Kolb discusses postmodern architectural styles and theories within the context of philosophical ideas about modernism and postmodernism. He focuses on what it means to dwell in a world and within a history and to act from or against a tradition.

_An exploration of philosophical and religious ideas about humor in modern philosophy and their secular implications._.

The goal of most scientific research published in peer-review journals is to discover and report the truth. However, the research record includes tongue-in-cheek papers written in the conventional form and style of a research paper. Although these papers were intended to be taken ironically, bibliographic database searches show that many have been subsequently cited as valid research, some in prestigious journals. We attempt to understand why so many readers cited such ironic science seriously. We draw from the literature on error (...) propagation in research publication for ways categorize citations. We adopt the concept of irony from the fields of literary and rhetorical criticism to detect, characterize, and analyze the interpretations in the more than 60 published research papers that cite an instance of ironic science. We find a variety of interpretations: some citing authors interpret the research as valid and accept it, some contradict or reject it, and some acknowledge its ironic nature. We conclude that publishing ironic science in a research journal can lead to the same troubles posed by retracted research, and we recommend relevant changes to publication guidelines. (shrink)

This thesis examines the Platonic brand in utopian fiction. It looks at Plato's dialogues, H. G Wells' A Modern Utopia and Aldous Huxley's Brave New World. The modern texts provide opportunities to observe the effects of ideas found in the dialogues, helping illustrate their implications for the Platonic utopia. Understanding the implications of Plato's textual criticism found in his dialogues is indispensable in understanding how his dialogues are to be understood and what may be understood to be his utopia. This (...) thesis is divided into four chapters; the first two chapters are further divided into sub-headings to assist with navigation of the argument. The first chapter isolates meaning from vocabulary and sets out Socrates' understanding of the relationship between the two entities. The second chapter proceeds to set out Socrates understanding of the hermeneutic effect on the interplay of his dialectic and interlocutors. The third chapter sets out how Socrates seeks to mitigate the distortion of articulated ideas. The fourth chapter concludes the argument stating that Plato's dialogues can only be understood as a unity, that his utopia cannot have a finality, instead it is fluid, free, continuing, Socratic, dialectic. (shrink)

Situational irony concerns what it is about a situation that causes people to describe it as ironic. Although situational irony is as complex and commonplace as verbal and literary irony, it has received nowhere near the same attention from cognitive scientists and other scholars. This paper presents the bicoherence theory of situational irony, based on the theory of conceptual coherence (Kunda & Thagard, 1996; Thagard & Verbeurgt, 1998). On this theory, a situation counts as ironic when it is conceived as (...) having a bicoherent conceptual structure, adequate cognitive salience, and evokes an appropriate configuration of emotions. The theory is applied to a corpus of 250 examples of situational ironies gathered automatically from electronic news sources. A useful taxonomy of situational ironies is produced, new predictions and insights into situational irony are discussed, and extensions of the theory to other forms of irony are examined. (shrink)

Traditionally irony has been researched as a verbal mode of communicating non-literal meaning. Yet, the extant literal/non-literal meaning oriented research provided conflicting evidence and failed to explain how irony vs. non-irony is processed. The dominant literal/non-literal meaning approach hasn’t accounted for the role of attitudinal non-propositional contents so crucially involved in irony communication and comprehension. Employed to communicate indirectly, on top of non-literal meaning, irony serves to convey implicit attitudes: emotional load non-propositionally attached to the propositional contents. The role of (...) emotional contents implicitly communicated by irony has not been acknowledged in irony research so far. This paper reviews irony and attitude research, focusing on the non-propositional, emotional contents, aiming to bridge the propositional-non-propositional meaning gap in irony research. Neuroimaging and behavioral evidence showing that emotional load profoundly influences communicative contents processing, priming its computation and determining its processing patterns, is presented, and its role for irony processing is highlighted. (shrink)

Aristotle’s use of the term ‘eironeia’ in the Nicomachean Ethics (NE) appears to be inconsistent: first, he attributes the attitude termed ‘eironeia’ to the great-souled man (megalopsychos), who is defined by his virtuousness, then he classifies ‘eironeia’ as one of the two vices which are central to his account of the virtue of truthfulness. Modern attempts to explain and to solve the “riddle of the great-souled eiron” have not been satisfying. This paper argues that the riddle results from Aristotle trying (...) to reconcile aristocratic values with democratic reality. In the process, some insight will be gained on the concept of the megalopsychos in general, on Aristotle’s notion of the virtue of truthfulness and on his depiction of Socrates. Finally, it is argued that Aristotle’s use of the notion of ‘eironeia’ in the NE bears some resemblance to the use of the notion of ‘irony’ in modern political theory. (shrink)

ABSTRACT Public discourse under authoritarian rule is not monolithic. Yet how popular rhetoric engages with the hegemonic rhetoric in the same discursive space remains understudied. This article examines the rhetoric of a standup comedy show in China, streamed online and widely popular among Chinese millennials, to understand how alternative views on social issues can coexist with the hegemonic rhetoric. Using critical discourse analysis, it argues that some standup comedy performances transgress the hegemonic rhetoric of 'positive energy' without outright subversion. Comedians (...) use subversive affirmation, self-deprecation, ambiguity, absurd fantasy, and irony to present alternative viewpoints on social issues of broad interest, such as the neoliberal work culture and gender norms. The subtle yet powerful transgressions introduce previously marginal views into the public discourse, diminishing the aura of wide acceptance and authority assumed by the hegemonic rhetoric. The standup comedy performances thus open up new discursive pathways towards non-state-sanctioned views on important social issues. (shrink)

Reasonable reconstruction of public statements is an essential component of civil discourse especially in contentious political contexts. This essay addresses the problems posed by irony through the perspective of the speaker and the audience. I argue that existing attempts to systematize the identification and reconstruction of irony focus unduly on forms of contrary irony, thereby neglecting the more complex figure of Socratic Irony. Socratic Irony, which can be characterized by the invocation of the voice of the other, is distinguished from (...) other important meanings of the word “irony” and illustrated by one ancient and three contemporary examples. When encountering this stylistic device, reasonable audiences must choose their principle of reconstruction. Of the five options for this choice, the final one reconstructing Socratic Irony using recurring markers is ultimately championed and its functionality demonstrated on the four earlier examples. (shrink)

Irony and sarcasm are common linguistic tropes. They are both based on falsehoods that the speaker pretends to be true. I briefly characterize their differences. A third trope exists that works when the relevant propositions are true – yet its rhetorical effect resembles irony and sarcasm, I call it mocking. It is mimetic evil: an agent copies another so that the result ridicules him. The image is, in a limited way, true of him and it hurts; we all are vulnerable. (...) I provide a systematic framework for understanding this phenomenon, mocking, in terms of emulation and simulation. Finally, I introduce an idea of universal mimesis and discuss René Girard’s theory of desire. He argues that desires are copies of a model. This may not be possible, and I suggest a modification to his theory. I pay attention to his idea of mimetic desire as a source of hatred, which is obviously related to what I call here mimetic mocking. (shrink)

This article introduces the Verbal Irony Procedure (VIP), a first systematic method for identifying irony in natural discourse. The first section discusses previous operationalizations of irony and demonstrates that these are not explicit about which criteria were used to separate irony from non-irony. The second section argues why irony can be defined as an “utterance with a literal evaluation that is implicitly contrary to its intended evaluation.” This section also explains why ironic utterances can be placed on an evaluation scale. (...) In the third section, clauses are proposed as a good unit of analysis when looking at irony in natural discourse. The different steps of the VIP are then introduced in the fourth section and subsequently applied in a sample analysis of a natural text in the fifth section. The sixth section discusses a reliability analysis of the VIP protocol. The article ends with an outlook on how future research on verbal irony might benefit from applying the VIP. (shrink)

ABSTRACTThis paper takes up the much-neglected figure of the closed simile, a simile in which the ground is explicitly stated, as in “the dress is as black as coal.” In the typical case, which we c...

This article focuses onsarcasm, for which the definitions have often been loose and confusing, integrating it into the concept ofirony. My approach is based on a large corpus of examples taken from two contemporary television-series, which help identify the wide range of linguistic processes at the core of sarcastic utterances. I present a quantitative and descriptive analysis of the main processes found in two American television-series:House M.D.andThe Big Bang Theory. The results show the intricate meanings created in sarcasm through various (...) linguistic mechanisms, such as repetition, explicitation, metonymy, metaphor, shift of focus, reasoning, and rhetorical questions. This more holistic analysis, including a broad corpus of instances and a more detailed analysis of the examples, aims to fill the unexplored gaps in more classical analyses, emphasizing the complexities and implications that can be drawn in interaction. (shrink)

In theories of interpretation, the artwork's “surface” is frequently cast as something to be looked past in our quest for meaning. As such, the “surface” has also understandably been the focus of several polemics against the excesses of interpretive criticism – in film scholarship and beyond. This article explores what role concepts of the “surface” and “surface meaning” might fruitfully play in the interpretation of fiction films by thinking about a particular kind of expression-by-implication available to the medium: irony. An (...) under-theorised phenomenon, filmic irony could seem to require interpretation in order to grasp meanings that reside precisely elsewhere than the “surface”. Yet, can we even distinguish between a “surface meaning” and an “implied” meaning in a non-linguistic medium like film? This article addresses such questions by exploring the possibility of separating the explicit and implicit, as well as interpretation and comprehension, in a medium whose very capacity for ironic expression h... (shrink)

Dans leLachèsde Platon, Socrate attribue à son interlocuteur la connaissance du courage et tente de reconstruire cette connaissance sous forme discursive. Son attribution de connaissance à Lachès détermine son comportement discursif dans le dialogue, nécessitant qu’il s’abstienne de juger erronés les propos son interlocuteur, qu’il interprète l’erreur apparente comme une erreur de discours plutôt que de connaissance, et qu’il cherche la vérité sous-jacente au contenu manifeste des paroles de Lachès. La méthode de Socrate dans cet elenchos peut être décrite comme (...) une sorte d’«exégèse épistémique», qui cherche à extraire et à donner une forme discursive à la connaissance de la vertu dont elle suppose que l’interlocuteur est déjà possesseur. (shrink)

ABSTRACT:Relational leadership invokes an ethics involving a leader’s affective engagement and genuine concern with the interests of others. This ethics faces practical difficulties given it implies a seemingly limitless responsibility to a set of incommensurable ethical demands. This article contributes to addressing the impasse this creates in three ways. First, it clarifies the nature of the tensions involved by theorising relational leadership as caught in an irreconcilable bind between an infinitely demanding ethics and the finite possibilities of a response to (...) those demands. Second, it examines this ethical challenge in acknowledgement of the hierarchical discourses and power dynamics in which leadership relationships are constrained and enacted. Third, it proposes “ethical irony” as a way leaders can respond to the demand for ethics without resulting in either an escape from ethics, or being crushed by its burden. Three dimensions of ethical irony are examined: ironic perspective, ironic performance, and ironic predilection. (shrink)

The origins of ‘alternative comedy’ are difficult to pinpoint, though it coincided with the rise of Thatcher as Prime Minister in 1979 – that year saw the appearance of something called ‘alternative cabaret’, a term usually associated with Tony Allen, who combined activism and comedy. The acts this article will focus on are those which took a critical approach to comedy and/or politics – ‘alternative’ comedy, therefore, as seeming to promise change through critical awareness. This paper will discuss parody as (...) a means of critical engagement and transformation, in relation to context, and to influences such as punk. Altcom demonstrates an apparent eschewal of approaches which rely on irony and ambiguity, in favour of more ‘direct’ political engagement. It will be argued however that such ‘direct’ approach does not cancel out critical distance, but rather seeks alternative routes to establish it – namely comic and parodic overstatement, and the problematisation of ‘trust’. This entails the key questions of whether parody may take up critical distance without irony, as well as of the political implications of an approach which seeks to eliminate ambiguity. This more ‘direct’ approach however still depends on a balance of engagement and disengagement, requiring distancing from pre-established codes. (shrink)

At a point not long after Anytus has been introduced in Plato's dialogue, Meno, we learn two things in particular: that good and virtuous men often have despicable sons, despite their efforts to give them the finest educations, and that public affairs are not governed by knowledge; Athenian statesmen and those who elect them are ignorant even though they sometimes might get lucky and rule by true opinion.

The genre of commentary is in its historical manifestation strongly associated with a style of reading governed by an attitude of textual deference, or what I call a principle of authority. The commentator did not suppose himself equal to the “authentic” author: he sought to learn from one of those who know. The “‘authentic’ author could neither be mistaken, nor contradict himself, nor develop his arguments poorly, nor disagree with any other authentic author”.The commentator’s attitude of textual deference seems from (...) a modern philosophical perspective, distinguished as it is by an intense critical stance, to embody a serious error. From a contemporary perspective, the good philosophical.. (shrink)

The primary function of the Platonic dialogue is not the communication of philosophical doctrines but the transformation of the reader's character. This article takes up the question of how, or by what means, the Platonic dialogue accomplishes its transformative goal. An answer is developed as follows. First, the style of reading associated with analytical philosophy is not transformative, on account of its hermeneutical attachment and epistemic equality in the relationship between reader and author. Secondly, the style of reading associated with (...) the genre of commentary is transformative because it is governed by a principle of authority. When the commentary model is applied to the Platonic dialogue, it can be seen that the dialogue mimics the function of the authority principle in transforming the reader into a commentator, that is, someone who reads from a position of detachment and accepts responsibility for himself as moral and epistemic agent. (shrink)

Jacques-Bénigne Bossuet's sermon to Louis XIV on the "Devoirs des rois" and John Donne's sermon to Queen Anne at Denmark House are both texts that offer indirect critiques of their royal audiences--critiques which, if stated more bluntly, might be politically dangerous to the respective speakers. What makes such oblique criticism "safe" and what ultimately makes it understood? The answer lies in the rhetor's ability to build common ground with the audience.

In this paper I am concerned with two questions: What is sexist humor? and what is wrong with it? To answer the first question, I briefly develop a theory of humor and then characterize sexist humor as humor in which sexist beliefs are presupposed and are necessary to the fun. Concerning the second question, I criticize a common sort of argument that is supposed to explain why sexist humor is offensive: although the argument explains why sexist humor feels offensive, it (...) does not place responsibility for the offense in the humorist or audience that enjoys sexist humor. I develop an alternate account of the offense in sexist humor that places responsibility for offense in precisely those quarters. (shrink)

Socratic Method in the Euthyphro can be fruitfully analysed as a method of irony interpretation. Socrates' method – the irony of irony interpretation – is to pretend that Euthyphro is an ironist in order to transform him into a self-ironist. To be a self-ironist is to ironize one's knowledge of virtue in order to bring an intuitive and unarticulated awareness of virtue to mind. The exercise of the capacity for self-irony is then a mode of striving for the good.

At a point not long after Anytus has been introduced in Plato's dialogue, Meno, we learn two things in particular: that good and virtuous men often have despicable sons, despite their efforts to give them the finest educations , and that public affairs are not governed by knowledge; Athenian statesmen and those who elect them are ignorant even though they sometimes might get lucky and rule by true opinion.

This article provides a broad overview of the problem of irony to contemporary hermeneutics. It offers a thematic account of the effects of irony on interpretation, and argues that the problems of irony are embedded within the relation between the free play of irony and the regulative role of interpretative discourse. It argues, against hermeneutic theories such as that of Hans‐Georg Gadamer, that the “problems” which irony poses for interpretation can be seen as symptomatic of irony's identification: that irony is, (...) essentially, problematic. It argues that any account of irony needs to account for the value of irony as a problem, rather than subsuming such problems into larger models of understanding. The article explores this notion by looking at the interpretative “discourse of irony” and noting its thematic features. It is argued that the account of irony as a negation of meaning is intrinsically tied to the construction of a sovereign economy in response to the excesses of ironic possibility, but that such a construction is determined only by the stepping‐away from the initial ironic possibilities which enabled its construction. Using the work of Gadamer as an example, the article argues that this in itself does not close irony, but produces yet more irony which frustrates the interpretative act while lending itself to interpretative possibility. (shrink)

(1988). Approaches, opportunities and priorities in the rhetoric of political inquiry: A critical synthesis. Social Epistemology: Vol. 2, No. 1, pp. 21-42.