In dialogues ranging from the Symposium to the Timaeus, Plato appears to propose that the philosopher’s grasp of the forms may confer immortality upon him. Whatever can Plato mean in making such a claim? What does he take immortality to consist in, such that it could constitute a reward for philosophical enlightenment? And how is this proposal compatible with Plato’s insistence throughout his corpus that all soul, not just philosophical soul, is immortal? In this chapter, I pursue these questions by (...) applying the distinction between general and earned immortality to the Phaedo and the Symposium. I argue that, while Plato attributes general immortality to all soul in the Phaedo, in the Affinity Argument, he proposes that the philosopher’s soul can achieve earned immortality through contemplating forms. It is this form of immortality that Plato claims is unavailable to humankind in the flux passage of the Symposium. At the same time, in the ascent passage, he holds out the possibility – albeit with significant reservations – that the philosopher’s soul may transcend its humanity and achieve earned immortality through its communion with the form. (shrink)

A crux of Plato’s Symposium is how beauty relates to the good. Diotima distinguishes beauty from the good, I show, to explain how erotic pursuits are characteristically ambivalent and opaque. Human beings pursue beauty without knowing why or thinking it good; yet they are rational, if aiming at happiness. Central to this reconstruction is a passage widely taken to show that beauty either coincides with the good or demands disinterested admiration. It shows rather that what one loves as beautiful does (...) not appear good, a proposal with ramifications for ethical psychology. (shrink)

In this paper I argue that Socrates' speech in Plato’s Symposium cannot by itself express Plato’s view of love. All the non-philosophical speeches, each standing for a different contemporary view of love, should be taken into serious consideration, for they are not mere pastiches of empty theories. In fact, they seem to have been placed there to have their intellectual strength tested by philosophy, for not only their contents reveal commonsensical accepted wisdom, but their discursive beauty powerfully impresses the audience, (...) making them true challenges to the cold, though persuasive logos of philosophy. Furthermore, placing Alcibiades' speech right after Diotima’s austere account of love, when the program of speeches as proposed seemed to have arrived at an end, would be unnecessary, if Plato’s aim were simply to disapprove Alcibiades’ behavior to excuse Socrates political attitudes, as it is assumed by Leon Robin in his Notice to his famous translation to the Belles Lettres edition. On the contrary, Alcibiades’ speech sounds more like a criticism of Socratic love made by Plato himself. (shrink)

This book sets high standards for itself. Regrettably it fails to meet them: apart from a few displays of thorough and competent research, it is generally based on substandard scholarship.

: Like the goddess Demeter, Diotima from Mantineia, the prophetess who teaches Socrates about eros and the "rites of love" in Plato's Symposium, was a mystagogue who initiated individuals into her mysteries, mediating to humans esoteric knowledge of the divine. The dialogue, including Diotima's speech, contains religious and mystical language, some of which specifically evokes the female-centered yearly celebrations of Demeter at Eleusis. In this essay, I contextualize the worship of Demeter within the larger system of classical Athenian practices, and (...) propose that Plato borrowed Eleusinian language because it criticized conventional notions of the divine, thereby allowing him to reimagine the possibilities for the philosophical process among humans. (shrink)

Like the goddess Demeter, Diotima from Mantineia, the prophetess who teaches Socrates about eros and the “rites of love” in Plato's Symposium, was a mystagogue who initiated individuals into her mysteries, mediating to humans esoteric knowledge of the divine. The dialogue, including Diotima's speech, contains religious and mystical language, some of which specifically evokes the female-centered yearly celebrations of Demeter at Eleusis. In this essay, I contextualize the worship of Demeter within the larger system of classical Athenian practices, and propose (...) that Plato borrowed Eleusinian language because it criticized conventional notions of the divine, thereby allowing him to reimagine the possibilities for the philosophical process among humans. (shrink)

El propósito del presente trabajo es en primer término el relevamiento de los principales desarrollos conceptuales y argumentativos del elenchos entre Sócrates y Agatón en Smp. 199c-201a, y su relación con los desarrollos de la teoría erótica del discurso de Sócrates/Diotima que prologa. A este respecto nos concentraremos en analizar cómo se elabora allí la pregunta sobre la naturaleza de eros y se formulan, a modo de primera respuesta, afirmaciones sobre su carácter intencional, su carencia constitutiva en cuanto necesariamente inscripto (...) en la temporalidad, y su tendencia a lo bueno y lo bello. Posteriormente, se complementa este análisis con el examen de este ejemplo de elenchos en particular a la luz de diversas cuestiones de debate respecto al elenchos en general. A este respecto se atiende especialmente a la conexión entre elenchos y eros en este pasaje del Banquete, en tanto el primero constituye una herramienta metodológica particularmente apropiada para, a la vez, enunciar las bases de la teoría platónica del eros y estimular el surgimiento del amor por la verdad. (shrink)

Alcibiades relates Socrates' warning on his proposal for a reciprocal exchange of beauty; he should take a better look in case he is mistaken about Socrates' beauty and true worth: ἥ τοι τῆς διανοίας ὄψις ἄρχεται ὀξὺ βλέπειν ὅταν ἡ τῶν ὀμμάτων τῆς ἀκμῆς λήγειν ἐπιχειρῆι· σὺ δὲ τούτων ἔτι πόρρω, ‘the sight of the mind, you know, begins to see sharply when the sight of the eyes attempts to fade from its prime—but you still far from these.’.

Here I aim to show how the views on the body in Plato´’s Symposium must be considered not as contradictory but as complementary. The three main thesis of this paper are: a) The body is essential for the triggering of “erôs”, insofar as sexual attraction to beautiful bodies is the most natural way in which anyone can start to develop an erotic experience. b) The ascent towards beauty itself implies detachment from a particular body as such in order to move (...) to an appraisal of it from a wider, more general understanding. c) Additionally the loving relationship between Socrates and beautiful young men shows that the physical dimension of “erôs” is never completely eradicated by Plato but, on the contrary, it works as an essential trigger of desire. (shrink)