Abstract: In the Philebus, Socrates constructs a dialectical argument in which he purports to explain to Protarchus why the pleasure that spectators feel when watching comedy is a mixture of pleasure and pain. To do this he brings in phthonos (malice or envy) as his prime example (47d-50e). I examine the argument and claim that Socrates implicitly challenges Protarchus’ beliefs about himself as moderate and self-knowing. I discuss two reasons to think that more is at stake in the argument than (...) the mixed pleasure and pain of comic malice. (shrink)

In Plato's Philebus the last section of the discussion on the falseness of pleasure is dedicated to those pleasures intrinsically mixed with pain. This paper focuses specifically on bodily mixed pleasures, an analysis that extends from 44d to 47c, while its focal point is 46-47c. By adopting the anti-hedonists' methodology, Socrates cunningly transforms his entire analysis of bodily mixed pleasures into a discourse on human disease, in which medical terminology prevails. Two major points are made in the reading suggested here. (...) Despite Socrates' quasi-medical language, a substratum of poetic discourse is underlying his analysis. Thus, a network of poetic associations—probably promptly recalled by Plato's audience—not only reveals the intertextual encounter between medical, philosophic and poetic discourses but also contributes to the interpretation of Socrates' analysis. Hence, the pathology of love as expressed through poetry illuminates the meaning, questionable in straightforward medical terms, of passage 46c6-d2, while it also reveals the unfolding unity underlying Socrates' analysis, otherwise thought to comprise three distinct medical cases. Ancient medical lore is important for the understanding of passage 46d7-47a1 on the affliction of knêsis and psôra, not only because it confirms the analogy between the physiology of knêsis and that of sexual arousal and climax, but also because it illuminates the specific medical treatment Socrates is describing. Thus, in the crucial debate about whether Plato uses the term aporiais or pyriais in 46e2, medical evidence seems to support the latter. The reading pyriais makes this complicated paragraph more comprehensible in terms of meaning and syntax, while stressing the importance of heat in the processes of both the curing of knêsis and of human orgasm. Besides, it further confirms the intertextual encounter between the Phaedrus and the Philebus. (shrink)

At the very end of Plato's Philebus Socrates and Protarchus place the goods of a human life in a hierarchy (66a-67b). Previous interpretations of this passage have concentrated upon its relevance to the good human life, including the allowance of (true and pure) pleasures. This view picks up Plato's metaphor of a mixture of reason and pleasure, but the ranking of the goods is emphatically a vertical stratification and not a mixture in which all elements are equally fundamental. In this (...) article I argue that each and all of the higher ranked goods are necessary conditions for the goods of the level immediately below. The ranking represents an attempt to identify as far as possible what is responsible for the characteristics of the good in human life, and therefore to narrow down the definition of the good itself. (shrink)

In the Philebus Plato argues that every rational human being, given the choice, will prefer a life that is moderately thoughtful and moderately pleasant to a life that is utterly thoughtless or utterly pleasureless. This is true, he thinks, even if the thoughtless life at issue is intensely pleasant and the pleasureless life at issue is intensely thoughtful. Evidently Plato wants this argument to show that neither pleasure nor thought, taken by itself, is sufficient to make a life choiceworthy for (...) us. But there is some disagreement among commentators about whether or not he also wants the argument to show why. Is the argument designed to establish that we should reject thoughtless and pleasureless lives because some pleasures and some thoughts are goods? Or is it silent on this issue? Many interpreters take the first option, claiming that Plato uses the argument to attack both the hedonist view that only pleasures are goods and the intellectualist view that only thoughts are goods. My aim in this paper is to show that the second option is at least as attractive as the first, both exegetically and philosophically. (shrink)

In modern epistemology, one ‘value of knowledge’ problem concerns the question why knowledge should be valued more highly than mere true belief. Though this problem has a background in Plato, the present paper, focused on Philebus 55–9, is concerned with a different question: what questions might one ask about the value of knowledge, and what question(s) does Plato ask here? The paper aims to articulate the kind(s) of value Plato here attributes to ‘useless’ knowledge, knowledge pursued without practical object; and (...) why, according to him, there is value in being a knower. Though his answer to this question requires commitments we may resist, it has a structure of general philosophical interest. (shrink)

The sentence setting the stage for the philosophical investigation within the Philebus is, naively translated, “He says that to enjoy is good.” Instead of the predicate adjective “good,” most interpreters prefer to translate with a definite description, “the good,” with consequences that affect the interpretation of the dialogue as a whole. Part one defends the naïve translation, both in the context of Socrates’ first seven speeches and viewing the dialogue as a whole. Part two considers and rejects the reasons given (...) against the naïve translation on the basis of grammar, idiosyncratic Platonic style, immediate context, and later restatements. (shrink)

In an interesting passage in the Philebus , Plato associates pure beauty with geometrical forms created by certain measuring tools used both by mathematicians and carpenters. The ‘beauty of figures’ is analysed as' something straight [εθ τι]… and round [περιφερς] and the two- and three-dimensional figures generated from these by [τρνοι] and ruler [κανσ7iota;] and set-squares [γωναι]' He continues: ‘For I maintain that these things are not beautiful in relation to something, as other things are, but they are always beautiful (...) by nature, by themselves…’. (shrink)

Hackforth and Menn make a strong case for the identity of nous and the demiurge in Plato, but I argue that it does not hold in the case of the Philebus, where the demiurge is kept in the background, and the world-soul is in fact the referent in the passage assigning nous to the class of cause as governor of the universe. In the Statesman, the world-soul had had to own the problem of natural catastrophe, and I suggest that in (...) the Philebus the role and functions of the world-soul are enhanced in an attempt to make it the basis for a solution to that problem. (shrink)