The paper distinguishes two forms of intercultural exchange, negotiation between cultures at a personal level and global exchange. In the first case, Ostensive Definition appears to be crucial. The paper attempts an intersemiotic rehabilitation of OD in response to Wittgenstein and Quine. In global intercultural exchange the ‘universal grammar’ of digital reason appears to be the crucial component to be analysed. Both forms of negotiation, the paper argues, rely on Vorstellung as an essential ingredient. Yet Vorstellung is missing from the (...) traditional theorisation of both OD and the digital bitstream. The paper concludes with a ubiquity thesis of Vorstellung. (shrink)

The emancipation of women has become a strong critical discourse in Bengali literature since the 19th century. Only since the second half of the 20th century, however, have female writers markedly stepped out of the shadow of their male colleagues, and the writings on women become more and more often articulated by women themselves. In this article, I focus on particular concepts of femininity in selected texts of two outstanding writers of different generations, a prose writer, and a woman poet: (...) Mahasweta Debi (b. 1926) and Mallika Sengupta (1960–2011). Analyzing Mahasweta’s female characters, I focus on the issue of the double marginalization of dalit tribal women; we can find here impacts of intersectional discrimination of class, gender and caste. Debi is very radical in her social criticism but is quite reluctant to accept the label of feminism. Mallika, on the other hand, represents a movement among the female writers of her generation that openly declares her support for feminist ideologies, which can be demonstrated on some of the examples referred to here. Another important strand of Mallika’s constructions of femininity are archetypal images — mythological metaphors of femininity (in the Hindu context) which may in some cases be interpreted in accordance with difference feminism, in others as a critique of the essentialized and dichotomous concepts of masculinity and femininity. While Mahasweta’s emancipation drive is more deeply grounded in her field research and journalistic activism in the tribal areas she writes about, Mallika’s has been more strongly linked with the academia and has joined the theoretical feminist discourse. Through a close reading the women’s emancipation discourse of these two protagonists in Bengali literature, we can speak of a shift from a practical, concrete criticism, to a theoretically founded radicalism. (shrink)

This thesis presents an examination of the giallo films of Dario Argento from his directorial debut The Bird with the Crystal Plumage to The Stendhal Syndrome'. In opposition to the dominant psychoanalytical approaches to the horror film generally and Argento's giallo specifically, this thesis argues that the giallo, both textually and meta-textually, actively resists oedipalisation. Taking up from Deleuze's contention in Cinema 1: The Movement Image that the cinematic-image can be consider the equivalent to a philosophical concept, I suggest that (...) Argento's giallo are examples of what Deleuze calls cinema of the "time-image": provoked and extended "philosophical" acts of imagining the world which opens up a theoretical space of thinking differently about questions of gender and genre in horror film, which takes us beyond the fixed images of thought offered by traditional psychoanalytical and feminist paradigms of horror. In the opening chapters of this thesis, I argue that the cinematic-image has to be thought "historically", and that it is only be understanding the emergence of the "giallo" in the 1960s within the wider picture of Italian national cinema, that we can understand Argento's films as specific cultural expressions of thought, which are not reducible to paradigms based upon analyses of the more puritan and fixed American horror film. In my subsequent discussion of Argento's "Diva" trilogy, I consider an assemblage of Deleuzian becoming and poststructuralist feminist thought as a mechanism through which to explore the increasingly feminised and feminist spaces of his later work. This thesis concludes by assessing Argento's critical and creative legacy in films such as Toshiharu Ikeda's Evil Dead Trap and Cindy Sherman's Office Killer. In these terms, a Deleuzian "approach", enables a set of readings, which open up the texts to a more productive consideration of their appeal, in a way which other more traditional approaches do not, and cannot, account for. The close textual and historical analysis demanded by Deleuze is both a reconsideration of the [feminist] politics of Argento's work, and a response to criticisms of misogynism. (shrink)

Los ensayos aquí reunidos buscan ampliar el marco teórico de los estudios sobre Simone de Beauvoir en lengua castellana. Además, tienen como propósito fundamental ofrecer a sus posibles lectores algunas ideas para pensar problemas diversos en contextos muy específicos. Algunos de estos trabajos simplemente quieren acercar una mirada general sobre la figura de Beauvoir y sus principales preocupaciones teóricas, otros se sumergen en campos novedosos donde el análisis conceptual busca dar respuesta a problemas urgentes en medio de preocupaciones académicas. Esperamos (...) que la recepción de esta contribución pueda aportar de manera rigurosa a las exploraciones de quienes encuentran en Beauvoir una fuente de comprensión para elaborar sus propias inquietudes. (shrink)

The article explores embodied critical thinking (ECT) for engaging with the enfleshed and trans-corporeal self on an affectual and experiential level. By discussing three exemplifying affectual instances that expose the experiential level of processuality, emergence, and intercarnality, the article shows the methodological use of ECT as a fruitful approach to developing embodied ontologies and a toolkit for the experiential reflection of one's en-fleshment, as tuning into the body-environment.

This essay argues that humor can be used as an unstable weapon against oppressive language and concepts. Drawing from radical feminist Marilyn Frye, I discuss the difficulty of challenging systematic oppression from within and explore the capabilities of humor for this task. This requires expanding Cynthia Willett’s and Julie Willett’s approach to fumerism beyond affect to fully examine the work of humor in manipulating language, concepts, and imagery. For this expansion, I bring in research on feminist linguistics alongside other philosophers (...) of political humor to consider the connection between humor and world-making. I then link this with feminist world-breaking through Monique Wittig’s analysis of war machines and Trojan horses against heteropatriarchal language. Finally, I draw out the instability of humor as a war machine by investigating a bit where comedian Patti Harrison disguised herself as an official corporate brand platform to challenge the compulsory commodification of LGBTQ rights. (shrink)

Over the past decades humor studies has formed an unprecedented interdisciplinary consolidation, connected with a consolidation in philosophy of humor scholarship. In this essay, I focus specifically on feminist philosophy of humor as an area of study that highlights relationships between humor, language, subjectivity, power, embodiment, instability, affect, and resistance, introducing several of its key themes while mapping out tensions that can be productive for further research. I first cover feminist theories of humor as instability and then move to feminist (...) theories of humor as generative of social relationships. Though I diagnose several tensions between these approaches that require further elaboration and discussion, I conclude that feminist philosophy of humor is a crucial area of humor research that focuses on systematic oppression, political engagement, embodiment, and affective ties. (shrink)

This paper starts briefly presenting the “ontological pillars” above which Gustavo Bueno’s philosophical materialism stands as a discontinous materialism. After this, I analyze some important philosophical problems related to the ontological idea of discontinuity, such as the classical problems about Diodorus Cronus’ Master Argument and the future contingents, the “relationship between the brain and the mind”, and the ontological structure of death. Finally, this paper analyzes the utility of offering a new tipology of the main types of ontological discontinuities that (...) we can find in reality. Since Bueno’s philosophy holds the discontinous structure of matter, my paper defends the convenience of solving these problems in the future in order to expand the philosophical capacity of this worldview. (shrink)

For many years poststructuralist feminists have denounced Simone de Beauvoir as a `universal humanist' who denies sexual difference and inscribes woman in a masculine discourse. Returning to the original exchanges between de Beauvoir and the French feminists of difference, where this dismissive attitude began, it is seen that de Beauvoir circulates in their discourse as representative of a bygone eraan embodiment of all that has been surpassed. Their criticisms of de Beauvoir prove for the most part, glib and disingenuous and (...) not grounded in a careful reading of The Second Sex. In this article the author defends de Beauvoir from their charges of universalism, phallocentrism and being a dupe of Sartre. Her particular form of universal humanism is not `indifferent to difference', but produces historically and socially nuanced insights. De Beauvoir does not valorize a Sartrean rational masculine subject as a model for feminist struggles, rather she theorizes an embodied, relational, situated subject. Furthermore, her theory of Otherness is able to accommodate the psychic register of subjectivity without psychologizing the socioeconomic or political world, a shortcoming of her French poststructuralist opponents. (shrink)

This article begins by wondering how the writer’s transformation into motherhood affects her practice of reading, writing and research: how maternities are made academic. Specifically, this article is interested in thinking through lactating breasts, as a particularly complex and potentially subversive ‘performance’ of maternity. In addition, this article reframes ‘maternal thinking’ through 1990s theories of embodiment and corporeality, and asks how embodied practices like breastfeeding might be theorized, as well as how ‘embodied theory’ might be practised. In looking at various (...) cultural texts about breasts and breastfeeding, the article is scripted into a series of connective and reflexive scenes around performance, space, language and knowledge, coming to rest in the imaginative project of an epistemology of breasts. It sets reflexive accounts of lived experience alongside theoretical reflections to create a dynamic and thoughtful reading of breasts, entwining personal and public discourses, maternal and academic writing, theorizing and cultural practices. (shrink)

This paper deals with the wrought relationship between psychoanalysis and feminism, broadly defined. Tracing the trajectory in which psychoanalysis leads feminism from sexuality to sexual difference then to the Phallus and the ideology of femininity, the paper takes on these ‘f-words'—femininity and ‘f-allus’, Freud and Foucault—to foreground an unacknowledged challenge of Judith Butler by Toril Moi in 1999. In this paper, I read Freud closely and demonstrate that although Freud's theory of cure is obscured by the turn to the Phallus (...) and the ideology of femininity, its language of fantasy, sexuality, desire and the unconscious remain important concepts for feminism of the new millennium. On the other hand, critiques of ‘empire of the Phallus’ such as the French feminists’ affirmation of femininity and Judith Butler's concept of ‘lesbian Phallus’ only reproduce the master's system. Butler's misreading of Freud's ‘tooth’ and Lacan's ‘eyes’ as the Phallus shows that ‘inversion, subversion and rebellion’ by reversal or negation often leads to repetition without difference. In conclusion, I introduce Joan Copjec's critique of Foucaultian historicism and Toril Moi's turn to ordinary language philosophy to propose a new psychoanalytic feminism that can have sex without the Phallus. (shrink)

Responding to Rosi Braidotti's call for more ‘conceptual creativity’ in thinking through contemporary feminist subjectivity, this paper proposes the figuration of the body of water. It begins with a critical materialist enhancement of Adrienne Rich's concept of a politics of location, followed by a schematised description of the various ‘hydro-logics’ in which our bodies partake. The ways in which these logics already inform diverse modes of feminist scholarship are then explored. The objective of this paper is to locate, at the (...) confluence of these discourses and descriptions, an invigorated figuration of the feminist subject as body of water. This subject is posthumanist and material, both real and aspirational. Most importantly, she is responsively attuned to other watery bodies—both human and more-than-human—within global flows of political, social, cultural, economic and colonial planetary power. (shrink)

It is simply no longer acceptable to speak of the goddess Athena from the fifth generation of Olympian/Orphic Greece without reference to her mother Metis. Hesiod, among others, tells us Metis appears as a reincarnation of her first-generation self in the Olympian dynasty as wife of Zeus. She was originally the cosmic egg of all creation in the Orphic Theogony, as recounted by Apollodorus, and Taylor, from whose mucosity, the entire genealogy of the Olympian/Orphic heaven, is spawned. However, from the (...) moment Zeus murdered Metis as she was about to give birth to Athena their daughter, she has lapsed into the fissures of forgetfulness in philosophy, theology, mythology and early psychoanalysis. Indeed, in each field of inquiry, Athena is overwhelmingly deemed ‘unmothered’ and produced as Harrison tells us as a desperate ploy ‘from the brain of Zeus’ through his cunning intellect, for Athena to serve as his ‘mouthpiece’. This paper seeks to do more than simply restore Metis as mother to Athena. It explores the tragedy inherited by her violent removal, for mother/daughter relations, grievability and sustained disavowal of maternal divinity in dominant discourse. (shrink)

We are told by the Ancients that a philosopher is a “friend” of wisdom. But Plato was convinced that the pursuit of wisdom began in eros. This paper brings Anne Carson’s extraordinary 1986 Eros the Bittersweet into “resonance” with Jan Zwicky’s 2015 collection of essays, Alcibiades Love in order to explore the role of eros in the creation of meaning, the movement of thought and in the ongoing life of the love of wisdom.

Feminist Auto/biography as a Means of Empowering Women: A Case Study of Sylvia Plath's The Bell Jar and Janet Frame's Faces in the Water Feminism, as a political, social and cultural movement, pays much attention to the importance of text. Text is the carrier of important thoughts, truths, ideas. It becomes a means of empowering women, a support in their fight for free expression, equality, intellectual emancipation. By "text" one should understand not only official documents, manifestos or articles. The term (...) also refers to a wide range of literary products—poetry, novels, diaries. The language of literature enables female authors to omit obstacles and constraints imposed by the phallogocentric world, a world dominated by masculine propaganda. Through writing, female authors have an opportunity to liberate their creative potential and regain the territory for unlimited expression. In order to produce a truly powerful text, they resort to a variety of writing styles and techniques. Here the notions of a situated knowledge and context sensitivity prove useful. There are three methodologies working within situated knowledge, namely, the politics of location, self-reflexivity and feminist auto/biography. All of them regard text as a fundamental tool to signify one's authority, yet feminist auto/biography, a concept widely discussed by the British theorist Liz Stanley, appears to be the most empowering mode of writing. It challenges the overused genre of auto/biography and reconstructs its role within feminist epistemologies, thus creating a favourable environment for text production. The works by Sylvia Plath and Janet Frame can be analyzed from the point of view of auto/biographical empowerment, even though their auto/biographical potential is mainly instinctive. Nevertheless, they help to comprehend the strength of the auto/biographical.The aim of this article is to "investigate" two novels by these authors, The Bell Jar by Sylvia Plath and Faces in the Water by Janet Frame, and their compatibility with Stanley's concept. The paper attempts to answer several questions. Are these novels actual feminist auto/biographies or rather fictional auto/biographies with feminist undertones? What kind of narrative strategy is used to achieve the effect of authority over the text? Last but not least, what is the function of auto/biographical narration in the case of these two novels? The article also explores the idea of writing as a means of regaining control over one's life. (shrink)

Though Dante never read Plato's dialogues on love, when examining the texts of Dante one notes the presence of Platonic thought and influence particularly concerning the notion of love. This thesis will focus upon the Platonic notion of eros and how it changes over time, ultimately being integrated into the Christian notion of love as understood by Dante, and how this Platonic influence is instantiated within Dante's poetry. The inherent ambiguity of the concept of love, evident historically through frequent debates (...) concerning its value whether positive, negative or in-between, makes any investigation into the nature of love problematic, often aporetic. One aim of this thesis is to help overcome some of the aporiai of knowledge concerning love through focusing upon one form of love, eros or passionate desire, which we shall use in order to understand love more generally through exploring its points of intersection and overlapping with certain other types of love, each of which emphasizes different aspects of love's character differentiated through culture and period. Significantly eros, as perhaps the most ambiguous type of love, is often characterized negatively. Taking into account Nygren's negative view of eros which he sees as being wholly acquisitive and self-seeking as opposed to the thoroughly selfless Christian agape, we shall consider whether this view tells the full truth about eros. In this endeavour we shall explore the interrelationship of eros and understanding understood as a dialectic directed towards the pursuit of truth, which in both the Platonic and Christian traditions involves the permanent possession of the good, beautiful and true; these converge in Neo-Platonic tradition, forming a unity which in Christianity is identified with God. We shall also explore how various strands of eros relate to and articulate the notion of love of the individual. These explorations cast light on the transformation of Platonic eros by Christian agape into the Latin concept of caritas. In terms of procedure, we shall examine the notion of Platonic eros as presented in the Symposium and the Phaedrus and how this conception is reinterpreted in Dante's Commedia, these texts together acting as a lens which -will enable us better to comprehend the significance of Bros, and of love more generally, through the transformation of eros over time. (shrink)

Many questions may be asked about the efforts to construct feminist epistemologies. One such question is whether epistemologies really imply values and practices in any significant way. Another is whether the values and practices most epistemologies are taken to be immersed in are indeed masculine. Yet another is what precisely are the feminist values and practices that feminist epistemologies should involve. A fourth is whether women and men really do think so differently from each other. And a fifth possible question (...) is whether feminist epistemologies should be separatist, i.e., such that only women can use and construct them, or whether they should be universal human epistemologies. Although all these questions merit serious discussion, I shall here deal only with the last, assuming, at least for the sake of argument, that the first, second and fourth questions receive positive answers, and that there is a satisfying answer for the third. (shrink)

Overview essay of the field of feminist aesthetics updated Winter, 2021.

In the fields of experimental writing and experimental filmmaking, respectively, Hélène Cixous and Laida Lertxundi gather images of fruits: apples, oranges and lemons. Although Cixous and Lertxundi are well-known for seeking something of the feminine for writing and filmmaking, in these texts and these films, fruit is not equivalent to feminine anatomy and the juiciness of neither apple, nor orange, nor lemon is mere metaphor for feminine jouissance. While Cixous and Lertxundi recognise in art, literature and philosophy an historical relation (...) of women to nature, an essentialist equation of one to the other is loosened as the texts and the films situate apples, oranges and lemons as organic things in the world. Neither Cixous nor Lertxundi, then, eradicate the distance between human and non-human on the ground of the feminine: fruit is not entwined with women—but women do look, from time to time, at fruit. As if photosynthetically towards the sun, both Cixous and Lertxundi turn from the self towards the world, taken by the beauty and the light of fruit. In an addition to recent ecofeminist philosophy (Donna Haraway, Luce Irigaray) and also to recent feminist film-philosophy on attention (by way of Iris Murdoch, Simone Weil), I refer throughout the article to Kaja Silverman’s philosophy of ‘world spectatorship’ (2000) as I outline the way Cixous and Lertxundi each post-deconstructively combine a language of desire—feminine appetite, curiosity and pleasure—with a language of things to affirm, with women’s eyes on a simple piece of fruit, the world anew. (shrink)

This essay identifies and intervenes in the limitations of both the social and the medical models of disability in the postcolonial context, suggesting that those limitations may apply to theorizations of disability more broadly. It suggests that Bessie Head's novel A Question of Power, which represents mental illness and disability without positing a stable etiology for them, illustrates the inapplicability of these ways of thinking about disability under instances of extreme precarity. As such, Head offers a test case for how (...) mental illness and disability writ large might be theorized without the suppositions implicit to the liberal subject. (shrink)

Jane Campion’s work regularly revolves around women’s often complex relationship with socio-cultural discourses and their articulation in language, whether in familial and institutional structures or in cultural and creative practice. In this sense, Campion’s filmmaking continues a feminist tradition of exploration regarding female subjectivity, identity and desire as it is represented in language (cinematic or otherwise). In the Cut (2003), adapted from Susanna Moore’s novel of the same name, again places language and the (dis)articulation of the female voice at its (...) heart: the renewal of which is positioned within the film as crucial to women’s survival. In taking its cue from Hélène Cixous’s ‘The Laugh of the Medusa’ (1976) and later writings such as ‘Castration or Decapitation?' (1981) and ‘Coming to Writing' (1991), this article frames its discussion of Campion’s interrogation of ‘Woman’s’ attempts at the articulation of the self as an exemplar (in both theme and form) of Cixousian strategies. The article will argue that techniques such as a cinematic écriture feminine, and the appropriation and adaptation of the language of Hollywood genre film, form part of Campion’s feminist inquiry into the discourses and legacies of a phallogocentric patriarchal culture which traditionally delimit Woman as a ‘speaking’ subject. In this way, In the Cut exposes the tensions between what Cixous calls the ‘Absolute Woman’ of culture (the aphonic hysteric) and attempts towards agency, thus challenging phallogocentric representations of women. In using these strategies, Campion’s adaptation creates a polyphonic artefact which not only revises Moore’s novel but also re-visits (in order to reclaim) female articulation; re-writing phallogocentric claims to agency and subjectivity, imagining women's ‘survival’ through language. In this sense, then, adaptation itself can be thought of as a feminist act of subversion. (shrink)

Green consciousness is a holistic worldview based in many ancient and still-current principles and wisdoms, holistic worldview, and one that offers alternative conceptions of human and non-human subjectivity, of humans' relationships with each other and with non-human nature. Its principles are elaborated not only in environmentalist philosophies but also in some forms of popular culture. Shrek retells ancient earth-based myth, specifically around its imagination of greenness as an emblem of the life force, its respect for the feminine principle, its refusal (...) of hierarchy and split consciousness, its endorsement of the happy body and communal ecstasy, and its ringing celebration of diversity. (shrink)

Joseph Conrad’s Heart of Darkness is a frequent point of reference for Edward Said’s investigations into the various forces that structure and define the encounter of imperial societies with others. In Culture and Imperialism, Said explains the importance of Conrad’s novella by linking it to his concept of culture as the aesthetic acme of a society that simultaneously marks it and divides it from others. In Heart of Darkness, Said claims, we have a narrative that challenges its own imperial society (...) by emphasizing the ambiguity of its cultural limit. Heart of Darkness is thereby able to dramatize and emphasize the constituent elements of imperial society, even as it is unable to exceed that society’s fundamental character. Said’s reading is important, and even vital, for an appreciation of the complexities of Conrad’s novella, but it does not go far enough. The ambiguity of Conrad’s depiction of imperial society is only an ambiguity to the extent that the novella is critiqued at the level of content, with a corresponding lack of emphasis upon its rhetorical form. Through a consideration of the three primary elements of this form – the careful situation of the Nellie as the site of the narrative, the work of interruption in Marlow’s narrative, and the reverberation of Kurtz’s dying words in the conclusion of the novella – this essay argues that there is very little ambiguity in Conrad’s text. Indeed, what ambiguity remains is a function of its effort to dramatize the limit of imperialism precisely as a limitation, as a cultural determinant that through its form perpetually determines other societies as inferior, even as this very culture, as a limit set against these other societies, shows their richness to which imperialism is essentially blind. (shrink)

This paper explores the reasons why women who are themselves fertile might consent to undergo in vitro fertilization (IVF) with an infertile male partner. The reasons often given are desire to have that particular man's child, or altruism, giving a gift to the partner. Although ethically, the decision should be completely woman's prerogative, because IVF programs usually treat the couple as a unit, she may be offered few other options by the medical staff. In social terms, whether the woman is (...) or is not infertile may be immaterial because in either situation, if she wants to try to have a biological child and maintain the relationship, she may have to make a patriarchal bargain and undergo in vitro fertilization. (shrink)

The whole factual world of human affairs depends for its reality and its continued existence … upon the presence of others who have seen and will remember. … Without remembrance and without the reification which remembrance needs for its own fulfillment … the living activities of action, speech, and thought would lose their reality at the end of each process and disappear as though they never had been.Research on the relationship between public memory and collective identity is varied and extensive, (...) but one fairly prominent scholarly perspective coalesces around Hannah Arendt's idea that the practices of remembrance are the lifeblood of the polis.1 The stakes here are high, for it seems that without remembrance .. (shrink)

A phenomenological account of an extended encounter with feminist theory in translation, the entirety of ‘Subjects through translation’ is best condensed in these three lines from the poet Adrienne Rich: it will be short, it will not be simple // You are coming into us who cannot withstand you // you are taking parts of us into places never planned. What is it like to read text after text in translation? How do familiar words become so strange? How to express (...) the dizziness, the blurring, the sharp and sometimes painful dislocations of meaning, sense? Thoughts dislodged from their usual paths begin to wander, to wonder anew. Subjects are changed. (shrink)

This article was originally presented as a paper, and since much of what it discusses turns on problems of position, location, self-representation and representativity, I have decided to leave it, as far as is possible, in its original form. Extensive use of the first person pronoun is frowned on in the contexts in which I am used to working, but I have deliberately retained it in this text to try and convey a sense of particularity, of myself speaking in a (...) specific context(s). The use of ‘we’ is a highly politicized act both in anthropology and in feminist contexts. Its use here is intended to convey a sense of audience, that is of myself speaking to others. But, and much more importantly, it also operates as a mark of interrogation, a fictive unity that reveals the lines of fragmentation at the very moment when it claims affinity.1. (shrink)

The article deals with the issue of motherhood as a space for the other in terms of its being a space shared with the other on both the biological level and also in the metaphorical sense of the word, where motherhood means accepting the other into the wider space of the body of a family, of society, and of the whole universe. This opening up of one’s space for the other necessarily implies that the space diminishes. The article explores the (...) theme through the work of two writers, Mother Maria Skobtsova and Hélène Cixous, as both reflect in their lives the idea of motherhood as a space for the other. It puts their voices into conversation from their different discourses. Mother Maria speaks the language of theology and poetry, and the artistic language of icons; Hélène Cixous the language of literary criticism, psychoanalysis, and creative writing. (shrink)

Using a framework informed by Foucauldian discourse theory and feminist accounts of sexual difference, this paper investigates the process of attrition in cases initially recorded as rape and in which complainant and suspect are known to each other. Having particular regard to police and prosecutor decision-making in the processing of such cases, the authors consider discourses that utilise conceptions of sexual difference, which work to normalise and privilege cultural assumptions about male desires and conduct in sexual relations. In illuminating the (...) manner in which the traditional binary categories of sexual difference is put to work, the authors argue that socio-legal debates over the phenomenon commonly described as ‘date rape’ have over-simplistically inverted these categories. The authors further argue that this inversion operates to women's detriment and fails to advance a sufficiently nuanced understanding of complex issues implicated in rapes committed against women by men they know. (shrink)

Transracialism, defined as both experiencing oneself as, and being, a race other than the race assigned to one by society, does not exist. Translated into hermeneutics, transracialism is an unintelligible phenomenon in the specific sociocultural context of the United States in the early twenty-first century. Within this context, race is a function of ancestry, and is therefore defined in terms of something that is external to the self and unchangeable. Since transracialism does not exist, the question of whether transracialism would (...) be ethically advisable if it did exist is inapposite. Nonetheless, at a minimum we can say that racial transition (defined as attempting to change one’s race through artificial and/or associative changes, and living life as a race other than the race assigned to one by society, etc.) is possible, but is very likely unethical, since it is the same as racial passing. (shrink)

Examines the relationship between time and sexual difference in the work of French feminists Julia Kristeva and Luce Irigaray. This book is the first to examine the relationship between time and sexual difference in the work of Julia Kristeva and Luce Irigaray. Because of their association with reproduction, embodiment, and the survival of the species, women have been confined to the cyclical time of nature—a temporal model that is said to merely repeat itself. Men, on the other hand, have been (...) seen as bearers of linear time and as capable of change and progress. Fanny Söderbäck argues that both these temporal models make change impossible because they either repeat or repress the past. The model of time developed here—revolutionary time—aims at returning to and revitalizing the past so as to make possible a dynamic-embodied present and a future pregnant with change. Söderbäck stages an unprecedented conversation between Kristeva and Irigaray on issues of both time and difference, and engages thinkers such as Simone de Beauvoir, Jacques Derrida, Sigmund Freud, Judith Butler, Hannah Arendt, and Plato along the way. “Revolutionary Time makes a distinctive contribution to contemporary feminist and continental philosophical thought. By engaging Kristeva and Irigaray in depth alongside one another, and making time the guiding thread for reading their work, the author generates insights that are not to be found elsewhere in the existing literature. Through its development of the concept of revolutionary time, the book offers rich resources for thinking about temporalization in its existential, ontological, and political dimensions, in ways that are particularly valuable for feminist projects of change and political transformation.” — Rachel Jones, author of Irigaray: Towards a Sexuate Philosophy. (shrink)

HélèneCixous, the renowned contemporary philosopher and feminist, provides such a heretic account of femininity which transcends the feminist social or political movements. She believes that “the female” can create a new identity for itself, when keeps its distance from the masculine symbolic order. Of course, this has nothing to do with the absence of women in the cultural realm, rather the problem is that if the female aspects of human being are not to be eliminated, a new ontology is required (...) to sustain it in a pointlessness situation, so that it can always resist the conventional perceptual patterns. In other words, the female can only make its identity and the nature of rationality dynamic, when it injects the strangeness in the masculine order. This means keeping a position on the margins of history, while also infusing the feminine energies into the symbolic body. In this research, we try to show that for Cixous, emergence of the new is dependent both on some kind of feminine otherness and the marginality. This can be realized by various dismantling tools such as women’s writing and polyphonic identities. Finally we make it clear that through the female otherness or being on the margins, the feminine can provide a way of thinking about those realities which have not been thought up so far in the symbolic rationality, or have always been rejected as the unthinkable. (shrink)

This paper presents a feminist analysis of corporate social responsibility in a male-dominated industry within a developing country context. It seeks to raise awareness of the silencing of women’s voices in CSR reports produced by mining companies in Tanzania. Tanzania is one of the poorest countries in Africa, and women are often marginalised in employment and social policy considerations. Drawing on work by Hélène Cixous, a post-structuralist/radical feminist scholar, the paper challenges the masculinity of CSR discourses that have repeatedly masked (...) the voices and concerns of ‘other’ marginalised social groups, notably women. Using interpretative ethnographic case studies, the paper provides much-needed empirical evidence to show how gender imbalances remain prevalent in the Tanzanian mining sector. This evidence draws attention to the dynamics faced by many women working in or living around mining areas in Tanzania. The paper argues that CSR, a discourse enmeshed with the patriarchal logic of the contemporary capitalist system, is entangled with tensions, class conflicts and struggles which need to be unpacked and acknowledged. The paper considers the possibility of policy reforms in order to promote gender balance in the Tanzanian mining sector and create a platform for women’s concerns to be voiced. (shrink)

Inaugural lecture as Professor of Women's Studies in the Arts Faculty of the University of Utrecht, May 16, 1990.

This essay traces the origin of feminine thought in poststructuralism, which opens up new vistas of experience that differ from traditional philosophical thinking based on a conceptual grasp of the world. Rather than viewing the feminine as the essence of the woman gender, it is seen here as the experience of a plurality of truths produced in the affectedness of the human body by the world. The representative function of language and methodology in traditional philosophy cannot capture the plurality of (...) truths. Feminine experience is not a prerogative of women philosophers or feminist writers. It is accessible even to male philosophers. Since it is the outcome of the affectedness of the body by phenomena, it is accessible to all human beings, irrespective of their gender identities. The construction of the truth of entities in terms of their universal essence has a significant role in forming masculine and feminine experiences. Masculine experience is produced by the representation of conceptual truth by the self. Feminine is a kind of existence prior to self-formation that is in operation in all humans. The linguistic turn in philosophy created by Nietzsche and Saussure is the main force behind the growth of feminine thinking in poststructuralism. It marks the end of the abstract, concept-based thinking of the masculine sort and the formation of the differential thought of the feminine. (shrink)

The death of Jean Baudrillard in 2007 brought about a resurgence of feminist scholarship on his work. But in all recent feminist scholarship on Baudrillard, save for Victoria Grace’s Baudrillard’s Challenge: A Feminist Reading (2000), feminists focus on Baudrillard’s later theory of simulation, forestalling any reconsideration of his earlier text Seduction (1979). In this article I argue that a theory of seduction facilitates the unveiling of a hitherto unnoticed strain of feminist writing that proposes an ongoing challenge to masculine power (...) and politics. This strategy of seduction is one that can be traced through a history of modern feminism, from Joan Rivière’s concept of ‘womanliness’ in ‘Womanliness as Masquerade’ to Hélène Cixous’s écriture féminine in ‘The Laugh of the Medusa’ to Virginia Woolf’s ‘mulberry tree’ in Three Guineas. (shrink)

This research is about altruism. In our first chapter, our quest to find whether we are essentially altruistic starts with questioning particular ways of inquiry and proposes a philosophy of unbracketing. In our second chapter, we realise that our proposal starts with an imperative – a prescription. We begin by meditating on the phenomenon of prescription which seems to precede all ways of inquiry. Our analysis of prescription reveals that altruism is to prescribe oneself towards an Other. This type of (...) prescription is to promise a future for an Other. To promise is to give one’s word and to undertake to realising it. In our third chapter, we explore the act of “giving one’s word.” To give one’s word is beyond a speech act. In fact, it is to give one’s logos. An altruistic attempt is carried out in this chapter to liberate ‘logos’ from particular conceptions and allow for its universal meaning to emerge. Logos is traced back to its inceptual conception as existence or will to power – a will to future. This philosophical excavation leads us to our fourth chapter where we re-encounter our original paradox. That is, while human reality starts with a promise of helping someone to make sense – to understand – we have been trying to understand understanding, or how we make sense, by removing the Other and by focusing only on subjective conditions. In this chapter, we reveal how to understand an Other is an altruistic act. In our final chapter, we carefully observe that human existence is a gift from the Other. We describe this gift as a metaphysical passage from being to existence – an altruistic act. A passage which is created by an Other who promises to give us the means to be able to create meaning, that is to say, to exist. (shrink)

This paper analyses the notions of desire and metissage that circulate in The Lover, Marguerite Duras's autobiographical novel about an illicit and scandalous sexual relationship between an adolescent French girl and a wealthy Chinese man set in 1920s French colonial Siagon. Rather than celebrate The Lover as a tale of a young French girl's resistance to colonial sexual mores and regulations, this paper seeks to excavate how that resistance both affirms and challenges the racializing and racist dynamics of colonial society. (...) In particular, I explore the intertwining discourses of colonial sexuality, gender, race, and Orientalism that both produced and constrained the specific forms of desire and subjectivities available to and taken up by European women in French Indochina, and that circumscribe the story that Duras is able to tell about the French girl's love affair in The Lover. I suggest that Duras's portrayal of the French girl as a sexually autonomous female subject – one whose erotic relations are not bound by the dictates of colonial patriarchy – is made possible only by the ambivalent structure of the girl's desire, by her simultaneous attraction to and repulsion of the racialized others of the French colonies. (shrink)

This article brings together feminist literary theory and law by approaching a number of U.S. Federal cases on sex equality in light of the work of the renowned feminist literary critic Naomi Schor, and shows that literary theory constitutes an under-explored resource for feminist legal critique. Schor’s writings constitute a sustained rumination on the relationship between reading and feminism. Drawing on writings on language and the body by key French feminist theorists, Schor advances a method of interpretation which she terms, (...) provocatively, ‘clitoral reading’, and which focuses on the place of details relating to women’s bodies and desires within literary and cultural discourses. In the course of her career, she analysed texts from domains as diverse as literature, philosophy, visual art, the history of fashion, and photography. I will demonstrate that her work can make a valuable contribution to legal studies by using it as an interpretative lens to re-examine U.S. Federal court judgments. (shrink)

Inspired by posthuman feminist theory, this paper explores young people’s entanglement with the bio-technological landscape of image creation and exchange in young networked peer cultures. We suggest that we are seeing new formations of sexual objectification when the more-than-human is foregrounded and the blurry ontological divide between human and machine are enlivened through queer and feminist Materialist analyses. Drawing upon multimodal qualitative data generated with teen boys and girls living in urban inner London and semi-rural Wales we map how the (...) digital affordances of Facebook ‘tagging’ can operate as a form of coercive ‘phallic touch’ in ways that shore up and transgress normative territories of dis/embodied gender, sexuality and age. We conclude by arguing that we need creative approaches that can open up spaces for a posthuman accounting of the material intra-actions through which phallic power relations part-icipate in predictable and unpredictable ways. (shrink)