In a recent book onThe Publics of Science; Experts and Laymen Through History, Agustí Nieto-Galan introduced his subject of a (mostly Western) history of public science, covering the times from the Scientific Revolution to the twenty-first century, with reference to Sigmund Freud. In one of his essays of cultural critique, Freud had, so to speak, put culture itself on his couch, and this session also featured talk about science and technological application.Civilization and Its Discontentsidentified a factor of disillusionment in the (...) progress of science and technology, which gave rise to “The Uneasiness in Culture” (the literal translation of the title of Freud's German essayDas Unbehagen in der Kultur), and this uneasiness tainted a great deal of the happiness science and technology were intended to cultivate (Nieto-Galán 2011; Freud 1930). New technology and inventions like telephones, ocean liners, or drugs, Freud argued, were mostly remedies for negative developments technology had just created; for instance, without modern transportation people would stay close to each other and not need any telephone. (However, he did not address the issue of whether scientific knowledge itself may have provided some satisfaction.) The modern individual, as analyzed by Freud, was therefore constantly ill at ease with modern scientific and technological culture. (shrink)

. Over the last three decades, physicists have engaged in, sometimes heated, debates about relative merits and prospects of string theory as a viable research program and even about its status as a science. The aim of this paper is to provide a deeper understanding of this controversy as a particular form of boundary discourse. Drawing on the sociological work of Thomas Gieryn and Lawrence Prelli, we bring to light the way in which protagonists appeal to, and rhetorically construct, different (...) views about the scientific method and the scientific ethos, in an effort to legitimize or delegitimize string theory. (shrink)

Popular science writing has received increasing interest, especially in its relation to professional science. I extend the current scholarly focus from the nineteenth to the twentieth century by providing a microhistory of the early popular writings of evolutionary biologist John Maynard Smith. Linking them to the state of evolutionary biology as a professional science as well as Maynard Smith’s own professional standing, I examine the interplay between author, text and audiences. In particular, I focus on Maynard Smith’s book The Theory (...) of Evolution and show how he used it to both promote neo-Darwinism and advocate the utility of mathematics in biology. Following in the footsteps of Charles Darwin and David Lack, Maynard Smith was a science communicator blurring the lines between genres and audiences while contributing to ongoing discussions within and on the profession of evolutionary biology around the Darwin-Wallace centenary. (shrink)

ArgumentBy the late nineteenth century, science pedagogues and academicians became involved in a vast movement to popularize science throughout the Russian empire. With the aftermath of the 1917 Bolshevik Revolution, many now found the new Marxist state a willing supporter of their goals of spreading science to an under-educated public. In the Stalin era, Soviet state officials believed that the spread of science and technology had to coalesce with the Communist Party's utilitarian goals and needs to revive the industrial sector (...) of the economy. This resulted in a new Stalinist technologically oriented popularization campaign. In the Khrushchev era (1953–64), Soviet politicians became increasingly more aware of the competitive power of Soviet technology in the global arena and developed extensive campaigns to publicize Soviet feats for a broad domestic and foreign public audience. This was particularly true for topics such as the space program and big technologies such as nuclear power. (shrink)

An ethnographic or ethnomethodological turn in the history of the human sciences has been a Holy Grail at least since Cooter and Pumphrey called for it in 1994, but it has been little realized in practice. This article sketches out some ways to explore the reception, use and/or co-production of scientific knowledge using material generated by mediators such as mass-market paperbacks, radio, TV and especially newspapers. It then presents some preliminary findings, tracing the prevalence and, to a lesser extent, use (...) of selected social-science concepts in the USA and the UK from the 1930s to the 1970s. (shrink)

From the 1660s onwards, France tried to establish itself as a leading maritime and colonial power. The first French East India Company allowed a decisive penetration into the Indian Ocean, while the foundation of the Rochefort arsenal was the starting point of a great shipbuilding effort. The archives of the State Secretariat of the French Navy, ports, and learned societies, as well as printed scholarly literature, testify to an increasing mobilisation around the health of the “gens de mer.” Most of (...) the actors involved in this reflection, whether doctors or surgeons, naval officers or engineers, scholars or inventors, agreed in associating seamen's diseases with the poor air quality prevailing within ships. The environment of seafarers was thus definitely regarded as harmful. However, the atmosphere of a ship was also seen through the possibility to reshape it and reduce its dangerousness, with adapted behaviours, careful maintenance, or technical solutions. This was crucial to ensure the circulation of human beings and goods across the French overseas empire, but also to defend it from the threats associated with the major conflicts of the second half of the 18th century. This article highlights how environments regarded as “pathogenic” were conceived and reshaped during the second half of the early modern period in France, using the example of naval hygiene. It examines the strategies designed and implemented to combat the “noxious” air of French ships, in particular through the regulations introduced since the end of the 17th century, and considers how this issue has stimulated the search for technological solutions. (shrink)

This essay examines the physicist Ernst Mach’s popular work. Like many other scientists in late nineteenth-century Central Europe, he viewed the popular genre as a means not only of edifying the lay public but of communicating arguments to other specialists. In many cases, he used his popularizations to draw his colleagues’ attention to the biological and evolutionary features of scientific reasoning, although his own understanding of those features changed in the 1880s and early 1890s. Notably, he came to believe that (...) human beings instinctively read substances into nature. Several years after adopting this new perspective on substance, he incorporated it into a series of popular works that were intended to outline his views on thermodynamics in general and to weigh in on the controversy over “energetics” that erupted at the 1895 Versammlung Deutscher Naturforscher und Ärtze. (shrink)

What Is Race? Evidence from Scientists is a picture book for schoolchildren published by UNESCO as part of its high-profile campaign on race. The 87-page, oblong, soft-cover booklet contains bold, semi-abstract, pared-down images accompanied by text, devised to make scientific concepts ‘more easily intelligible to the layman’. Produced by UNESCO’s Department of Mass Communication, the picture book represents the organization’s early-postwar confidence in the power of scientific knowledge as a social remedy and diplomatic tool. In keeping with a significant component (...) of the race campaign, What Is Race? presented genetics as the route to an enlightened, scientific, non-prejudiced understanding of race. This article seeks to explain the book’s management, aesthetics and framing in the context of postwar disciplinary and international politics. Viewing UNESCO’s race campaign as a high point for an internationalist ideology of mass education, this article also analyses the visual and literary arguments of What Is Race? and proposes that the enduring image of genetics as technical and neutral knowledge was in part shaped by UNESCO’s efforts to communicate scientific authority to an apparently ‘popular’ audience. (shrink)