This contribution focuses on strategic ineffability in Plato. Strategic ineffability serves different purposes. In Plato, it is mainly used to express a religious feeling of dependence and to emphasize the remoteness of the divine. However, its meaning is not only religious. It is also part of a complex narrative device that often resorts to irony in order to de-emphasize the most arduous and controversial metaphysical speculations. Whereas topoi of affected modesty and unspeakability may only play an aesthetic role, strategic ineffability (...) has to do with relevant communication: it is a way to share with (and induce in) other people feelings, goals and morally relevant beliefs, without entailing any accurate conceptual content. Knowledge is not the primary goal here. The paper argues that Plato, Plotinus and other ancient philosophers used the notion of divine ineffability strategically to share beliefs with their selected audiences and lead their disciples to spiritual change. (shrink)

Inspired by studies about the history and anthropology of knowledge, this text addresses the question of how places are constitutive of the process of argumentation. The argument from place that is presented in classical rhetoric handbooks, particularly in Quintilian, is used as a model of analysis in order to emphasise the situated character of argumentative processes. Both the attention to the place from which an argument is uttered and to the place to which the argument refers are useful guides that (...) help us understand the phenomenon of relevance and keep expanding the contextual and situated approach to argumentation theory and rhetoric. (shrink)

When Giovanni Boccaccio undertook to compile the myths of Greco-Roman antiquity in the mid-fourteenth century, he was working within a long tradition of medieval commentaries on Ovid's mythological works and mythographical compendia, such as Alberic of London's De deis gentium. His Genealogie deorum gentilium libri, on which he worked until the final years of his life, also falls within the traditions of biblical exegesis and of philosophical commentary on texts, such as Boethius's De consolatione philosophiae and Virgil's Aeneid. The complex (...) and eclectic nature of Boccaccio's learning, however, along with the antimodern organizational structure of the treatise, has led to the underestimation of its importance in the history of medieval and Renaissance approaches to ancient myth. As Charles Osgood's partial translation of the work demonstrates, the focus of critics has been limited to the final two books of the treatise, in which Boccaccio defends both poetry and his work from detractors. The fourteenth and fifteenth books of the Genealogie have been by far the most long-lived sections of the work. The straightforward defense of poetry through recourse to the topos of the poeta theologus places the work in a historical continuum that leads from Albertino Mussato and Francesco Petrarca to Coluccio Salutati, Marsilio Ficino, and Angelo Poliziano, not to mention the poetic theorists of the English Renaissance, such as Sir Philip Sidney. (shrink)

This essay examines the iconography and role of animals in medieval and early modern bestiaries. In being without original sin “God’s creatures” were deemed proximate to divine perfection and to salvation. Animals, whether symbolic or actual, both instructed man’s moral behaviour and ushered man towards salvation. Bestiaries, it will be argued, are keys to understanding how modern law would eventually co-ordinate itself in relation to the concept of a future salvic moment.

The idea of a text is reviewed and reconstructed to facilitate the application of concepts of interpretation to the objects analyzed in the natural sciences, as well as to objects analyzed in religion and literature. Four criteria—‐readability, formality, material transcendence, and retrievability—‐are proposed as the basis for a generalized conception of text. Objects in both religion and science, not previously thought to be texts, are shown to be included in the new definition and therefore to be potential subjects of developing (...) methods of interpretation. (shrink)