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  1. Cognitive and Computer Systems for Understanding Narrative Text.William J. Rapaport, Erwin M. Segal, Stuart C. Shapiro, David A. Zubin, Gail A. Bruder, Judith Felson Duchan & David M. Mark - manuscript
    This project continues our interdisciplinary research into computational and cognitive aspects of narrative comprehension. Our ultimate goal is the development of a computational theory of how humans understand narrative texts. The theory will be informed by joint research from the viewpoints of linguistics, cognitive psychology, the study of language acquisition, literary theory, geography, philosophy, and artificial intelligence. The linguists, literary theorists, and geographers in our group are developing theories of narrative language and spatial understanding that are being tested by the (...)
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  • Ringing the changes on Gyges: Philosophy and the formation of fiction in Plato's "Republic".Andrew Laird - 2001 - Journal of Hellenic Studies 121:12-29.
    Glaucon¿s story about the ring of invisibility in Republic 359d-60b is examined in order to assess the wider role of fictional fabrication in Plato¿s philosophical argument. The first part of the article (I) looks at the close connections this tale has to the account of Gyges in Herodotus (1.8-12). It is argued that Plato exhibits a specific dependence on Herodotus, which suggests Glaucon¿s story might be an original invention: the assumption that there must be a lost ¿original¿ to inspire Plato¿s (...)
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  • References in narrative text.Janyce M. Wiebe - 1991 - Noûs 25 (4):457-486.
    The propositional content of a reference is the proposition attributing to the referent the properties that correspond to the nouns and modifiers in the reference (for example, the propositional content of `Mary' is that the referent is named`Mary'). During language comprehension, the hearer or reader must determine the set of beliefs with respect to which the propositional content of a reference is to be understood. In the prototypical case, this set consists of the propositions that she believes that the speaker (...)
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  • He Said/She Said: Free Indirect Style Before the Novel.Eve Houghton - 2025 - Critical Inquiry 51 (2):247-267.
    By disentangling the history of free indirect style from the history of the novel, we can see the narratorial complexity of prose fiction at a revealingly early stage, when the channeling of other minds and other experiences seemed less like a generic affordance than a problem of etiquette, moral judgment, and simple intelligibility. Lacking novelistic conventions (for example, quotation marks), the Elizabethan writer George Gascoigne experimented with a range of techniques for representing the voices and thoughts of his characters. In (...)
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  • Die Seele im Labor der Novelle. Gestaltpsychologische Experimente in Musils Gri..Birthe Hoffmann - 1995 - Deutsche Vierteljahrsschrift für Literaturwissenschaft Und Geistesgeschichte 69 (4):735-765.
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  • Hermann Brochs Romanwerk. Ein Forschungsbericht.Michael Roesler - 1991 - Deutsche Vierteljahrsschrift für Literaturwissenschaft Und Geistesgeschichte 65 (3):502-587.
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