- Idealist Origins: 1920s and Before.Martin Davies & Stein Helgeby - 2014 - In Graham Oppy & Nick Trakakis (eds.), History of Philosophy in Australia and New Zealand. Dordrecht: Springer. pp. 15-54.details
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A psycho-historical research program for the integrative science of art.Nicolas J. Bullot & Rolf Reber - 2013 - Behavioral and Brain Sciences 36 (2):163-180.details
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Educating the design stance: Issues of coherence and transgression.Norman H. Freeman & Melissa L. Allen - 2013 - Behavioral and Brain Sciences 36 (2):141 - 142.details
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Performing Works of Music Authentically.Julian Dodd - 2012 - European Journal of Philosophy 23 (3):485-508.details
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The philosophy of music.Andrew Kania - 2008 - Stanford Encyclopedia of Philosophy.details
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Rhinestone Cowboys: The Problem of Country Music Costuming.Evan Malone - forthcoming - Journal of Aesthetics and Art Criticism.details
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Historically Uninformed Views of Historically Informed Performance.Matteo Ravasio - 2019 - Journal of Aesthetics and Art Criticism 77 (2):193-205.details
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Educating the design stance: Issues of coherence and transgression. Commentary on Bullot & Reber.Norman H. Freeman & Melissa L. Allen - forthcoming - Behavioral and Brain Sciences.details
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Logic, Mathematics, Philosophy, Vintage Enthusiasms: Essays in Honour of John L. Bell.David DeVidi, Michael Hallett & Peter Clark (eds.) - 2011 - Dordrecht, Netherland: Springer.details
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Works, recordings, performances : classical, rock, jazz.Andrew Kania - 2008 - In Mine Doğantan (ed.), Recorded music: philosophical and critical reflections. London: Middlesex University Press.details
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The sound of the concerto. Against the invariantist approach to musical ontology.Stefano Predelli - 2006 - British Journal of Aesthetics 46 (2):144-162.details
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