Offering aesthetic judgments of gardens is common. These judgments follow an evidentiary structure that is common to the evaluation of other aesthetic objects: summary judgments evidenced by the attribution of narrow formal aesthetic properties, “formal-adjacent” aesthetic properties, and relevant contextual relations. Yet, in a garden, these evidencing properties and relations take on forms that are different from those of other aesthetic and/or art objects. In this article, I consider these differences and consider whether aesthetic analyses of gardens rest on one (...) or more conceptual mistakes. In the end, I conclude that we can meet all challenges. (shrink)

Explorations of the boundaries between human culture and non-human nature have clear ethical dimensions. Developing both from philosophical arguments about the value of such boundaries and recent empirical work following the traffic across them, we seek to complement these discussions through a consideration of how these boundaries can be enacted by ourselves, as researchers, and the methods we employ. As part of an agenda seeking to reconsider organic agency within geographical narrative, we have been exploring different techniques for documenting the (...) ways in which such agencies are encountered. Specifically, we are interested in plants and the ways in which they might be researched in new ways by human geographers. Based on two particular pieces of research into human-plant dealings, our aim is one of exploring their lively presence as part of a performative environmental ethics enacted, in part, through the very practice of the research encounter. (shrink)