After offering a characterization of what unites versions of ‘expressivism’, we highlight a number of dimensions along which expressivist views should be distinguished. We then separate four theses often associated with expressivism – a positive expressivist thesis, a positive constitutivist thesis, a negative ontological thesis, and a negative semantic thesis – and describe how traditional expressivists have attempted to incorporate them. We argue that expressivism in its traditional form may be fatally flawed, but that expressivists nonetheless have the resources for (...) preserving what is essential to their view. These resources comprise a re-configuring of expressivism, the result of which is the view we call ‘neo-expressivism’. After illustrating how the neo-expressivist model works in the case of avowals and ethical claims, we explain how it avoids the problems of traditional expressivism. (shrink)

Este libro, por un lado, propone nuevas perspectivas y materiales de estudio sobre algunos de los temas, autores y textos clásicos de la filosofía moderna; por otro lado, invita a descubrir rarezas, temas, autores y textos poco conocidos o ignorados, que lleven a renovar el canon de la filosofía moderna. Realiza una revisión crítica de las categorías empirismo y del racionalismo modernos y dedica artículos a una serie de filósofas modernas con el fin de renovar el canon filosófico moderno.

One strategy Mādhyamikas use to support their claim that nothing has intrinsic nature (svabhāva) is to argue that things with intrinsic nature could not enter into causal relations. But it is not clear that there is a good Madhyamaka argument against ultimate causation that understands causation in ‘Humean’ terms and understands dharmas as tropes. After exploring the rationale behind the intrinsic-nature criterion of dharma-hood, I survey the arguments Mādhyamikas actually give for their claim that anything dependently originated must be devoid (...) of intrinsic nature, and suggest that none actually succeeds in ruling out this hypothesis about how ultimate causation might work. (shrink)

A characteristically Humean pattern of explanation starts by claiming that we have a certain kind of feeling in response to some objects and then takes our having such feelings to provide an explanation of how we come to think of those objects as having some feature that we would not otherwise be able to think of them as having. This core pattern of explanation is what leads Simon Blackburn to dub Hume ‘the first great projectivist.’ This paper critically examines the (...) philosophical and textual basis for interpreting Hume as a causal projectivist. I argue that projectivist interpretations of Hume's account of causation are motivated by two convictions: that beliefs about causation, according to Hume, are not just beliefs about regularity relations and that believing that two events are necessarily connected, according to Hume, is not merely having a belief about something that occurs in one's mind. I suggest that the latter conviction is worth revisiting, both for textual and philosophical reasons. (shrink)

Hume regards the ‘absolute’ necessity attending demonstrable propositions as an expression of the limitations of human imagination. When we register our modal commitments in ordinary descriptive language, affirming that there are such-and-such absolute necessities, possibilities, and impossibilities, we are projecting our sense of what the human mind can and cannot conceive. In some ways the account parallels Hume’s famous treatment of the necessity of causes, and in some respects it anticipates recent expressivist theories of absolute modality. I marshal the evidence (...) for this interpretation, show how it can explain a number of otherwise puzzling features of Hume’s modal epistemology and metaphysics, and situate this account of our modal discourse in Hume’s wider programme for a science of human nature. (shrink)

Hume’s claim that we project necessity onto objects we take to be causally related has been influential in contemporary discussions of modality, inspiring deflationary accounts of our modal commitments. Hume is commonly understood as holding that modal projection explains our judging that an effect must follow its cause. This misunderstands the role of projection in Hume’s discussions of causation and causal judgement. Projection is a diagnosis of a distinctively philosophical confusion: the commitment to mind-independent necessary connections. In arguing for this, (...) I provide an account of the psychological process that, in Hume’s view, underlies projection. This account resolves problems with Hume’s projectivism identified by his commentators. (shrink)

Interpreters of Hume on causation consider that an advantage of the ‘quasi-realist’ reading is that it does not commit him to scepticism or to an error theory about causal reasoning. It is unique to quasi-realism that it maintains this positive epistemic result together with a rejection of metaphysical realism about causation: the quasi-realist supplies an appropriate semantic theory in order to justify the practice of talking ‘as if’ there were causal powers in the world. In this paper, I problematise the (...) quasi-realist reading of Hume on causation by showing how quasi-realism does not speak to inductive scepticism. I also offer evidence that Hume takes inductive scepticism to result from his theory of causation, and that his scepticism is tied to his rejection of metaphysical causal realism. (shrink)

The following inquiry pursues two interlinked aims. The first is to understand Wittgenstein's idea of non-foundational certainty in the context of a reading of On Certainty that emphasizes its Pyrrhonian elements. The second is to read Wittgenstein's remarks on idealism/radical skepticism in On Certainty in parallel with the discussion of rule-following in Philosophical Investigations in order to demonstrate an underlying similarity of philosophical concerns and methods. I argue that for the later Wittgenstein, what is held certain in a given context (...) of inquiry or action is a locally transcendental condition of the inquiry or action in question. In On Certainty, Wittgenstein's analysis of the difference between knowledge and certainty forms the basis of his critique of both Moore's "Proof" and radical skepticism. This critique takes the shape of rejection of a presupposition shared by both parties, and utilizes what I identify as a Pyrrhonian-style argument against opposed dogmatic views. Wittgenstein's method in this text involves describing epistemic language-games. I demonstrate that this is consistent with the rejection of epistemological theorizing, arguing that a Wittgensteinian "picture" is not a theory, but an impressionistic description that accomplishes two things: (i) throwing into relief problems with dogmatic theories and their presuppositions, and (ii) describing the provenance of linguistic and epistemic practices in terms of norms grounded in convention. Convention, in turn, is not arbitrary, but grounded in the biological and social natures of human beings--in what Wittgenstein calls forms of life. Thus there is a kind of naturalism in the work of the later Wittgenstein. It is a naturalism that comes neatly dovetailed with Pyrrhonism--a combination of strategies traceable to Hume's work in the Treatise. I read Hume as someone who develops the Pyrrhonian method to include philosophy done "in a careless manner," and argue that Wittgenstein adopts a similar method in his later works. Finally, I explain the deference to convention in the work of both Hume and Wittgenstein by reference to a passage in Sextus' Outlines, on which I provide a gloss in the final chapter of this work. (shrink)

Artikkelissa puolustetaan syy-seuraussuhteen ajallista yksisuuntaisuutta. Positiivinen argumentti perustuu ajanluontoisten tapahtumien ennen–jälkeen-suhteen pysyvyyteen. Olennaiset vastaväitteet, jotka perustuvat samanaikaiseen kausaliteettiin, antikausaaliseen fysiikan filosofiaan ja luonnonlakien symmetrisyyteen, otetaan huomioon. Johtopäätöksenä todetaan, että malliesimerkit kausaliteetista ilmentävät syyn ja seurauksen epäsymmetriaa. Syy alkaa ennen sen seurausta, vaikka ne ovat osittain samanaikaisia.

This is the original, longer draft for my entry on Hume in the 'The Routledge Hand- book of Philosophy of Imagination', edited by Amy Kind and published by Routledge in 2016 (see the separate entry). — Please always cite the Routledge version, unless there are passages concerned that did not make it into the Handbook for reasons of length. — -/- This chapter overviews Hume’s thoughts on the nature and the role of imagining, with an almost exclusive focus on the (...) first book of his Treatise of Human Nature. Over the course of this text, Hume draws and discusses three important distinctions among our conscious mental episodes (or what he calls ‘perceptions’): (i) between impressions (including perceptual experiences) and ideas (including recollections, imaginings and occurrent beliefs); (ii) between ideas of the memory and ideas of the imagination; and (iii), among the ideas of the imagination, between ideas of the judgement (i.e. occurrent beliefs) and ideas of the fancy (i.e. imaginings). I discuss each distinction in turn, also in connection to contemporary views on imagining. In addition, I briefly consider Hume’s views on the imagination as a faculty aimed at the production of ideas, as well as on the role that imagining plays in the wider context of our mental lives, notably in the acquisition of modal knowledge and in the comprehension of, and resistance to, stories and opinions that we take to be false or fictional. (shrink)