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  1. Ritual Texts and Literary Texts in Abhinavagupta’s Aesthetics: Notes on the Beginning of the ‘Critical Reconstruction’.Andrew Ollett - 2016 - Journal of Indian Philosophy 44 (3):581-595.
    In a recent paper in this Journal Hugo David discussed the possible sources for the comparison that Abhinavagupta draws between ritual and literary discourse at the beginning of his “critical reconstruction” of the theory of rasa in the sixth chapter of his New Dramatic Art. The question of Abhinavagupta’s sources raises more general questions about Abhinavagupta’s use of the concepts and analytical procedures of Mīmāṃsā in his literary-theoretical works. What, if anything, does Mīmāṃsā really have to do with the analysis (...)
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  • Une ontologie du commandement?Hugo David - 2017 - ThéoRèmes 11 (1).
    On s’intéresse dans cet article à la contribution d’auteurs issus de l’exégèse scripturaire brahmanique à l’histoire de l’ontologie dans l’Inde du premier millénaire. Ce faisant, on cherche à mieux comprendre ce que signifie « philosopher » pour ces intellectuels voués à l’interprétation, dans une perspective ritualiste, d’un texte jugé comme éternel et infaillible. Le point de départ de l’enquête est l’opposition entre deux conceptions rivales de l’être, apparues simultanément au tournant des viieet viiie siècles au sein de cette école : (...)
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  • Bhaṭṭa Jayanta on Epistemic Complexity.Whitney Cox - 2022 - Journal of Indian Philosophy 50 (3):387-425.
    This essay seeks to characterize one of the leading ideas in Bhaṭṭa Jayanta's Nyāyamañjarī, the fundamental role that the idea of complexity plays in its theory of knowledge. The appeal to the causally complex nature of any event of valid awareness is framed as a repudiation of the lean ontology and epistemology of the Buddhist theorists working in the tradition of Dharmakīrti; for Jayanta, this theoretical minimalism led inevitably to the inadmissible claim of the irreality of the world outside of (...)
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