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The Dochmiacs of Greek Drama

N. Conomis

Hermes 92 (1):23-50 (1964)

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The Reunion Duo In Euripides' Helen1.C. W. Willink - 1989 - Classical Quarterly 39 (1):45-69.details So begins one of the most engaging, and variously controversial, musical scenes in Euripides. The Messenger's narrative of the Phantom Helen's disappearance has proved to Menelaus that the Helen standing before him is the real Helen, altogether innocent of elopement to Troy, from whom he has been sundered for seventeen laborious years. The ensuing embrace is developed in a duet which is followed without a break by the so-called ‘Interrogation’, the two together constituting the so-called ‘Recognition Duo’. Download Export citation Bookmark 2 citations
Sleep After Labour in Euripides' Heracles1.C. W. Willink - 1988 - Classical Quarterly 38 (1):86-97.details πνοϲ, in general a common word in Greek tragedy, is a cardinal theme in the Heracles. In the first half of the play the glorious saving Labours of the warrior Hero with his bow, club and other weaponry are retrospectively evoked and further enacted. Repeated emphasis on this kind of ‘noble toil’ accords with the heroic definition of ρετ, which traditionally βανει διμχθω–8 the first strophe of the long First Stasimon in honour of Heracles ends with: μνῆϲαι ϲτεφνωμα μ– χθων (...) Download Export citation Bookmark 2 citations
Seven Textual Notes on Seven Against Thebes.Vayos J. Liapis - 2018 - Classical Quarterly 68 (1):10-22.details The following notes concern textual problems in the prologue andparodosof Aeschylus’Seven against Thebes. The text and apparatus criticus are based on those of M.L. West,Aeschylus: Tragoediae(Stuttgart and Leipzig, 1990; corrected edition, 1998). Download Export citation Bookmark
Some Problems of Text and Interpretation in the Bacchae. II.C. W. Willink - 1966 - Classical Quarterly 16 (02):220-.details In Part I of this article the major problems of the transmission of the Bacchae were considered, with a discussion of interpolated lines and lacunae, whether certain or merely postulated by previous editors. In the Introduction it was argued that P is a copy of a manuscript which was very like L before being supplemented with variant readings and with the whole of Tr. and Ba. 756 ff. from a lost source. The symbols λ and were used for P's exemplar (...) Download Export citation Bookmark 2 citations
Split Resolution in Greek Dramatic Lyric.L. P. E. Parker - 1968 - Classical Quarterly 18 (2):241-269.details It is well known that when resolution occurs in the stichic iambics and trochaics of tragedy word-end is not found between the two shorts so produced: w or, more accurately, that the first short of resolution must not be the last syllable of a polysyllabic word. Moreover, the syllables in resolution most often form part of the same word as the following short or anceps, e.g.: Ion 1143. Download Export citation Bookmark 9 citations

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