This paper explicates how we might positively understand the distinctive, nonconceptual experience of our own actions and experiences by drawing on insights from a radically enactive take on phenomenal experience. We defend a late-developing relationalism about the emergence of explicit, conceptually based self-awareness, proposing that the latter develops in tandem with the mastery of self-reflective narrative practices. Focusing on the case of human newborns, Sect. 1 reviews and rejects claims that the capacities of actors to keep track of aspects of (...) themselves—e.g. their bodies, body parts, movements, activities, actions and experiences—when coordinating what they do equates to or is best explained by positing minimal, tacit awareness of their experiences as their own. Section 2 then considers and resists more familiar arguments, based on the so-called reflexivity thesis, that take such minimal self-awareness to be implied wherever there is any kind of phenomenal experience. In place of these ideas, we promote an alternative proposal of what is involved when agents keep track of aspects of themselves, drawing on a radically enactive conception of basic experience. Section 3 concludes by proposing that our first conceptual, explicit sense of self is something that only arrives on the scene once we become able to hold our own—through the support of others—in discursive, narrative practices that give us a conceptual grip on what it is to be a temporally extended self that persists over time. (shrink)

This paper explicates how we might positively understand the distinctive, nonconceptual experience of our own actions and experiences by drawing on insights from a radically enactive take on phenomenal experience. We defend a late-developing relationalism about the emergence of explicit, conceptually based self-awareness, proposing that the latter develops in tandem with the mastery of self-reflective narrative practices. Focusing on the case of human newborns, Sect. 1 reviews and rejects claims that the capacities of actors to keep track of aspects of (...) themselves—e.g. their bodies, body parts, movements, activities, actions and experiences—when coordinating what they do equates to or is best explained by positing minimal, tacit awareness of their experiences as their own. Section 2 then considers and resists more familiar arguments, based on the so-called reflexivity thesis, that take such minimal self-awareness to be implied wherever there is any kind of phenomenal experience. In place of these ideas, we promote an alternative proposal of what is involved when agents keep track of aspects of themselves, drawing on a radically enactive conception of basic experience. Section 3 concludes by proposing that our first conceptual, explicit sense of self is something that only arrives on the scene once we become able to hold our own—through the support of others—in discursive, narrative practices that give us a conceptual grip on what it is to be a temporally extended self that persists over time. (shrink)

I argue that conscious visual experience is essentially a non-representational demonstration of a skill. The explication and defense of this position depends on both phenomenological and empirical considerations. The central phenomenological claim is this: as a matter of human psychology, it is impossible to produce a conscious visual experience of a mind-independent object that is sufficiently like typical cases, without including concomitant proprioceptive sensations of the sort of extra-neural behavior that allows us to there and then competently detect such objects. (...) I then argue that this view, which is a version of enactivism, best explains the temporality of conscious experience—what is often called the specious present. (shrink)