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Prospects for Film Theory: A Personal Assessment

In David Bordwell Noel Carroll (ed.), Post-Theory: Reconstructing Film Studies. University of Wisconsin Press (1996)

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  1. Critical thinking and the humanities: A case study of conceptualizations and teaching practices at the Section for Cinema Studies at Stockholm University.Joel Frykholm - 2020 - Arts and Humanities in Higher Education 20 (3):253-273.
    The raison d’être of the humanities is widely held to reside in its unique ability to generate critical thinking and critical thinkers. But what is “critical thinking?” Is it a generalized mode of...
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  • Inaugurating Philosophy of Film Without Theory.Craig Fox & Britt Harrison - 2020 - Aesthetic Investigations 3 (2):175-184.
    Philosophy of film without theory is a methodology that aims to motivate and legitimise the current and future development of a range of a-, non-, and anti-theoretical ways of working at the intersection of film and philosophy. We contrast philosophy of film without theory with the main traditions of theoretically orientated philosophy of film, as well as philosophically inflected film Theory and film-philosophy. We also draw attention to the range of philosophical practices and pursuits that distinguish philosophy (in general) without (...)
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  • Cognitive and Philosophical Approaches to Horror.Aaron Smuts - forthcoming - In Harry Benshoff (ed.), Blackwell Companion to the Horror Film. Blackwell.
    Four main issues have occupied center stage in the analytic-cognitivist work on horror: (1) What is horror? (2) What is the appeal of horror? (3) How does it frighten audiences? and, (4) is it irrational to be scared of horror fiction?
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  • La estética, el arte y su reencuentro con la Academia.José Ramón Fabelo-Corzo & Rodrigo Walls Calatayud (eds.) - 2022 - Puebla: Colección La Fuente, BUAP – Instituto de Filosofía de La Habana.
    Con este volumen de la serie Academia y Egresados, la Colección La Fuente ofrece una compilación de trabajos de profesores, colaboradores y egresados de la Maestría en Estética y Arte (MEyA) de la BUAP. Preparado especialmente para ser presentado en el V Encuentro de Egresados de la MEyA (junio de 2022), la diversidad temática de las aportaciones que incluye el libro (estética y teoría del arte; historia del arte e instituciones artísticas; arte, ciencia y tecnología) reproduce el espectro de áreas (...)
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  • (6 other versions)Quaderns de filosofia V, 1.Quad Fia - 2018 - Quaderns de Filosofia 5 (1).
    Quaderns de filosofia V, 1 Número complet / Número completo / Full Issue.
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  • Cinematic Humanism: Cinematic, Dramatic, and Humanistic Value in Fiction Films.Britt Harrison - 2022 - Dissertation, University of York
    Might fiction films have cognitive value, and if so, how might such value interact with films’ artistic and aesthetic values? Philosophical consideration of this question tends to consist in either ceteris paribus extensions of claims relating to prose fiction and literature; meta-philosophical inquiries into the capacity of films to be or do philosophy; or generalised investigations into the cognitive value of any, and thereby all, artworks. I first establish that fiction films can be works of art, then address this lacuna (...)
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  • Què és la “filosofia del cinema”? Una panoràmica sobre l’estat de la qüestió.Javier Ruiz Moscardó - 2018 - Quaderns de Filosofia 5 (1).
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  • The Necessity of Critical Realism.Gary MacLennan - 1999 - Film-Philosophy 3 (1).
    Richard Kilborn and John Izod _An Introduction to Television Documentary: Confronting Reality_ Manchester: Manchester University Press, 1997 ISBN: 0719048923(hbk) 0719048931 (pbk) 258 pp.
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