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  1. Drawing the full picture on diverging findings: adjusting the view on the perception of art created by artificial intelligence.Nicolas E. Neef, Sarah Zabel, Maria Papoli & Siegmar Otto - forthcoming - AI and Society:1-21.
    AI is becoming increasingly prevalent in creative fields that were thought to be exclusively human. Thus, it is non-surprising that a negative bias toward AI-generated artwork has been proclaimed. However, results are mixed. Studies that have presented AI-generated and human-created images simultaneously have detected a bias, but most studies in which participants saw either AI-generated or human-created images have not. Therefore, we propose that the bias arises foremost in a competitive situation between AI and humans. In a sample of N (...)
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  • Aesthetic Empathy: An Investigation in Phenomenological Psychology of Visual Art Experiences.Jannik M. Hansen & Tone Roald - 2022 - Journal of Phenomenological Psychology 53 (1):25-50.
    Empathy is a psychologically significant phenomenon. It plays a key role in the development of the self, sociality, and prosocial behaviour. The term empathy originated in 19th-century aesthetics, where the concept was seen as an explanation for aesthetic experience. Despite renewed interest in the relation between empathy and aesthetic experiences, investigations into how empathy shapes experiences of art are still scarce. Given this situation, we ask the following three questions: What does one experience when experiencing a work of art empathetically? (...)
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