Since ancient times philosophy has dealt with the relation between technology and man. Nowadays this is especially true in the context of the philosophy of technology. Technology is interpreted as an anthropological constant to construct an environment in which man can survive. Acting in the field of technology is to act rationally with a purpose, i.e., in the framework of a means-end relation, and it is employed for coping with experiences (Widerfahrnisse) by means of using tools. Like technology, language can (...) be reconstructed as a symbolic form and thus as a technological means, as a tool so that the employment of metaphors can also be described as an employment of tools. Using technology has effects on man as well as on his self-image. Thus, philosophy of technology creates different ideas of man, which have to become subject to ethical discourses. (shrink)

RÉSUMÉ: Dans cet article, j’entreprends de clarifier le projet (frégéen) d’une logique de l’arithmétique -- tel qu’il a été discuté par Natorp et Rickert -- en distinguant trois questions directrices. Le nombre est-il un objet logique? L’arithmétique est-elle réductible à la logique? Est-il possible de déduire les opérations arithmétiques de lois purement logiques? Ma thèse est que la distinction rigoureuse de ces trois questions permet de lever une grande partie des obscurités qui affectent en généralle programme d’une logique de l’arithmétique. (...) La contribution néo-kantienne à ce programme se trouve du même coup éclairée d’une lumière nouvelle.ABSTRACT: In this article, I try to shed light on the (Fregean) project of a logic of arithmelic-as discussed by Natorp and Rickert-by outlining three main questions. Is the number a logical object? Is arithmetic reducible to logic? Is it possible to deduce the arithmetical operations from purely logical laws? I argue that rigorous distinction between these three questions makes it possible to elucidate many problems affecting the program of a logic of arithmetic. The Neo-Kantian contribution to this program is at the same time considered in a new light. (shrink)

This paper provides a précis of Ernst Cassirer’s concept of art as a symbolic form. It does so, though, in a specific respect. It points to the fact that Cassirer’s concept of “symbolic form” is two-sided. On the one hand, the concept captures general cultural phenomena that are not only meaningful but also manifest the way man makes sense of the world; thus myth, religion, and art are considered general symbolic forms. On the other hand, it captures the formal structures (...) and semiotic tools thanks to which meaning is constructed within each general symbolic form ; thus, in art, perspective or the golden section are well-known examples of symbolic forms, now in a narrow sense, i.e. they are means to configure parts into an organized, meaningful whole. The paper will comment on art along both these two dimensions, but its main goal is to provide with concrete examples of aesthetic symbolic forms in the narrow sense in order to show how conceptual meaning can be inscribed in the space of aesthetic intuition. (shrink)

The aim of this article is to recover a tradition of political philosophy which has been largely neglected and show its relevance for contemporary political thought. By arguing for the need of rethinking political myth today, the article reconstructs the philosophical reflections on this topic of Cassirer, Sorel and Spinoza, discussing both their strength and shortcomings. By adopting a comparative look backwards, it shows why they provide an ideal starting point for a philosophical approach to political myth which is aimed (...) at both understanding what political myths are and how should they be evaluated. (shrink)

Is it true that there is an analogy between modes of creation and such of perception? Respective to the cultural anthropological research of Ernst Cassirer, Susanne K. Langer and John M. Krois and by the analysis of a tape of the Swiss video-artist Pipilotti Rist this initial thesis of Formal Aesthetics shall be supported. - I - -/- Lässt sich die Behauptung stützen, dass zwischen Gestaltungsweisen und Wahrnehmungsweisen eine Analogie besteht? Aufbauend auf den kulturanthropologischen Forschungen von Ernst Cassirer, Susanne K. (...) Langer und John M. Krois sowie der Analyse eines Tapes der Schweizer Videokünstlerin Pipilotti Rist gilt es diese ursprünglich von der formalen Ästhetik aufgeworfene These zu untermauern. (shrink)

Das Hauptargument dieses Buches ist die unleugbare Offenheit jedes Systems zum Unbekannten hin. Und die Grundfrage lautet: Was ergibt sich aus dieser Offenheit? Wir sind ein Teil des unendlichen Universums und eine Verkörperung seiner Ganzheit. Beides bedeutet für uns eine individualisierte Wirklichkeit, durch die sich das Universum ausdrückt und durch die es andererseits mit gebildet wird. Es bedeutet ebenfalls unsere Notwendigkeit, Wichtigkeit und Unzerstörbarkeit für die Gesamtheit seiner Verkörperungen. Die meisten Verbindungen untereinander sind uns kaum bewusst. Indessen gewährleistet die Infinitesimalstruktur (...) allen Bewusstseins nicht nur die logische Widerspruchsfreiheit dieser Verbindungen, sondern auch die unaufhebbare Wahlfreiheit jedes einzelnen Individuums. Unser Ziel kann jedoch keineswegs darin liegen, vollkommen bewusst zu entscheiden. Verantwortung schließt Spontanität beziehungsweise das Vertrauen auf ein sinnvolles Zusammenwirken der Kräfte ein. Wir werden unserer Rolle im Gesamtzusammenhang zunehmend gewahr und lernen, einen optimalen Beitrag zur Werterfüllung aller Individuen, einschließlich uns selbst, zu leisten. Jenseits der vermeintlichen Unterschiede zwischen objektiver und subjektiver Wirklichkeit begreifen wir, dass wir unsere Realität aus unserem tiefsten Innern heraus erschaffen. (shrink)

The ArgumentAlexandre Koyré is one of the most important historians of philosophic and scientific though since the thirties. Research on the Scientific Revolution, on Galileo, Descartes, Newton, as well as on Paracelsus and Boehme has deeply changed under his influential method: it has been a model for Kuhn's methodology of paradigms and revolutions in the histroy of science. Whereas Koyré used to be considered opposed in his ideology and method to sociological approaches, he has recently been characterized by Yehuda Elkana (...) as a sociologist of knowledge. In fact, until now one of the main sources of his method had not been identified: it is only by acknowledging the influence of Lucien Lévy-Bruhl on Koyré that it is possible to explain how the latter wrote his thesis on Boehme's mystical thought just before his Etudes galiléennes. Lucien Lévy-Bruhl was teaching history of philosophy at the Sorbonne, and Koyré was strongly influenced by his idea of “prelogical thinking” as a universel phenomenon and in a general way by the sociological school of Durkheim. Conceptual analysis deriving from Husserl, collective representations and attitude mentale, came together in Alexandre Koyrè's method. (shrink)

This article investigates an intertwined systematic and historical view on theories of matter. It follows an approach brought forward by Hermann Weyl around 1925, applies it to recent theories of matter in physics (including geometrodynamics and quantum gravity), and embeds it into a more general philosophical framework. First, I shall discuss the physical and philosophical problems of a unified field theory on the basis of Weyl's own abandonment of his 1918 ‘pure field theory’ in favour of an ‘agent theory’ of (...) matter. The difference between agent and field theories of matter is then used to establish a sort of dialectic meta-view. With reference to Weyl this view can be understood as being a particular Fichtean transcendental idealist approach which attempts to combine the strengths of the Husserlian phenomenology and Cassirer's neo-Kantianism. (shrink)

The chapter argues from an ethology-inspired internalist perspective that ‘colour’ is not a homogeneous and autonomous attribute, but rather plays different roles in different conceptual forms underlying perception. It discusses empirical and theoretical evidence that indicates that core assumptions underlying orthodox conceptions are grossly inadequate. The assumptions pertain to the idea that colour is a kind of autonomous and unitary attribute. It is regarded as unitary or homogeneous by assuming that its core properties do not depend on the type of (...) ‘perceptual object’ to which it pertains and that‘colour per se’ constitutes a natural attribute in the functional architecture of the perceptual system. It is regarded as autonomous by assuming that it can be studied in isolation of other perceptual attributes. More generally, the chapter argues on the bases of corresponding empirical and theoretical evidence that perception cannot be understood as the ‘recovery’ of physical world structure from sensory structure by input-based computational processes. Rather, the sensory input serves as a kind of sign for biologically relevant aspects of the external world that activates biologically given conceptual forms with their internal parameters. Although the sensory input is a causally necessary requirement for the activation of conceptual forms, the perceptual computations triggered are under the control of an internal programme based on a set of conceptual forms. (shrink)

Статтю присвячено формуванню ґрунтовної альтернативи просвітницьким та позитивістським стереотипам стосовно історичного та антропологічного статусу міфу. З цією метою розглянуто низку показових сюжетів з історії філософської думки ХІХ – ХХ ст., що дають змогу поглянути на міф як на невід’ємну частину людської розумності. Автор припускає, що реабілітація міфу є частиною загального інклюзивного процесу, що триває у філософії новітніх часів і передбачає істотне розширення меж того, що можна вважати розумним. Базу дослідження склали ідеї таких впливових мислителів та дослідників міфу, як Фридрих Шеллінґ, (...) Макс Мюллер, Ернст Кассирер, Сьюзен Ланґер та Ганс Блюменберґ. Продемонстровано важливість лінгвістичного повороту у дослідженні міфу, здійсненого М. Мюллером, і показано, що його ідея про міф як «хворобу мови» має глибокі перетини із переосмисленням суті та призначення філософії, ініційованим Людвіґом Вітґенштайном та представниками Віденського кола. Показано, що запроваджене Е. Кассирером та його послідовницею С. Ланґер доповнення лінгвістичного виміру антропологічним і розгляд міфу як самодостатньої символічної форми веде до відмови від протиставлення міфологічного та раціонального мислення та сприяє розумінню тісного зв’язку між міфом і мовою. Незважаючи на те, що Е. Кассирер будував свою філософію символічних форм, у цілому залишаючись у межах традиції трансцендентального ідеалізму, а С. Ланґер ідеалізм відкидає, у питанні щодо міфу вони доходять схожих висновків. Із опорою на праці Г. Блюменберґа та інших дослідників продемонстровано, що реабілітація міфу і включення його у межі раціонального тісно пов’язані реабілітацією метафори як іншої форми недискурсивного виразу. Показано, що визнання міфу як неусувної частини світосприйняття сприяє глибшому розумінню природи людського мислення. (shrink)

In this chapter I propose to understand the current paradigm shift in biology as the origination of a biology of subjects. A description of living beings as experiencing selves has the potential to transform the current mechanistic approach of biology into an embodied-hermeneutic one, culminating in a poetics of nature. We are at the right moment for that: The findings of complex systems research, autopoiesis theory, and evolutionary developmental biology are converging into a picture where the living can not longer (...) be described in terms of causal mechanisms (as is, e. g., the Watson-Crick “central dogma”). Instead, organisms bring forth themselves physically and thereby generate a hermeneutic standpoint, interpreting external and internal stimuli interfering with their auto-creation according to embodied values. This can be observed empirically during embryonic develoment, where genetic instructions do not act as orders, but rather as perturbations being interpreted by an auto-maintaining developmental centre. The notion of organic subjectivity opens the living realm to a hermeneutic perspective. Since any encounter has a meaning and is interpreted accordingly, it creates a perspective of innerness or self. This self experiences all external and internal stimuli as values. The innerness is coextensive with the material dimensions of biochemical processes as their other, or symbolic, side. By this process the subjective perspective of organisms is open to other’s experience. Meaning and value become visible, as they are generated in material, embodied form. Instead of being separate from nature as pure “mind” or “language”, man shares with any other being the same “conditio vitae” of experienced meaning and expressive feeling. (shrink)

This research proposes the comparative analysis of the symbolic representations of Maidan in the Ukrainian and Polish media outlets that comprise tabloid and quality publications. Different types of symbols are identified in the news analysis, reports, and feature stories on Maidan. The typology of symbols is worked out on the basis of the Cassirer’s philosophy of symbolic forms and Langer’s symbol theory. The coded types of symbols include symbol-products, symbol-concepts, symbol-slogans, symbol-situations, symbol-processes, and symbolic actions. With the help of the (...) content analysis it is found that some most visible symbols in the media coverage of Maidan coincide in the Ukrainian and Polish print media. These are the symbol-concept “barricade”, the symbol-concept “Berkut”, and the symbol-process “dispersal of Maidan”. However, there are symbols that have either quantitative or qualitative significance in the Polish press and are absent in the Ukrainian media at all, namely, the symbol-product “blood”, the symbol-concept “solidarity”, the symbol-concept “freedom”. (shrink)

In ancient as well as in early modern theories of emotion, philosophy is often described as some kind of therapy. However, the assumption that philosophical reflection can influence our emotional life is only plausible, if the following requirements are met. First, one has to defend a realist account of self-knowledge. Second, one must allow for some kind of constructivism in regard to the description of one′s own experience. Finally, one has to maintain a strictly cognitivist conception of emotion. The article (...) discusses these three conditions and shows that, while the idea of a therapeutic influence of philosophical reflection is valid in principle, it is only of a restricted use. (shrink)

The ArgumentMy thesis in this text is that A. Ernst Cassirer outlines a philosophical theory that proves equally sensitive to historical change and to the consistency of conceptual thinking. B. Cassirer relies on the differential logic of an internally ruptured, and yet undivided “basis phenomenon.” Especially his reading of Goethe has led to the concept of the basis phenomenon existing in a differential symbolic mode. Cassirer's delineation of Goethe's conceptual trivium ofUrphänomene— “experience,” “deed,” and “life” — underscores the conceptual rupture (...) in the construction of any basis phenomenon. Furthermore, I argue that C. thePhilosophy of Symbolic Forms, takes up Goethe's notion of basis phenomena and eventually turns it into a modern, pluralistic theorem about the interrelation of science and culture. Cassirer reaches this aim by (1) focusing on the question of philosophical inquiry as a basis phenomenon in the sense of a basic philosophical activity. I also argue that (2) Cassirer's view retains an essentially ambiguous character, as opposed to a fundamentalist notion of basis phenomena. It is important to see that (3) this ambiguity also informs Cassirer's notion of culture (the plurality of symbolic forms), as well as his delienation of the relation between culture and science. (shrink)

Ludwik Fleck is a pioneer of the contemporary social constructionist trend in scientific theory, where his central concept of thinking style has become standard fare. Yet the concept is too often misunderstood and simplified with serious consequences not only for Fleck studies. My essay situates Fleck’s concept of thinking style in the historical context of the 1920s and ‘30s, when the notion of style was first applied to the natural sciences, in order to illustrate the uniqueness of Fleck’s concept among (...) the uses of style by his contemporaries and, finally, to examine the epistemological, methodological, and political consequences of this distinction. (shrink)

Biodiversity is a term easily applied in different and differing contexts. At first glance it seems to be a biological concept, defined and used in the realm of biological theory, serving for the description of particular aspects of the human and non-human environment. In this sense biodiversity even found its way into the texts of international conventions: “Biological diversity means the variability among living organisms from all sources including, inter alia, terrestrial, marine and other aquatic systems and the ecological complexes (...) of which they are part; this includes diversity within species, between species and of ecosystem.” [Harper and Hawksworth (1995)] But despite this clear and distinct definition, the intension of the term BD seems to be ambiguous. This is true for the single aspects of the definition itself, for example, the discussion over “what is a species?” took place in biology during the last 200 years and it is far from being finished [Claridge et al. (1997) Species]. This discussion asks not only for the “correct” biological definition of the term, but at the same time the methodological status of this term is in question. The result of this situation can be seen in the existence of at least 10–20 different definitions, considering biological as well as methodological aspects [Bachmann (1998) Theor Biosci 117:213–230]. Setting aside the fundamental scientific problems even the application of the term, its parametrisation and finally its relevance for biological theory-building is subject matter of controversies. The same is true for further particles of the definition, e.g. the term “ecosystem”, “complexity”, “gen”, “organisms”, etc. The intensity of the debate contrasts in a peculiar way to the reaction of (non-evolutionary) biologists, insofar as the biological research seems to be untouched by the irritating results of the debate itself. Referring to this strange situation, the aim of our article is a reconsideration of the term “biodiversity”. From an epistemological point of view it can be shown that a definition of biodiversity is possible which does not refer to biological knowledge and know-how—at least in its very first steps. Biodiversity then turns out to be a metaphor for specific aspects of societal organisation, the structuration and reproduction of nature-society relations within societies, and not for biological facts at all. (shrink)

En este trabajo se aborda una articulación filosófica acerca del lenguaje, ligada a una amplia reflexión sobre el conocimiento humano y que Cassirer vincula como principio fundamental de su inmensa obra Filosofía de las formas simbólicas . Recuperando el gran trabajo sobre el origen de las lenguas iniciado por Humboldt, a principios del siglo XIX, Cassirer propone un análisis del lenguaje que va más allá del concepto de “uso”, centrándolo en el campo estructural de una “morfología espiritual” de las lenguas.

This thesis tries to provide a critical review of Heidegger's interpretation of ancient Greek truth in the different stages of his career and it also examines the philological response that his work on this question elicited. The publication of Sein und Zeit made Heidegger's views on a,l h&d12;q3ia available to a wide public and thereby launched a heated debate on the meaning of this word. The introduction tries to give an account of the general intellectual background to Heidegger's interpretation of (...) ancient Greek truth. It also looks at the kind of interpretative approach favored by the philologists responding to Heidegger's views on a,l h&d12;q3ia. The thesis first examines his arguments on ancient Greek truth and language in Sein und Zeit from the point of view of the larger philosophical project of Heidegger's seminal work. It then looks at some initial philological responses to Heidegger along with Heidegger's views on a,l h&d12;q3ia in a few works following the publication of Sein und Zeit. As a next step, the bulk of the philological work responding to Heidegger is carefully examined with a special focus on the interpretative approaches of the various authors. Heidegger's attempt to respond to some of these philologists is also reviewed. Finally, Heidegger's retraction of his earlier views on a,l h&d12;q3ia is examined in light of a growing critical consensus among philologists. The very latest philological responses to Heidegger are also considered. The conclusion looks at the contributions made by Heidegger and his philological respondents to our knowledge of ancient Greek truth. Some suggestions are also made for future research on this topic. (shrink)

A discussão nos livros dos Tópicos giram em torno dos debates dialéticos e seus elementos. Aristóteles discorre sobre os gêneros, as propriedades e os chamados acidentes e suas relações predicativas em categorias. Interessa-nos, sobretudo, compreender o papel desempenhado pela Definição e qual sua relação com os demais instrumentos para a dialética.