and the differences between them and other similar experiences, such as that of the sublime or topophilia, are highlighted. A neologism is introduced: topoaletheia to name a distinctive type of spatial experience. This concept (...)
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  • Stimmung: From Mood to Atmosphere.Angelika Krebs - 2017 - Philosophia 45 (4):1419-1436.
    Unlike human beings, landscapes, cities and buildings cannot feel anything in the literal sense. They do not have nervous systems. Nevertheless, we attribute “Stimmungen” such as peacefulness and melancholy to them. On what basis? With what right? And why does it matter anyway? This paper attempts an answer to this bunch of questions. The first section clarifies the concept of “Stimmung,” by distinguishing its three major meanings, namely harmony, mood and atmosphere. Section two discusses various models of how “Stimmung” is (...)
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  • Dom Hans van der Laan’s Architectonic Space: A Peculiar Blend of Architectural Modernity and Religious Tradition.Caroline Voet - 2017 - The European Legacy 22 (3):318-334.
    This article discusses the design methodology of the Benedictine monk-architect Dom Hans van der Laan, famous for his manifesto De Architectonische Ruimte, in which he proposed his ideal elementary architecture. In the past, this ideal achitecture was linked to Van der Laan’s proportional system and to his general approach as an architect rather than to his Catholic background. Consequently, the changing conceptual landscape in which he developed his ideas on the relation between religion and design was neglected. Yet, as this (...)
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  • Der Raum in der Psychoanalyse.geb Guderian Intelmann - unknown
    Until now psychoanalytic literature has paid little attention to the psychoanalytic consulting room or the arrangement of couch and armchair and their likely effect on the psychoanalytic process. In this qualitative study, the answers of 20 former analysands reporting about their analyses in a guided interview were interpreted. It was found that room and psychoanalytic process interact very closely with one another. In the course of the analysis analysands define room implicitly in five different ways unaware of their doing so. (...)
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  • Semantic architecture and the interpretation of prehistoric rock art: An ethno-historical approach.Nold Egenter - 1994 - Semiotica 100 (2-4):201-266.
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