According to the quasi-perceptualist account of philosophical intuitions, they are intellectual appearances that are psychologically and epistemically analogous to perceptual appearances. Moral intuitions share the key characteristics of other intuitions, but can also have a distinctive phenomenology and motivational role. This paper develops the Humean claim that the shared and distinctive features of substantive moral intuitions are best explained by their being constituted by moral emotions. This is supported by an independently plausible non-Humean, quasi-perceptualist theory of emotion, according to which (...) the phenomenal feel of emotions is crucial for their intentional content. (shrink)

In this paper, I begin by outlining some basic features of the version of virtue ethics I espouse, and then turn to exploring what light may be shed on our understanding and interpretation of Hume when he is viewed from that perspective.

The moral psychology of sympathy is the linchpin of the sentimentalist moral theories of both David Hume and Adam Smith. In this paper, I attempt to diagnose the critical differences between Hume's and Smith's respective accounts of sympathy in order to argue that Smithian sympathy is more properly suited to serve as a basis for impartial moral evaluations and judgments than is Humean sympathy. By way of arguing this claim, I take up the problem of overcoming sympathetic partiality in the (...) construction of a moral point of view, acknowledged by both writers, as my primary platform. My contention is that Humean sympathy is too mechanistic to actually deliver an impartial adjudicatory perspective, and that Smithian sympathy, with its evaluative, imaginative components, succeeds where Hume's account falls short. The paper is comprised of six sections: (i) introductory remarks, (ii) a discussion of Humean sympathy, (iii) a discussion of Smithian sympathy and its distinctness, (iv) a critical analysis of Hume's attempt to correct for sympathetic partiality in the construction of the judicial spectator's general point of view, (v) a critical discussion of sympathetic partiality in Smithian sympathy & (vi) a critical analysis of Smith's construction of the impartial spectator perspective as a moral point of view. (shrink)

In The Sources of Normativity, Korsgaard argues for what can be called “The Universality of Humanity Claim” (UHC), according to which valuing humanity in one’s own person entails valuing it in that of others. However, Korsgaard’s reliance on the claim that reasons are essentially public in her attempt to demonstrate the truth of UHC has been repeatedly criticized. I offer a sentimentalist defense, based on Adam Smith’s moral philosophy, of a qualified, albeit adequate, version of UHC. In particular, valuing my (...) humanity, understood as (my awareness of) my perspective and the reasons determined from within it, entails valuing your humanity, understood as (your awareness of) your perspective and the reasons determined from within it. Given Korsgaard’s emphasis on the publicity of reasons in her argument for UHC, I also discuss the role of reasons in my account. I argue that the relative weights of (at least some of) an agent’s reasons are determined from within a shared evaluative point of view, namely, the standpoint of what Smith calls “the impartial spectator.” These reasons have normative authority over and constrain the agent’s private reasons, that is, those that are determined from within her own particular evaluative point of view. (shrink)

How can the harm caused by waves of fake news or derogatory speech on social media be minimized without unduly limiting freedom of expression? I draw on an eighteenth-century debate for thinking about this problem: Hume and Smith present two different models of the transmission of emotions and ideas. Empathetic processes are causal, almost automatic processes; sympathy, in contrast, means putting oneself into the other person’s position and critically evaluating how one should react. I use this distinction to argue that (...) the architectural logic of social media should be improved to prevent cumulative harms and to facilitate sympathetic processes. (shrink)

This paper attempts to give a complete and coherent account of how Hume’s moral psychology can explain the cultivation of moral character. I argue that the outcome of a fully formed moral character is an agent who strengthens her calm moral sentiments into settled principles of action. I then take up the question of how the process of strengthening moral sentiments might occur, rejecting the possibilities of sympathy, “reflection,” and “resolution” because either they are too weak or else they make (...) the passion violent, preventing the essential calm nature of moral sentiments. I next argue that custom and the non-moral motives of pride and the love of fame play the critical roles in character formation. Custom can be considered as both the process of education, whereby certain impressions are habitually and formally inculcated into us by educators, and the process of experience in society and conversation, whereby we learn to associate pleasure with the virtues and pain with the vices. In both these processes, Hume implicitly appeals to certain non-moral motives, especially pride and the love of fame, in order to launch the effects of custom. (shrink)

De acuerdo con Hume, las evaluaciones morales se basan en los sentimientos de aprobación o de desaprobación que experimentamos al contemplar el carácter de una persona desde un punto de vista general. También sostiene que la adopción de esta perspectiva no se debe a una exigencia de la razón, sino que obedece a operaciones naturales de la imaginación. En este trabajo discuto la pregunta sobre el mecanismo psicológico por el que adoptamos este punto de vista general. Para ello explico primero (...) otras operaciones de la imaginación que son centrales en las evaluaciones morales: la asociación de percepciones en la producción de las pasiones del amor, el orgullo, el odio y la humildad; la transmisión de fuerza y vivacidad entre las percepciones; y la simpatía. A continuación señalo que el supuesto mecanismo natural de la imaginación por el cual adoptaríamos el punto de vista general parece no poder existir. Sugiero que, en lugar de ello, esta perspectiva puede concebirse como una construcción social o, como Hume diría, un "artificio" de los seres humanos. Si esto último es plausible, sin embargo, se desdibuja la distinción entre virtudes naturales y artificiales. (shrink)

Hume’s Treatise, Enquiries and Essays contain plentiful material for an investigation into the moral nature of other animals and our moral relations to them. In particular, Hume pays considerable attention to animal minds. He also argues that moral judgment is grounded in sympathy. As sympathy is shared by humans and some other animals, this already hints at the possibility that some animals are morally considerable, even if they are not moral agents. Most contributions to the literature on animal ethics assume (...) one of the big three normative theories as their starting point; consequentialism, deontology or neo-Aristotelian virtue ethics. However, as several philosophers have argued, Hume’s discussion of animals suggests a distinctive, alternative approach. I defend and develop this sort of view, building from the ground up via a careful study of Hume’s texts. In particular, I pay close attention to the operations of sympathy and the correctness conditions for moral judgments based on our sympathetic responsiveness to animal minds, addressing a number of interpretative puzzles and difficulties along the way. The result is an outline of an approach to animal ethics that is grounded in a general philosophy of nature, a naturalistic methodology and broadly plausible psychological assumptions. (shrink)

This article raises the need of a historical approach to philosophical texts taking as an example the case of the ethics proposal of David Hume. It shows the interest of Hume that wants to participate actively in the intellectual dialogue of his time and his intention to integrate the scientific method into the moral sciences and how his critique of reason must be understood in this light. To do this, it is quickly mention the intellectual atmosphere of the time and (...) the positions in conflict in the philosophical debate of the 18th century: relativistic skepticism, radical rationalism and naive sentimentality, noting that, deep down, Hume cannot be excluded completely from any of these positions but not typecast in any of them. (shrink)

Partiendo de la descripción subjetivista que Noël Carroll hace de las ideas estéticas de David Hume en On Criticism, propongo una interpretación objetivista de las mismas. Para ello, muestro que hay cierta confusión en la obra del filósofo escocés cuando vincula los valores estéticos con las cualidades secundarias lockeanas. Creemos que esa vinculación requiere de cierto esclarecimiento. Para ello me apoyo en distinciones ya clásicas propuestas por Kripke. A partir de ahí, muestro que Hume es más objetivista de lo que (...) Carroll y otros autores interpretan. Finalmente señalo en qué sentido Hume, a pesar del objetivismo, sigue siendo un sentimentalista en lo que a los valores se refiere. (shrink)