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Hope, critique, and utopia

Critical Horizons 6 (1):63-86 (2005)

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  1. Modes of Hoping.Darren Webb - 2007 - History of the Human Sciences 20 (3):65-83.
    It is widely acknowledged that hoping is an integral part of what it is to be human. The present article strives to make sense of the myriad competing conceptions of hope that have emerged over the past half-century. Two problems with the literature are highlighted. First, discussions of hope tend to take place within rather than between disciplines. Second, hope is often taken to be an undifferentiated experience. In order to address the first problem, the article takes an interdisciplinary approach, (...)
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  • Hope after ‘the end of the world’: rethinking critique in the Anthropocene.Pol Bargués, David Chandler, Sebastian Schindler & Valerie Waldow - 2024 - Contemporary Political Theory 23 (2):187-204.
    Many contemporary thinkers of the Anthropocene, who attempt to articulate a non-modern and relational ontology, all too readily dismiss critical theory inherited from the Frankfurt School for being anthropocentric, failing to acknowledge certain basic similarities. Instead, this article argues that the scaffolding of Anthropocene thinking—the recognition of the origins of the contemporary condition of ‘loss of world’ and the hope of ‘living on in the ruins’—share much with earlier critical theorists’ recognition that the Holocaust necessitated a fundamental break with the (...)
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  • Envisioning Autonomy through Improvising and Composing: Castoriadis visiting creative music education practice.Panagiotis A. Kanellopoulos - 2012 - Educational Philosophy and Theory 44 (2):151-182.
    Do psychological perspectives constitute the only way through which the role of musical creativity in education can be addressed, researched and theorised? This essay attempts to offer an alternative view of musical creativity as a deeply social and political form of human praxis, by proposing a perspective rooted in the thought of the political philosopher and activist Cornelius Castoriadis (1922–1997). This is done in two steps. First, an attempt is made to place the pursuit of the concept of musical creativity (...)
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  • Serious, not all that serious: Utopia beyond realism and normativity in contemporary critical theory.S. D. Chrostowska - 2019 - Constellations 26 (2):330-343.
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  • Rethinking the 'crisis of hope' in critical theory.Sarah S. Amsler - unknown
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