Among the many parodic elements in the Homeric Hymn to Hermes is the day-old baby's fart-omen. As is well-known, sneezing was considered prophetic in the ancient world, and the humour of the scene comes from the immediately preceding fart and the fact that Hermes’ bodily emissions are deliberate . Apollo has, in fact, gone in search of his baby brother on the basis of a standard bird-omen and confronted with Hermes’ signs, he recognizes that the crepitation is just as much (...) an omen as the sneeze, witness the plural τoúτoιζ oìωυoîσι a few lines later . We may compare a passage in Aristophanes’ Knights where the Sausage-seller reports that he took courage before speaking to the Council from a good omen: a man farted to the right, ༐κ δπξιâζ ᾤπέπαρδε . Aristophanes’ formulation suggests to me that the composer of the hymn may be intentionally setting up a play on words : the only difference between the verbal form ༐πέπταδε ‘sneezed’ is the reversal of the liquid and the dental stop. (shrink)

I argue for the view that the scientific model which Plato consistently had in mind when sharpening his main ethical theory was medicine. Moreover, I ascribe to Plato a “medical model of ethics”. A careful examination of this model reveals how Plato appropriates several medical concepts and ideas by employing two central methodological devices in his thought: dialectical transposition and analogical characterisation. In discussing them, I identify different kinds of medical references in the dialogues –not all medical references in Plato (...) have the same methodological status– and draw greater attention to the most recurrent medical analogies in them. More generally, the paper is also meant to provide a case study of the complex relationship between medicine and philosophy in Antiquity by examining in a new light the various ways in which the former served as an epistemological and ethical model for the latter. (shrink)

Heraclitus is generally recognised as the first of the Greek thinkers to develop a psychology, but the understanding of his psychology is held back by the assumptions that his soul is a life-principle and is ‘comprehensive’ of the various faculties we regard as psychological. The fragment that best displays the revolutionary character of Heraclitus’ soul doctrine, from a properly psychological viewpoint, is B 85. I offer an extended analysis of this fragment in order to bear out the claims, firstly, that (...) psyche or ‘soul’ for Heraclitus is the intelligence alone, divine in origin, and secondly that thumos (primarily as the seat of desire) is a better candidate for his biological life-principle, whose exigencies are at odds with those of soul. I also offer some reflections on why, despite Heraclitus’ multifaceted influence on fifth-century thought, and despite the coherence of his psychology, this ‘revolution’ never quite took hold. (shrink)

Freud tracked the psyche along the paths of sleep, following the “royal road” of dreams. For the ancient Greeks, too, the psyche was revealed in sleep, not through the semiotics of dreams but through the peculiar state of being we occupy while asleep. As a “borderland between living and not living”, sleep offered unique access to the psukhē, that element within the self unassimilable to waking consciousness. This paper examines how Greek philosophers theorized the sleep state and the somnolent psukhē, (...) focusing on Heraclitus, Plato, and Aristotle. Each of the three attempts to reclaim sleep for waking life and to join the sleeping soul to the philosophical self. But that attempt never fully succeeds. Instead sleep consistently emerges as a philosophical blindspot, a state that—unlike dreams—cannot be spoken by philosophy's logos nor fully illuminated by philosophical analysis. (shrink)

In Melanipp. PMG 762 the reading βροτῶν (v. 1) of the MSS can be retained. The god invoked as “lord of the everlasting soul” (v. 2), generally identified with Dionysus-Zagreus, can be rather recognized as the Orphic Zeus.

This study provides an integrated analysis of ϑυμός. A psychosomatic concept, found in Greek epics and medicine, θυμός designates courage as a “vital force around the chest”. Later, its meaning has been specified in two fields: 1) ϑυμός, thymós, the irascible soul, parallel to the concupiscible soul and opposite to the rational one, according to Plato’s tripartition; 2) ϑύμος, thymus, a cardiac gland of the vascular system. Today, the idea that θυμός, courage, and ϑύμος, cardiac gland, could have a common (...) semantic root – θύειν “to sacrifice by blowing and burning” – seems almost impossible. Our aim is to reconstitute the concept of ϑυμός, demonstrating how it has been reduced to a polarisation rational/irrational, and marginalised. We will examine the notion of ϑυμός in Greek tradition and describe one of its widespread manifestations, tattooing, both as a painful solicitation of interiority and for how the tattooed pictures reflect the personality of their wearers. (shrink)