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Wittgenstein on privacy

Philosophical Review 74 (3):281-314 (1965)

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  1. Linguistic analysis and psychological explanations of the mental.C. Daniel Batson - 1972 - Journal for the Theory of Social Behaviour 2 (1):37–59.
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  • Bibliography.Amélie Oksenberg Rorty - 1976 - In Identities of Persons. University of California Press. pp. 325-333.
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  • (1 other version)Identities of Persons.Amélie Oksenberg Rorty (ed.) - 1976 - University of California Press.
    In this volume, thirteen philosophers contribute new essays analyzing the criteria for personal identity and their import on ethics and the theory of action: it presents contemporary treatments of the issues discussed in Personal Identity, edited by John Perry (University of California Press, 1975).
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  • Bibliography.[author unknown] - 2007 - In Guy Kahane, Edward Kanterian & Oskari Kuusela (eds.), Wittgenstein and His Interpreters: Essays in Memory of Gordon Baker. Oxford: Wiley-Blackwell. pp. 320–344.
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  • God, Wittgenstein and John Cook.Don S. Levi - 2009 - Philosophy 84 (2):267-286.
    This essay is a meditation on Wittgenstein's injunction to ‘look and see’, especially when it is applied to the debate over theological realism. John Cook thinks that the injunction should be followed in metaphysics and epistemology, something he believes that Wittgenstein himself did not do. I am inclined to think that Cook is right about this, even though I am not persuaded by him that Wittgenstein goes wrong because he was committed to Neutral Monism. Interestingly, Cook thinks that there is (...)
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  • Wittgenstein and Searle's Assertion Fallacy: A Second Pass.Farnum Brown - 1989 - Philosophical Investigations 12 (2):154-161.
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  • Private languages and private entities.James W. Cornman - 1968 - Australasian Journal of Philosophy 46 (2):117-126.
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  • Biomorphism and Models in Design.Cameron Shelley - 2015 - In Woosuk Park, Ping Li & Lorenzo Magnani (eds.), Philosophy and Cognitive Science Ii: Western & Eastern Studies. Cham: Springer Verlag.
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  • On the Artist's Privileged Status.Mark Roskill - 1979 - Philosophy 54 (208):187 - 198.
    The topic of this paper is one more alluded to than actually studied, both in current philosophy of art and in the theory of criticism. There is a reason for this, which both clarifies the issue and suggests how it is to be approached. To suppose that the person responsible for a work of art has at least something interesting to say about it is only natural, and even commonplace. But granted this, the qualifications to be put on that assumption (...)
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