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  1. Time and narrative in Descartes’s Meditations.Michael Campbell - 2017 - Dissertation, University of Canberra
    Descartes’s Meditations on First Philosophy, regarded by many as his masterpiece, has been the subject of significant philosophical debate since its publication in 1641. Yet the Meditations is remarkable not only for its philosophical ideas but also for the style in which it was written. Two of the most notable stylistic elements of the Meditations are the use of temporal markers—a significant departure from analogous philosophical treatises of the same period—and the fact that the text is written in such a (...)
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  • (1 other version)Descartes’s Dilemma of Eminent Containment.Geoffrey Gorham - 2003 - Dialogue 42 (1):3-26.
    RésuméDans sa présentation récente de la «dialectique de la création» dans la philosophie du XVIIe siècle, Thomas Lennon suggère que les hypothèses de Descartes concernant la causalité conduisent à un dilemme : Descartes doit accepter soit une certaine sorte d'émanationnisme panthéiste, soit l'émergence de la réalité ex. nihilo. Dans cet article, je défends en détail cette suggestion de Lennon. Au cœur de la question se trouve la notion cartesienne de la possession éminente. Si cette notion est interprétée dans ce que (...)
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  • (1 other version)Descartes’s Dilemma of Eminent Containment.Geoffrey Gorham - 2003 - Dialogue 42 (1):3-.
    In his recent survey of the “dialectic of creation” in seventeenth-century philosophy, Thomas Lennon has suggested that Descartes’s assumptions about causality encourage a kind of “pantheistic emanationism”. Lennon notes that Descartes regularly invokes the principle that there is nothing in the effect which was not previously present, either formally or eminently, in the cause. Descartes also believes that God is the continuous, total, and efficient cause of everything. From these assumptions it should follow that everything that exists in the created (...)
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