The discovery of incommensurability by the Pythagoreans is usually ascribed to geometric or arithmetic questions, but already Tannery stressed the hypothesis that it had a music-theoretical origin. In this paper, I try to show that such hypothesis is correct, and, in addition, I try to understand why it was almost completely ignored so far.

Although the theory of the assertoric syllogism was Aristotle's great invention, one which dominated logical theory for the succeeding two millenia, accounts of the syllogism evolved and changed over that time. Indeed, in the twentieth century, doctrines were attributed to Aristotle which lost sight of what Aristotle intended. One of these mistaken doctrines was the very form of the syllogism: that a syllogism consists of three propositions containing three terms arranged in four figures. Yet another was that a syllogism is (...) a conditional proposition deduced from a set of axioms. There is even unclarity about what the basis of syllogistic validity consists in. Returning to Aristotle's text, and reading it in the light of commentary from late antiquity and the middle ages, we find a coherent and precise theory which shows all these claims to be based on a misunderstanding and misreading. (shrink)