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  1. Dark Cosmism: Or, the Apophatic Specter of Russo-Soviet Techno-utopianism.Taylor R. Genovese - 2023 - Dissertation, Arizona State University
    By utilizing words, photographs, and motion pictures, this multimodal and multisited project traces a rhizomatic genealogy of Russian Cosmism—a nineteenth century political theology promoting a universal human program for overcoming death, resurrecting ancestors, and traveling through the cosmos—throughout post-Soviet techno-utopian projects and imaginaries. I illustrate how Cosmist techno-utopian, futurist, and other-than-human discourse exist as Weberian “elective affinities” within diverse ecologies of the imagination, transmitting a variety of philosophies and political programs throughout trans-temporal, yet philosophically bounded, communities. With a particular focus (...)
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  • Animism and Natural Teleology from Avicenna to Boyle.Jeff Kochan - 2021 - Science in Context 34 (1):1-23.
    Historians have claimed that the two closely related concepts of animism and natural teleology were both decisively rejected in the Scientific Revolution. They tout Robert Boyle as an early modern warden against pre-modern animism. Discussing Avicenna, Aquinas, and Buridan, as well as Renaissance psychology, I instead suggest that teleology went through a slow and uneven process of rationalization. As Neoplatonic theology gained influence over Aristotelian natural philosophy, the meaning of animism likewise grew obscure. Boyle, as some historians have shown, exemplifies (...)
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  • Suspending Disbelief: Magnetic and Miraculous Levitation from Antiquity to the Middle Ages.Dunstan Lowe - 2016 - Classical Antiquity 35 (2):247-278.
    Static levitation is a form of marvel with metaphysical implications whose long history has not previously been charted. First, Pliny the Elder reports an architect’s plan to suspend an iron statue using magnetism, and the later compiler Ampelius mentions a similar-sounding wonder in Syria. When the Serapeum at Alexandria was destroyed, and for many centuries afterwards, chroniclers wrote that an iron Helios had hung magnetically inside. In the Middle Ages, reports of such false miracles multiplied, appearing in Muslim accounts of (...)
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  • Some Reflections on Theology and Popular Piety: a Fruitful or Fraught Relationship?Salvador Ryan - 2012 - Heythrop Journal 53 (5):961-971.
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  • Idiotae, Mathematics, and Artisans: The Untutored Mind and the Discovery of Nature in the Fabrist Circle.Richard J. Oosterhoff - 2014 - Intellectual History Review 24 (3):301-319.
    In his first work, the Dialecticae Institutiones of 1543, Peter Ramus urged those who wanted to learn the truth about the world not to approach scholars, but vineyard workers. “From their minds, as...
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  • From Matter to Material Culture.Maureen C. Miller - 2024 - Common Knowledge 30 (1):62-75.
    As a contribution to the Common Knowledge symposium “Caroline Walker Bynum across the Disciplines,” this essay traces the origins and development of Bynum's interest in the material artifacts of late medieval Christian spirituality. The author narrates these evolutions through analyses of a single object, the Louvain beguine cradle from the collections of the Metropolitan Museum of Art. The essay begins by treating Bynum's research from the 1980s to the early 1990s as moving toward a “visual theology” and then charts her (...)
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  • Introduction: On Her Own Terms.Richard Kieckhefer - 2024 - Common Knowledge 30 (1):18-22.
    Caroline Walker Bynum's work illustrates how a historian engages in conversation about matters of interest to historical subjects, matters of interest within the academy, and matters of concern to the general public. The key methodological paradox is how she respects the past for its otherness and strangeness, yet her books are always relevant to the present. Holy Feast and Holy Fast deals with the function of eating and fasting in ways that have had resonance for discussion of anorexia, but her (...)
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  • Caroline Bynum and Medieval Art History in America.Jacqueline E. Jung - 2024 - Common Knowledge 30 (1):76-123.
    As a contribution to the Common Knowledge symposium “Caroline Walker Bynum across the Disciplines,” this essay stresses Bynum's commitment to the methods and questions of history but also the unparalleled impact of her work on adjacent fields, including and perhaps even especially art history. Furthermore, her body of scholarship registers a consistent engagement with art historians. Weaving together personal memoir and historiography, this article sketches the manifold ways in which Bynum's publications have responded to and shaped the contours of medieval (...)
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