A popular defense of physicalist theories of consciousness against anti-physicalist arguments invokes the existence of ‘phenomenal concepts’. These are concepts that designate conscious experiences from a first person perspective, and hence differ from physicalistic concepts; but not in a way that precludes co-referentiality with them. On one version of this strategy phenomenal concepts are seen as (1) type demonstratives that have (2) no mode of presentation. However, 2 is possible without 1-call this the ‘bare recognitional concept’ view-and I will argue (...) that this avoids certain recent criticisms while retaining the virtue of finessing the ‘mode of presentation’ problem for phenomenal concepts. But construing phenomenal concepts this way seems to not do justice to the phenomenology of conscious experience. In this paper I examine whether or not this impression can be borne out by a good argument. As it turns out, it is harder to do so than one might think. It can be done, but it involves somewhat more convoluted reasoning than one might have supposed necessary. Having shown that, I will end with a few brief remarks on what my argument means for attempts to preserve a physicalist account of consciousness. (shrink)

Frank Jackson formulated his knowledge argument as an argument for dualism. In this paper I show how the argument can be modified to also establish the irreducibility of the secondary qualities to the properties of physical theory, and ultimately "secondary quality eliminativism"- the view that the secondary qualities are physically uninstantiated.

Cognitive scientists have long known that the modalities interact during perceptual processing. Cross-modal illusions like the ventriloquism effect show that the course of processing in one modality can alter the course of processing in another. But how do the modalities interact in the specific domain of object perception? This paper distinguishes and analyzes two kinds of multisensory interaction in object perception. First, the modalities may bind features to a single object or event. Second, the modalities may cooperate when differentiating an (...) object or event from its surroundings. I critically evaluate evidence for various forms of multisensory binding. I then consider the case for multisensory differentiation. I argue that existing evidence for multisensory differentiation is inconclusive. I highlight ways that the issue might be empirically resolved. (shrink)

Studies show that there are widespread intrasubjective and intersubjective color variations among normal perceivers. These variations have serious ramifications in the debate about the nature and ontology of color. It is typical to think of the debate about color as a dispute between objectivists and subjectivists. Objectivists hold that colors are perceiver-independent physical properties of objects while subjectivists hold that they are either projections onto external objects or dispositions objects have to look colored. I argue that individual color variations present (...) difficulties, albeit not the same kind, for both objectivism and subjectivism. Lastly, I propose an alternative account that handles such variations nicely. (shrink)

To be a realist about modality, need one claim that more exists than just the various objects and properties that populate the world—e.g. worlds other than the actual one, or maximal consistent sets of propositions? Or does the existence of objects and properties by itself involve the obtaining of necessities (and possibilities) in re? The latter position is now unpopular but not unfamiliar. Aristotle held that objects have essences, and hence necessarily have certain properties. Recently it has been argued that (...) the identity of any property is tied to the natural laws in which it figures, which entails that the occurrence of properties involves the obtaining of nomological necessities ([24], pp. 206-33 and 234-60; [23]; cf. [25] and [6]). Somewhat less recently, Wittgenstein ([28], p. 168) worried that the reality of at least some properties—precise shades of colors being a prime example—involved the obtaining in re of certain impossibilities. This paper argues that Wittgenstein’s worries were right, and not just concerning some properties, but all properties whatever. That there are objects and properties in the world at all, then, amounts to there obtaining modal states of affairs. This argument supplements, rather than replaces, the others. The position on property incompatibility advanced here actually helps defend Aristotelian essentialism against epistemological objections, or so I have argued ([15]). And while this paper’s position on property incompatibility diverges from the idea that a property’s nomic profile is essential to it—more on this in the next section—it is at least compatible with the thought that the necessity involved in the laws of nature enters into ontology at the ground level. (shrink)

The problem of representing the spatial structure of images, which arises in visual object processing, is commonly described using terminology borrowed from propositional theories of cognition, notably, the concept of compositionality. The classical propositional stance mandates representations composed of symbols, which stand for atomic or composite entities and enter into arbitrarily nested relationships. We argue that the main desiderata of a representational system — productivity and systematicity — can (indeed, for a number of reasons, should) be achieved without recourse to (...) the classical, proposition-like compositionality. We show how this can be done, by describing a systematic and productive model of the representation of visual structure, which relies on static rather than dynamic binding and uses coarsely coded rather than atomic shape primitives. (shrink)

I argue that chimericity is a property that we typically experience when listening to multi-instrumental music. It is the property of hearing as a unified whole a melody or a harmony that does not belong to any single sound source but instead consists of the assembling of melodic or harmonic fragments coming from different sources. Chimericity is not reducible to the low-level audible properties of pitch and loudness; it is cognized at the perceptual level thanks to the auditory mechanism of (...) primitive grouping. My aim is to show that chimericity is a perceptual property, one that we can genuinely hear. In developing this view, I engage with the debate within the philosophy of sense perception between rich vs thin views of the content of perceptual experience. (shrink)

Panpsychism, the view that consciousness is present everywhere at the fundamental level of reality, has established itself as an increasingly popular option in the philosophy of mind. Situated between substance dualism and reductive physicalism, panpsychism aims to capture the intuitions behind both, integrating consciousness into the physical world without explaining it in terms of purely physical facts. In this thesis, I offer a defence of panpsychism. -/- First, I examine influential arguments against physicalism, such as Thomas Nagel’s (1974, 1979) perspective-based (...) proposal, Frank Jackson’s (1982) knowledge argument, David Chalmers’ (1996, 2010) conceivability argument, as well as vagueness arguments (Antony 2006a; Tye 1996). I argue that none of them offers a knockdown case against physicalism, particularly because of the threat presented by the phenomenal concept strategy (Chalmers 2007; Papineau 2007a), though they suggest panpsychism as a promising alternative that avoids many common objections. -/- Second, I discuss independent arguments for panpsychism, including the Russellian monist view (Goff 2017; Russell 1927/1992), the intrinsic nature argument (Seager 2006; Strawson 2006), recent developments in the literature as presented by Hedda Hassel Mørch (2018, 2020) and Luca Dondoni (2022), Tye’s (2021b) representational panpsychism based on the vagueness argument, as well as cosmopsychism (Nagasawa & Wager 2016; Shani 2015) – an alternative to panpsychism that shares its aims whilst claiming to avoid its shortcomings. -/- Third, I address the most pressing objection to panpsychism: the combination problem or the question of how fundamental consciousness can combine to lead to complex consciousness (James 1890). Focusing especially on the subject-summing version of the combination problem or the issue of how small subjects can combine to form complex subjects, I go over various proposals for either solving or avoiding it, such as Philip Goff’s (2016) phenomenal bonding relation and William Seager’s (2010) combinatorial infusion proposal, arguing against both and agreeing at the end with Sam Coleman (2014), who advocates that subject-summing is demonstrably incoherent. -/- However, as I argue in the fourth and final chapter, the panpsychist still has an option that avoids the subject-summing problem, while also circumventing the objections faced by the alternative view of cosmopsychism. Inspired though not reliant on the philosophy of Gottfried Wilhelm Leibniz (1902/2005), I introduce what I call monadic panpsychism, the view that the phenomenal character of any given consciousness-bearing physical ultimate is determined by its relations to other such ultimates featuring in the relevant causal structure. -/- The theory consists of two key claims. The first is that phenomenal qualities are relational rather than intrinsic. This view has precedent in literature on the philosophy of mind, such as in Rudolf Carnap (1928), Gottlob Frege (1956), Moritz Schlick (1959), as well as more recently in David Hilbert and Mark Kalderon (2000) and Austen Clark (2000), though not in the context of panpsychism. -/- The second claim is that physical ultimates only possess a very basic form of consciousness necessary for experiencing as such. There are many ways to conceptualise this basic consciousness: non-relational or intrinsic, rudimentary and non-specific, a point of view without experiences, the minimal subject, a mere conduit for experience, phenomenal space, etc. Russellian panpsychists offer a more detailed proposal in which every physical ultimate has an appropriate associated type of experience. For example, all quarks have the same quark-type of experience, assuming for the sake of discussion that quarks are ultimates. Still, arguing for a more minimal notion, as I do, requires making less claims and should not be controversial to any panpsychist. -/- So, what follows from these two claims? I propose that the relational constitution of phenomenal qualities has its endpoint at the fundamental level rather than at the level of a combined complex or emergent subject. Put simply, physical ultimates guarantee the basic consciousness or the point of view that I occupy, while the relational structure constitutes my rich and full human experience. So to speak, relationally constituted phenomenal qualities ‘anchor’ themselves in physical ultimates. As long as these relations result in a phenomenally unified experience, which is an uncontroversial thesis, then no matter where that process reaches the end of its causal chain, it will necessarily be experienced from a subjective point of view. -/- Since only qualities but not subjects need to combine, my proposal avoids the subject-summing version of the combination problem, which is arguably an insurmountable challenge to other forms of panpsychism. Because of this, I conclude that my theory contributes to the field, serving as a good starting point for further developments of neither combinatory nor emergent panpsychism with regard to subjects. (shrink)

This is the Stanford Encyclopedia of Philosophy entry on the contents of perception.

Is it possible to build a conscious machine, an artifact that has qualitative experiences such as feeling pain, seeing the redness of a flower or enjoying the taste of coffee ? What makes such experiences conscious is their phenomenal character: it is like something to have such experiences. In contemporary philosophy of mind, the question of the qualitative aspect of conscious experiences is often addressed in terms of qualia. In a pre-theoretical and intuitive sense, qualia refer to the phenomenal character (...) or “what-it’s-like-ness” of a conscious experience: the painfulness of a pain experience or the redness of a visual experience of a red object. The problem of artificial qualia is the question of the theoretical possibility of the realization of qualia by artifacts. In this work, this problem will serve as a methodological tool to address what is arguably the most fundamental question of philosophy of mind: what exactly is consciousness? (shrink)