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  1. Your Brain on Comics: A Cognitive Model of Visual Narrative Comprehension.Neil Cohn - 2020 - Topics in Cognitive Science 12 (1):352-386.
    Visual narratives like comics involve a range of complex cognitive operations in order to be understood. The Parallel Interfacing Narrative‐Semantics (PINS) Model integrates an emerging literature showing that comprehension of wordless image sequences balances two representational levels of semantic and narrative structure. The neurocognitive mechanisms that guide these processes are argued to overlap with other domains, such as language and music.
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  • The architecture of visual narrative comprehension: the interaction of narrative structure and page layout in understanding comics.Neil Cohn - 2013 - Frontiers in Psychology 5.
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  • Dismantling the “Visual Ease Assumption:" A Review of Visual Narrative Processing in Clinical Populations. [REVIEW]Emily L. Coderre - 2020 - Topics in Cognitive Science 12 (1):224-255.
    Visual narratives like comics often are used as materials in clinical testing under a belief that they are transparent materials for individuals who may struggle with language, such as those with autism spectrum disorder (ASD), developmental language disorder (DLD), or aphasia. This review shows that this “Visual Ease Assumption” is largely unsupported, warranting reconsideration of the ways visual narratives are used with clinical populations.
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  • A multimodal parallel architecture: A cognitive framework for multimodal interactions.Neil Cohn - 2016 - Cognition 146 (C):304-323.
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  • Editors’ Introduction and Review: Visual Narrative Research: An Emerging Field in Cognitive Science.Neil Cohn & Joseph P. Magliano - 2020 - Topics in Cognitive Science 12 (1):197-223.
    Drawn sequences of images, like those in comics and picture stories, are a pervasive and fundamental way that humans have communicated for millennia. Yet, the study of visual narratives has only recently gained traction in Cognitive Science. Here we explore what has held back the study of the cognition of visual narratives, and why researchers should join in scholarship of this ubiquitous aspect of expression.
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