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  1. Color.Barry Maund - 2008 - Stanford Encyclopedia of Philosophy.
    Colors are of philosophical interest for two kinds of reason. One is that colors comprise such a large and important portion of our social, personal and epistemological lives and so a philosophical account of our concepts of color is highly desirable. The second reason is that trying to fit colors into accounts of metaphysics, epistemology and science leads to philosophical problems that are intriguing and hard to resolve. Not surprisingly, these two kinds of reasons are related. The fact that colors (...)
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  • Sensory qualities, sensible qualities, sensational qualities.Alex Byrne - 2007 - In Brian P. McLaughlin, Ansgar Beckermann & Sven Walter (eds.), The Oxford handbook of philosophy of mind. New York: Oxford University Press.
    Philosophers of mind have distinguished (and sometimes conflated) various qualities. This article tries to sort things out.
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  • Introduction to the Philosophy of Colour.Derek H. Brown & Fiona Macpherson - 2017 - In Derek H. Brown & Fiona Macpherson (eds.), Routledge Handbook of Philosophy of Colour. New York: Routledge.
    This essay is an introduction to the Routledge Handbook of Philosophy of Colour. Why has the examination of many different aspects of colour been a prominent feature in philosophy, to such an extent that the topic is worthy of a handbook? Here are two related answers. First, colours are exceedingly familiar, seemingly simple features that become enigmatic under scrutiny, and they are difficult to capture in any familiar-sounding, unsophisticated theory. Second, through colour one can confront various problems that span the (...)
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  • Metamerism, constancy, and knowing which.Mark Eli Kalderon - 2008 - Mind 117 (468):549-585.
    When Norm perceives a red tomato in his garden, Norm perceives the tomato and its sensible qualities.
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  • Objectivism about Color and Comparative Color Statements. Reply to Hansen.Mario Gómez-Torrente - 2017 - Noûs 51 (2):429-435.
    Nat Hansen builds a new argument for subjectivism about the semantics of color language, based on a potential kind of intersubjective disagreements about comparative color statements. In reply, I note that the disagreements of this kind are merely hypothetical, probably few if actual, and not evidently relevant as test cases for a semantic theory. Furthermore, even if they turned out to be actual and semantically relevant, they would be intuitively unusable by the subjectivist.
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  • Indirect perceptual realism and demonstratives.Derek Henry Brown - 2009 - Philosophical Studies 145 (3):377-394.
    I defend indirect perceptual realism against two recent and related charges to it offered by A. D. Smith and P. Snowdon, both stemming from demonstrative reference involving indirect perception. The needed aspects of the theory of demonstratives are not terribly new, but their connection to these objections has not been discussed. The groundwork for my solution emerges from considering normal cases of indirect perception (e.g., seeing something depicted on a television) and examining the role this indirectness plays in demonstrative assertions. (...)
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  • Perceptual Variation, Color Language, and Reference Fixing. An Objectivist Account.Mario Gómez-Torrente - 2016 - Noûs 50 (1):3-40.
    I offer a new objectivist theory of the contents of color language and color experience, intended especially as an account of what normal intersubjective variation in color perception and classification shows about those contents. First I explain an abstract account of the contents of color and other gradable adjectives; on the account, these contents are certain objective properties constituted in part by contextually intended standards of application, which are in turn values in the dimensions of variation associated with the adjectives. (...)
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  • Indirect perceptual realism and multiple reference.Derek Brown - 2008 - Dialectica 62 (3):323-334.
    Indirect realists maintain that our perceptions of the external world are mediated by our 'perceptions' of subjective intermediaries such as sensations. Multiple reference occurs when a word or an instance of it has more than one reference. I argue that, because indirect realists hold that speakers typically and unknowingly directly perceive something subjective and indirectly perceive something objective, the phenomenon of multiple reference is an important resource for their view. In particular, a challenge that A. D. Smith has recently put (...)
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