This paper reexamines Adorno’s conception of utopia within the context of his critique of the concept of progress. It contests the standard interpretation which conveys Adorno’s conception of utopia to be imbued with an essentially extra-historical idea of redemption. I argue, contrary to this view, that the motif of redemption surfacing in Adorno’s conception of utopia negates a specific type of historical life – life under which historical consciousness sinks into oblivion – rather than history per se. In order to (...) reveal the historicality of Adorno’s conception of utopia, I examine his fragmentary yet consistent critique of the concept of progress, which, far from calling for total abandonment, aims to access and unearth its truth-content. Last but not least, I visit Adorno’s suggestion regarding the consonance of utopia with genuine progress, assessing its implications vis-à-vis a characteristic feature of mythological life, the ratio of self-preservation. (shrink)

:This essay provides a reading of Steve McQueen's critically acclaimed movie Hunger, which tells the story of the hunger strike of Bobby Sands in light of contemporary hunger strikes around the world and especially in Guantánamo. The central concern of the essay is to read Hunger together with Horkheimer and Adorno's Dialectic of Enlightenment, showing how both works problematize the sacrificial subjectivity of enlightenment, its instrumental rationality, and sovereign temporality, while advancing a devastating critique of Western civilization. I argue that (...) Hunger situates the high-security prison within the self-destructive tendency of enlightenment and depicts how self-sacrificial resistance emerges as a response to sovereign domination. Interpreting the figure of Bobby Sands as the reversal of Odysseus in the encounter with the Sirens, I explore how insurgent sacrifice interrupts the dialectic of enlightenment and points to a new configuration of subjectivity and time. (shrink)

That something is profoundly wrong with the way in which enlightenment has unfolded has widely been taken to be the main thrust of Dialectic of Enlightenment. In this paper, I propose to defend that to understand the book and shed light on some of its most puzzling features, one should rather take Horkheimer and Adorno's critical claim at face value: through their criticism they contend to have prepared a positive concept of enlightenment. How this can be so is the question (...) I want to answer. I defend that what we need is an account that works out the conceptual grounds on which their critique can operate. The focus of my attempt will consist in understanding what they mean when they assert that rationality is intrinsically social and how they conceive of rationality as being reflective at its core. (shrink)

Horkheimer and Adorno make claims that imply a complete rejection of the idea of a universal history developed in classical German philosophy. Using Kant’s account of universal history, I argue that some features of the idea of a universal history can nevertheless be detected in the Dialectic of Enlightenment and some of Adorno’s remarks on freedom and history. This is done in connection with the kind of rational self-mastery that they associate with the story of Odysseus. Some claims made by (...) Adorno in particular will be shown to imply that this self-mastery is a necessary condition of a better, freer society, especially in relation to this society’s material conditions. On the other hand, certain essential features of the idea of a universal history are clearly absent in virtue of the ultimate contingency of events and states of affairs that Adorno seeks to preserve. I show that the absence of these features and the preservation of contingency are, in fact, the means of saving the notion of the possibility of progress which informs the idea of a universal history. (shrink)