Some embodied theories of concepts state that concepts are represented in a sensorimotor manner, typically via simulation in sensorimotor cortices. Fred Adams (2010) has advanced an empirical argument against embodied concepts reasoning as follows. If concepts are embodied, then patients with certain sensorimotor impairments should perform worse on categorization tasks involving those concepts. Adams cites a study with Moebius Syndrome patients that shows typical categorization performance in face-based emotion recognition. Adams concludes that their typical performance shows that embodiment is false. (...) Moebius patients must draw on amodal (non-embodied) emotion concepts. In this paper, I review face-based emotion recognition studies with Moebius patients yielding conflicting results and diagnose these conflicts as a difference in experimental design. When emotion labels are provided, patients have typical performance, but when labels are not provided patients are severely deficient. I then show how an embodied, psychological constructionist view of emotions predicts and explains these performance differences. The upshot is that embodied theories of concepts are vindicated. (shrink)

This article presents a new conceptual view on the conscious will. This new concept approaches our will from the perspective of the requirements of our neural-muscular system and not from our anthropocentric perspective. This approach not only repositions the will at the core of behavior control, it also integrates the studies of Libet and Wegner, which seem to support the opposite. The will does not return as an instrument we use to steer, but rather as part of the way we (...) learn new automatic behavior and of how our neural system steers us. The new concept suggests that understanding of our will is more about understanding of our daily behavior than about the will itself. (shrink)

The superfunctionality claim is that phenomenal experiences are more than functional (objective, causal) relations. This is one of the most widely used but least attacked claims in the anti-physicalist literature on consciousness. Coupled with one form of structuralism, the view that science only explains functional relations, the superfunctionality claim entails that science will not explain phenomenal experience. The claim is therefore essential to many anti-physicalist arguments. I identify an open question argument for the superfunctionality claim that expresses an intuition deserving (...) of explanation. Using the experience of fear as an example, I show that this intuition cannot distinguish between whether conscious experiences are more than functional relations, or whether instead they are just very complex (including, constituted by very complex functional relations). I give reasons to suspect that the latter is more likely the case. This renders physicalism safe from the superfunctionality claim. This also provides a challenge to the proponents of the superfunctionality claim: they should explain why paradigmatically mysterious phenomenal experiences are correlated with extensive and complex physical correlates. (shrink)

Emotional responses to fiction are part of our experience with art and media. Some of these responses (“fictional emotions”) seem to be directed towards fictional entities—entities that we believe do not exist. Some philosophers argue that fictional emotions differ in nature from other emotional responses. (cf. Walton in J Philos 75(1):5–27, 1978, Mimesis as make-believe, Harvard University Press, Cambridge, 1990, Walton, in: Hjort, Laver (ed.) Emotion and the arts, Oxford University, New York, 1997; Currie in The nature of fiction, Cambridge (...) University Press, Cambridge, 1990; Stecker in Br J Aesthet 51(3):295–308, 2011) The claim is supposed to be supported among others by ‘the argument from action.’ In contrast to genuine emotions, proponents of this argument claim, fictional emotions do not motivate their bearers to act. (cf. Yanal in Paradoxes of emotion and fiction, Pennsylvania State University Press, University Park, 1999; Lamarque in Br J Aesthet 21(4):291–304, 1981; Carroll in The philosophy of horror: or, paradoxes of the heart, Routledge, London, 1990; Currie 1990; Walton 1978, 1990; Suits in Pac Philos Q 87(3):369–386, 2006; Friend, in: Kind (ed.) The Routledge handbook of philosophy of imagination, Routledge, New York, 2016) This claim grounds in what may appear to be an obvious fact: that viewers and readers of are not led to act by their fictional emotions. It is certainly true that viewers and readers of fiction do not form intentions to perform actions directed towards fictional entities. In contrast to the proponents of the argument from action, I will argue that the lack of any such intentions can be explained only with reference to intending’s doxastic conditions, conditions that are unsatisfied in the fictional scenario. Decisively, this explanation does not refer to the motivational force of the agent’s emotions; indeed, it doesn’t refer to emotions at all. Thus, the lack of intentions to perform actions directed towards fictional objects provides no support for the claim that fictional emotions are no genuine emotions. (shrink)

Using emotional film clips is one of the most popular and effective methods of emotion elicitation. The main goal of the present study was to develop and test the effectiveness of a new and comprehensive set of emotional film excerpts. Fifty film experts were asked to remember specific film scenes that elicited fear, anger, sadness, disgust, amusement, tenderness, as well as emotionally neutral scenes. For each emotion, the 10 most frequently mentioned scenes were selected and cut into film clips. Next, (...) 364 participants viewed the film clips in individual laboratory sessions and rated each film on multiple dimensions. Results showed that the film clips were effective with regard to several criteria such as emotional discreteness, arousal, positive and negative affect. Finally, ranking scores were computed for 24 classification criteria: Subjective arousal, positive and negative affect (derived from the PANAS; Watson & Tellegen, 1988), a positive and a negative affect scores derived from the Differential Emotions Scale (DES; Izard et al., 1974), six emotional discreteness scores (for anger, disgust, sadness, fear, amusement and tenderness), and 15 “mixed feelings” scores assessing the effectiveness of each film excerpt to produce blends of specific emotions. In addition, a number of emotionally neutral film clips were also validated. The database and editing instructions to construct the film clips have been made freely available in a website. (shrink)

This article presents a new conceptual view on the conscious will. This new concept approaches our will from the perspective of the requirements of our neural-muscular system and not from our anthropocentric perspective. This approach not only repositions the will at the core of behavior control, it also integrates the studies of Libet and Wegner, which seem to support the opposite. The will does not return as an instrument we use to steer, but rather as part of the way we (...) learn new automatic behavior and of how our neural system steers us. The new concept suggests that understanding of our will is more about understanding of our daily behavior then about the will itself. (shrink)

Raising awareness of the environmental impact of energy generation and consumption has been a recent concern of contemporary society worldwide. Underlying the awareness of energy consumption is an intricate network of perception and social interaction that can be mediated by technology. In this paper we argue that issues regarding energy, environment and technology are very much situated and involve tensions of sociocultural nature. This exploratory investigation addresses the subject by introducing the design of a Socially-inspired Energy Eco-Feedback Technology, which is (...) composed of an interactive system to trigger and mediate collective savings and a tangible device as a public feedback. Results of an evaluation situated in the context of a school in a socially disadvantaged area in Brazil are discussed, shedding light on the sociocultural aspects related to the subject. The role of the SEET to motivate energy awareness collectively among the social group is assessed, as well as the design characteristics that contributed to that. Outcomes bring to light social aspects and dynamics that would hardly have been predicted, evidencing critical factors related to a socially inspired design approach in the energy awareness domain. (shrink)

In the scientific study of the emotions the goal is to find natural kinds. That is, to find categories about which interesting scientific generalizations and predictions can be formed. Core affect is dimensional approach to the emotions which claims that emotions emerge from the more basic psychological processes of valence and arousal. Lisa Feldman Barrett has recently argued that the discrete emotion approach has failed to find natural kinds and thus should be dismissed as a failed paradigm. She offers core (...) affect as an alternative theory that will better capture natural kinds in emotionally salient phenomena. In this thesis I evaluate Barrett’s claim on the basis of a philosophically robust understanding of natural kinds and a careful assessment of the empirical evidence. I argue that while core affect is not a natural kind, subsets of core affect space may be natural kinds. (shrink)