In "How to Speak of the Colors", Mark Johnston’s claims that eliminativism would require us to jettison colour discourse. In this paper, I challenge Johnston’s claim. I argue that a particular version of eliminativism, i.e., prescriptive colour fictionalism, allows us to continue employing colour discourse as we have thus far in the absence of colours. In doing so, it employs statistical models in its base discourse to derive high-level statistical constructs that can be linked to the fiction via bridge principles.

Colors are of philosophical interest for two kinds of reason. One is that colors comprise such a large and important portion of our social, personal and epistemological lives and so a philosophical account of our concepts of color is highly desirable. The second reason is that trying to fit colors into accounts of metaphysics, epistemology and science leads to philosophical problems that are intriguing and hard to resolve. Not surprisingly, these two kinds of reasons are related. The fact that colors (...) are so significant in their own right, makes more pressing the philosophical problems of fitting them into more general metaphysical and epistemological frameworks. (shrink)

Variations in colour perception have featured prominently in recent attempts to argue against the view that colours are objective mind-independent properties of the perceptual environment. My aim in this paper is to defend the view that colours are mind-independent properties in response to worries arising from one type of empirically documented case of perceptual variation: variation in the perception of the «unique hues». §1 sets out the challenge raised by variation in the perception of the unique hues. I argue in (...) §2 that the empirical findings are less dramatic than they might initially appear, and in §3 that accounting for the inter-personal differences is consistent with the view that colours are mind-independent properties that normal subjects veridically perceive, at least roughly speaking. (shrink)

I argue that there are good reasons for thinking of colors as both subjective and objective. I propose a spectrum ranging from the entirely subjective to the entirely objective, with colors belonging somewhere between the two ends. I then argue that these findings about colors can be applied to other sensory properties as well because the reasons for placing colors where they belong on the spectrum hold for all sensory properties.

Studies show that there are widespread intrasubjective and intersubjective color variations among normal perceivers. These variations have serious ramifications in the debate about the nature and ontology of color. It is typical to think of the debate about color as a dispute between objectivists and subjectivists. Objectivists hold that colors are perceiver-independent physical properties of objects while subjectivists hold that they are either projections onto external objects or dispositions objects have to look colored. I argue that individual color variations present (...) difficulties, albeit not the same kind, for both objectivism and subjectivism. Lastly, I propose an alternative account that handles such variations nicely. (shrink)

This entry outlines physicalism about color, and objections to the effect that it cannot meet various desiderata on a metaphysics of color.

The central aim of this paper is to argue that the main motivation for endorsing colour relativism – namely, the occurrence of so-called standard variation phenomena – constitutes, in the end, a problem for the view itself which is not significantly smaller than the problem these phenomena constitute for most of the view’s competitors. Section 1 provides a brief characterization of the relativist position in question. In Section 2, I provide a prima facie case for colour relativism in the light (...) of the occurrence of standard variation phenomena, and I argue that a certain version of the view can be defended against certain objections that have been raised against colour relativism. Section 3 provides an argument for the central claim of this paper, that is, an argument to the conclusion that standard variation phenomena do, in the end, not at all favour colour relativism over its main competitors. Finally, in Section 4, I suggest and tentatively defend a hitherto neglected account of the meaning of colour terms that accommodates the phenomena in question. (shrink)

Michael Tye’s considered position on visual experience combines representationalism with externalism about color, so when considering spectrum inversion, he needs a principled reason to claim that a person with inverted color vision is seeing things incorrectly. Tye’s responses to the problem of the inverted spectrum ( 2000 , in: Consciousness, color, and content, The MIT Press, Cambridge, MA and 2002a , in: Chalmers (ed.) Philosophy of mind: classical and contemporary readings, Oxford University Press, Oxford) rely on a teleological approach to (...) the evolution of vision to secure the grounds upon which people with normal color vision can be justly called ‘right’ and those with inverted color vision can be called ‘wrong’. I demonstrate that since the inverted spectrum thought experiment requires that both sorts of vision be behaviorally indistinguishable, no biologically acceptable concept of teleology will allow Tye to draw the distinction he needs. (shrink)