In 1764, Kant published his Observations on the Feeling of the Beautiful and the Sublime and in 1790 his influential third Critique , the Critique of the Power of Judgment . The latter contains two parts, the 'Critique of the Aesthetic Power of Judgment' and the 'Critique of the Teleological Power of Judgment'. They reveal a new principle, namely the a priori principle of purposiveness ( Zweckmäßigkeit ) of our power of judgment, and thereby offer new a priori grounds for (...) beauty and biology within the framework of Kant's transcendental philosophy. They also unite the previous two Critiques , the Critique of Pure Reason and the Critique of Practical Reason . Besides contributing to general and systematic aspects within his transcendental philosophy, Kant's aesthetics also offers new insights into old problems. It deals with feeling versus experience, subjectivity versus objectivity, disinterested pleasure, aesthetic universality, free and adherent beauty, the sensus communis , genius, aesthetic ideas, beauty as the symbol of morality, beauty of nature versus beauty of art, the sublime, and the supersensible. In this article I will limit myself to this critical aesthetics of Kant. But I will also discuss the ugly and the possibility of beauty in mathematics and see whether Kant's theory can successfully explain or deal with them. I will also compare his theory with philosophical ideas from a very different tradition, namely from Confucius, not only as a challenge to Kant's theory, but also because there is a growing interest from the Chinese side in combining ideas from Confucius and Kant, an interest that might well become influential in both East and West during the 21st century. (shrink)

Neo-Kantianism emerged over the course of the 1860s and it occupied a leading position in the German universities from the 1870s until the First World War. Demands for getting "back to Kant" had become common since the early 1860s, and these demands were discussed in the meetings of the Philosophical Society of Berlin (Philosophische Gesellschaft zu Berlin; PGB), which was the international organization of Hegelians. In this paper I address some reactions among the PGB members to the 1860s Kant revival. (...) The journal "Der Gedanke", the organ of the PGB, reported closely how Kant returned to the spotlight of German philosophy. The reactions of the PGB members to the Kant revival was not only critical. Over the course of the 1860s the interest on Kant among the members grew little by little. (shrink)

Der Kommentar zur Kritik der reinen Vernunft bietet eine textnahe Erschließung der zentralen Begriffe, Thesen und Argumentationsgänge von Kants Hauptwerk auf aktuellem Forschungsstand. Es ist der erste Kommentar zur KrV, der den gesamten Text in der Fassung der ersten und zweiten Auflage gleichmäßig und lückenlos berücksichtigt. Davon profitieren vor allem die „Transzendentale Dialektik“ und die „Methodenlehre“, die in früheren Gesamtkommentaren meist nicht hinreichend berücksichtigt worden sind. Die Beiträge wurden nach einheitlichen Richtlinien verfasst, wobei unterschiedliche Herangehensweisen und Interpretationsansätze zur Geltung kommen. (...) Um dem Leser dieses Kommentars die Orientierung zu erleichtern, ist jeder Beitrag in drei bzw. vier Teile untergliedert: Der erste Teil behandelt die Stellung und Funktion des kommentierten Textabschnitts in der KrV, der zweite Teil gibt einen Überblick über Inhalt und Aufbau des Abschnitts, der dritte Teil enthält den eigentlichen Textkommentar. Wo dies sinnvoll erschien, wurden in einem vierten Teil wichtige Interpretationsfragen angesprochen. Hinweise auf weiterführende Spezialliteratur am Ende eines jeden Beitrags, eine Auswahlbibliographie zu Kant und zur Kritik der reinen Vernunft sowie ein Namen- und ein Sachregister machen den Band zu einem komfortablen Arbeitsmittel für den Benutzer. Die vorliegende zweite Auflage trägt der Tatsache Rechnung, dass der Band mittlerweile als Standardwerk der Kant-Forschung gilt. Mit Beiträgen von Henry Allison, Karl Ameriksm Reinhard Brandt, Wolfgang Carl, Konrad Cramer, Jean Ferrari Eckart Förster, Volker Gerhardt, Paul Guyer, Otfried Höffe, Hansgeorg Hoppe, Rolf-Peter Horstmann, Heiner F. Klemme, Lothar Kreimendahl, Béatrice Longuenesse, Georg Mohr, Birgit Recki, Alain Renaut, Peter Rohs, Gerhard Seel, Dieter Sturma, Bernhard Thöle, Eric Watkins, Marcus Willaschek. (shrink)

In 1764, Kant published his Observations on the Feeling of the Beautiful and the Sublime and in 1790 his influential third Critique, the Critique of the Power of Judgment. The latter contains two parts, the ‘Critique of the Aesthetic Power of Judgment’ and the ‘Critique of the Teleological Power of Judgment’. They reveal a new principle, namely the a priori principle of purposiveness (Zweckmäßigkeit) of our power of judgment, and thereby offer new a priori grounds for beauty and biology within (...) the framework of Kant's transcendental philosophy. They also unite the previous two Critiques, the Critique of Pure Reason and the Critique of Practical Reason. Besides contributing to general and systematic aspects within his transcendental philosophy, Kant's aesthetics also offers new insights into old problems. It deals with feeling versus experience, subjectivity versus objectivity, disinterested pleasure, aesthetic universality, free and adherent beauty, the sensus communis, genius, aesthetic ideas, beauty as the symbol of morality, beauty of nature versus beauty of art, the sublime, and the supersensible. In this article I will limit myself to this critical aesthetics of Kant. But I will also discuss the ugly and the possibility of beauty in mathematics and see whether Kant's theory can successfully explain or deal with them. I will also compare his theory with philosophical ideas from a very different tradition, namely from Confucius, not only as a challenge to Kant's theory, but also because there is a growing interest from the Chinese side in combining ideas from Confucius and Kant, an interest that might well become influential in both East and West during the 21st century. (shrink)