Imperatives cannot be true or false, so they are shunned by logicians. And yet imperatives can be combined by logical connectives: "kiss me and hug me" is the conjunction of "kiss me" with "hug me". This example may suggest that declarative and imperative logic are isomorphic: just as the conjunction of two declaratives is true exactly if both conjuncts are true, the conjunction of two imperatives is satisfied exactly if both conjuncts are satisfied—what more is there to say? Much more, (...) I argue. "If you love me, kiss me", a conditional imperative, mixes a declarative antecedent ("you love me") with an imperative consequent ("kiss me"); it is satisfied if you love and kiss me, violated if you love but don't kiss me, and avoided if you don't love me. So we need a logic of three -valued imperatives which mixes declaratives with imperatives. I develop such a logic. (shrink)

This paper provides evidence for an ambiguity of bare VPs in the English conditional conjunction construction. This ambiguity, undetected by previous researchers, provides a key to the development of a compositional semantic analysis of conditional conjunction with imperative first conjuncts. The analysis combines existing semantic theories of imperatives, the future tense, modal subordination, and speech act conjunction to yield the correct semantics without further stipulation.

A psychologically plausible analysis of the way we assign illocutionary forces to utterances is formulated using a 'contextualist' analysis of what is said. The account offered makes use of J. L. Austin's distinction between phatic acts (sentence meaning), locutionary acts (contextually determined what is said), illocutionary acts, and perolocutionary acts. In order to avoid the conflation between illocutionary and perlocutionary levels, assertive, directive and commissive illocutionary forces are defined in terms of inferential potential with respect to the common ground. Illocutionary (...) forces are conceived as automatic but optional components of the process of interpretation. (shrink)

Journal Name: Cognitive Linguistics Issue: Ahead of print.

There are certain uses of and and or that cannot be explained by their normal meanings as truth-functional connectives, even with sophisticated pragmatic resources. These include examples such as The cops show up, and a fight will break out (‘If the cops show up, a fight will break out’), and I have no friends, or I would throw a party (‘I have no friends. If I did have friends, I would throw a party.’). We argue that these uses are indeed (...) distinct from the more ordinary uses of and and or, but that they are nonetheless related in a principled way. To explain them we give an analysis of what we call the dynamic effects of connectives, which arise in all their uses. The special uses at issue are then argued to be instances where the connectives exhibit their dynamic effects without their truth-conditional meaning. (shrink)

This paper proposes a framework for formalising intuitions about the behaviour of imperative commands. It seeks to capture notions of satisfaction and coherence. Rules are proposed to express key aspects of the general logical behaviour of imperative constructions. A key objective is for the framework to allow patterns of behaviour to be described while avoiding making any commitments about how commands, and their satisfaction criteria, are to be interpreted. We consider the status of some conundrums of imperative logic in the (...) context of this proposal. (shrink)

This article addresses issues in the philosophy of fiction from the perspective of a relevance theoretic approach to communication: first, how should we understand the notion of ‘voice’ as it is used in the analysis of free indirect style narratives; and, second, in what sense can the person responsible for free indirect representations of fictional characters' thoughts be regarded as a communicator? The background to these questions is the debate about the roles of pretence and attribution in free indirect style. (...) I argue that the role of expressives in sustaining the illusion that fictional characters speak their inner thoughts suggests that ‘voice’ should be understood in two distinct ways. On the one hand, there are cases in which the use of expressive devices leads to the formation of thoughts which are understood to resemble other (attributed) thoughts. On the other hand, there are other cases in which expressives are used as a means of simulating a fictional character's behaviour or style. At the same time, I argue that in order to accommodate free indirect thought representation in a relevance theoretic model of communication, the responsibility for ensuring that the effort of processing the text will be rewarded by optimal relevance must be decoupled from the point of view that is being represented. While the (constructed) author is responsible for orchestrating our interpretation of free indirect thought representations so that the effort of processing will result in optimal relevance, the reader does not necessarily assume this function is being performed by someone who intends to communicate their own thoughts: the relevance of the act of narration may instead lie in the sense of mutuality achieved between reader and character. (shrink)