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Global Assemblages

Theory, Culture and Society 23 (2-3):399-401 (2006)

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  1. “We are fed up …Being research objects!” negotiating identities and solidarities in militant ethnography.Magdalena Sztandara - 2021 - Human Affairs 31 (3):262-275.
    This article describes experiences of long-term ethnographic fieldwork on disobedience, disloyalty and dissensus among women in public space in selected (post-)Yugoslav cities. I focus on the opportunities and pitfalls of feminist ethnography and methodology in the context of positionality, engagement and solidarity as essential elements of research into activist networks. In order to problematize the emerging field positionalities and solidarities, I examine the “militant ethnography” methodological approach (Jeffrey Juris), which seeks to move beyond the divide between research practice and politically (...)
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  • Identifying Democracy: Citizenship, DNA, and Identity in Postdictatorship Argentina.Lindsay Adams Smith - 2016 - Science, Technology, and Human Values 41 (6):1037-1062.
    In 1984, eight-year-old Paula Logares was called into a judge’s chambers and was told the man and woman she lived with were not her parents. Her parents had been disappeared during the dirty war, and now, through her blood, scientists would be able to return her to her birth family. Paula, thus, became the first “stolen” child in Argentina to be identified via the incipient technology of DNA identification. With this forensic first, DNA identification has emerged as a central tool (...)
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  • Acknowledging Strength in Plurality: The World Social Forum 2016 Through the Prism of Assemblage Thinking.Carminda Mac Lorin & Nikolas Schall - 2018 - Studies in Social Justice 12 (1):56-74.
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  • Rethinking knowledge for development: Transnational knowledge professionals and the “new” India. [REVIEW]Smitha Radhakrishnan - 2007 - Theory and Society 36 (2):141-159.
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  • Regarding the Rise in Autism: Vaccine Safety Doubt, Conditions of Inquiry, and the Shape of Freedom.Sharon R. Kaufman - 2010 - Ethos: Journal of the Society for Psychological Anthropology 38 (1):8-32.
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  • Strong Will in a Messy World. Ethics and the Government of Technoscience.Luigi Pellizzoni - 2012 - NanoEthics 6 (3):257-272.
    Two features characterize new and emerging technosciences. The first one is the production of peculiar ontologies. The human agent is confronted with a biophysical world the contingent, indeterminate character of which does not hamper but expands the scope of purposeful action. Uncertainty is increasingly regarded as a resource for an expanding will rather than a drawback for a disoriented agent. The second feature is that ethics is increasingly considered as the core regulatory means of this messy, ever-changing world. The ambivalences (...)
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  • Complex Adaptive Systems and Global Capitalism: The Risk of a New Ideology of Global Complexity.Alvaro Malaina - 2014 - World Futures 70 (8):469-485.
    Since the foundation of the Santa Fe Institute, the new science of complex adaptive systems has seen extraordinary development, breaking with previous, more epistemological, trends in complexity theory. This article makes a critique of CAS as a model of the current global complexity. Its basic model, the cellular automaton, which focuses on the interactive dynamics among components, ignores the nature of any complex system as constructed by the observer/actor and is unable to explain the sociohistorical construction of the agents/subjects and (...)
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  • Intellectual Property Law and the Globalization of Indigenous Cultural Expressions: Māori Tattoo and the Whitmill versus Warner Bros. Case.Leon Tan - 2013 - Theory, Culture and Society 30 (3):61-81.
    From the time of British colonial settlement, innumerable taonga have been appropriated from the indigenous Māori population of Aotearoa/New Zealand, from cloaks, weapons, carvings and musical instruments to the practices and products of tā moko. This article focuses on the topic of cultural appropriation, homing in on a recent legal case, Whitmill v. Warner Bros., in which an artist sued Warner Bros. in a US court for pirating a ‘ Māori-inspired’ tattoo created for Mike Tyson, so as to tease out (...)
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